Throughout every decade of Nigeria’s existence as an independent nation, the music of Yoruba origin has consistently dominated not only our nation but also the world. Various Yoruba artists have emerged as influential figures in different eras, showcasing the rich musical heritage of the Yoruba people.
In the 1960s, Bobby Benson took center stage and dominated the music scene. The 70s saw the rise of Abami Fela Kuti, who became an iconic figure with his Afrobeat sound. Moving into the 80s, King Sunny Ade and Chief Commander Ebenezer Obey reigned supreme, captivating audiences with their unique styles. The 90s witnessed the dominance of Sir Shina Peters and King Wasiu Ayinde Marshall.
As we entered the 2000s, Paul Play Dairo shared the spotlight with the non-Yoruba artist Tuface Idibia. In the following decade, D’Banj, known as the Koko Master, shared dominance with non-Yoruba artists such as PSquare. Presently, we have a new wave of Yoruba-influenced artists, including Davido, Wizkid, Burna Boy, and Asake, who are not only dominating the music scene but also selling out prestigious venues like the O2 Arena and Madison Square Garden.
It’s worth noting that Yoruba female artists have also made significant contributions to the industry. Tiwa Savage, Yemi Alade, Asa, Simi, Teni, and Seyi Shay are among the talented women who dominate both locally and internationally with their girl power!
One might wonder how Yoruba artists manage to crossover and gain international recognition, even when they sing wholly or partly in Yoruba. Christy Essien Igbokwe once stated that her breakthrough in the music industry would not have been possible without her anthem “Seun rere,” which was performed entirely in Yoruba.
In the global music scene, no other ethnic group has consistently achieved international breakthroughs while singing in their native tongue like the Yoruba artists have. While other groups may sing in their native languages, they have struggled to crossover internationally.
Caribbean reggae artists predominantly sing in English or patois, African American R&B, Jazz, Soul, and rap artists sing in English, and Black Brazilians crossover with Portuguese. Francophone artists, with the exception of Manu Dibango, have primarily crossed over with French, and South
