Within the realm of contemporary Nollywood cinema, Kehinde Bankole’s latest film, “Adire,” distinguishes itself from the typical blockbuster formula. With a modest inclusion of A-list talent, the film captivates through a profound thematic richness.
Unlike the distinct style of Mount Zion movies, “Adire” fearlessly tackles a poignant message crafted for the modern church. Stepping away from the prevalent narrative of condemnation and rigid doctrine, the film offers a refreshing departure, urging viewers to reflect on the essence of compassion in today’s religious landscape.
Reflecting the wisdom of a candid friend who declared, “I am not perfect and I don’t pretend to be,” the movie challenges conventional spiritual portrayals. It ventures beyond sanctimonious teachings from elevated altars, highlighting the crucial balance between sound doctrine and the warmth of genuine compassion.
“Adire” surpasses the boundaries of conventional religious narratives, providing a powerful commentary on the imperfections that coexist with spiritual pursuits. In a world where some spiritual leaders prioritize condemnation over love, the film serves as a compelling reminder that any faith community’s foundation should be rooted in love—a virtue sometimes overlooked by certain Men and Women of God (MOGs and WOGs).
In essence, Kehinde Bankole’s “Adire” is a cinematic venture that not only captivates with its creative storytelling but also acts as a thought-provoking critique of the contemporary church. It encourages introspection on the delicate balance between doctrine and the profound essence of love.
Written By Adesina Kasali
