Beauty Queen β€œBeauty Tukura” indeed looks good in just about anything. But when it comes to posing for a photoshoot, the reality star proves time and again that you can be comfortable, fun, or even tell a beautiful story without uttering words.

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POLICE CAPTURE MOST VICIOUS HIRED K**1LLER IN LAGOS HISTORY, WASIU AKINWANDE a k.a. OLORI ESHO-

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The Lagos State Police Command has announced a significant breakthrough in its relentless fight against crime of violence and other criminalities in Lagos State.

According to a statement from the command;

β€œOn Friday, June 20, 2025, Tactical Squad operatives of the Command successfully in a well-coordinated special operation code-named Silence, Speed and Surprise trailed and arrested Wasiu Akinwande aka Olori Eso, a 44-year-old notorious hired killer and head of killers gang and cultist kingpin who along with his multiple gangs and hoodlums have been terrorizing Mushin area of Lagos State and its environs.

This serial killer suspect is the most wanted suspect in Lagos history in recent time. His arrest marks a huge success in the ongoing fight against violent crimes that are threats to security and safety of residents in Mushin and some other parts of Lagos State.

Wasiu Akinwande was arrested in his hideout in the Agbado area of Ogun State after several attempts by the Police Tactical Squad. For over a decade now from 2009 until 2024, Wasiu Akinwande and his gangs have terrorized the people and communities, particularly in the Mushin area of Lagos State.

He was responsible for organizing and executing series of armed robberies, cold blooded murders, kidnappings and cult-related killings. His reign of terror instilled fear and apprehension in residents and posed a dangerous threat to law and order.

Akinwande’s criminal activities have left trauma, horror, agony and pains in the families of victims of his numerous high-profile crimes under investigation by the Lagos State Police Command. Despite his escapes from one state of the country to another over the years, the Lagos State Police Command remained resolute in its pursuit of Justice.

The operatives of the Command raided his house in Mushin, and recovered cache of weapons and incriminating items he freely admitted he was using for his killing operations with his gang. The firearms recovered include: Two (2) AK-47 rifles, One (1) K2 Assault rifle, One (1) Red Ryder rifle , Three (3) pump action rifl

Farooq Oreagba: The King of Steeze Who Rode Tradition into the Global Spotlight

In this edition of Ranks Africa Spotlight, we proudly celebrate Farooq Oreagba β€” a man whose presence has redefined cultural relevance in modern Africa. More than just the face of Ojude Oba’s global breakout, Farooq embodies heritage in motion β€” a walking statement of tradition, elegance, and intentional storytelling. From his unforgettable entrance in 2024 to his consistent advocacy for Yoruba culture, Farooq has turned every moment into a movement, making him not just a style icon, but a cultural force shaping the narrative of African identity with pride and purpose.

In 2024, Ojude Oba wasn’t just trending β€” it was transcending. And at the center of that global wave was one unforgettable image: a man on horseback in a green and lemon aso-oke agbada, cigar in hand, gold chain swinging, tattooed arms unapologetically visible, exuding quiet confidence and he was swiftly named Honorary Cultural Ambassador by the NCAC.

Cover: Farooq Oreagba Picture Credit: Olaotan Atilade

Social media crowned him: β€œMr. Steeze.”
But those who knew the culture understood β€” this wasn’t a moment. It was a movement.

Years of Legacy, One Viral Spark

Farooq Oreagba had been building legacy for decades β€” long before the camera captured him. A high-level executive in Nigeria’s capital markets, cancer survivor, cultural advocate, and proud Yoruba son β€” he had already lived several lives before becoming a social media phenomenon.

The beauty of 2024 was that the world finally caught up.
But here’s what made it extraordinary: he didn’t let the fame define him β€” he used it to define the culture.

He immediately pivoted from trending to teaching β€” consistently using his platform to promote the significance, history, and pride of Ojude Oba. What others used for vanity, he used for visibility. He brought eyeballs, attention, and respect to a tradition that had always deserved it.

Ojude Oba 2025: Anticipation, Arrival, and Aura

Fast forward to 2025. The internet waited β€” again. Some men attend festivals. Some men wear agbada.
But only a few β€” like Farooq Oreagba β€” ride into cultural history with such quiet power that the world cannot look away.

Where is Mr. Steeze? Has he arrived? What is he wearing? What color this year?

It wasn’t just hype. It was hope. Hope that the man who carried culture with class would appear and remind us β€” again β€” what it means to move with pride and purpose.

And when the photos dropped?
He didn’t just come correct β€” he overwhelmed the entire timeline.

In brown-toned regalia, deeper earth hues, softer fabric, yet bolder energy β€” Farooq Oreagba proved that the sequel can be stronger than the original. He didn’t need to overdo it. He is the standard.

Farooq Oreagba  Picture Credit: Pooja Media

The Man Who Preaches the Gospel of Culture

While most festival attendees show up on the day, Farooq starts months ahead.

His content isn’t just dress rehearsals β€” it’s education.
His captions aren’t for likes β€” they’re for legacy.
His platforms aren’t just for style β€” they’re for storytelling.

He spoke about the meaning of Ojude Oba. He elevated designers. He celebrated Ijebu history. He acknowledged ancestors. And by the time the festival came, the world wasn’t just watching β€” they were learning.

More Than a Viral Moment β€” A Cultural Movement

Farooq Oreagba didn’t just β€œgo viral.”
He went historic.

And through it all, he remained grounded. He never traded dignity for clicks. He never sold culture for clout. Instead, he built a bridge β€” one where younger generations could walk across in Gucci loafers and agbada and still hear the drums of their forefathers.

He reminded us that style without substance fades. But heritage in motion becomes legacy.

Farooq Oreagba

Why Farooq Oreagba Matters

  • He embodies modern tradition β€” blending tattoos with turban, cigar with coral beads, finance with folklore.
  • He promotes before the parade β€” using his platform to shine light long before the spotlight.
  • He redefined what it means to be culturally relevant β€” proving that relevance is earned, not worn.
  • He amplified Ojude Oba β€” making it not just a festival, but a global cultural brand.

    Farooq Oreagba

The Legacy Lives On

In a world obsessed with virality, Farooq Oreagba gave us something more valuable: visibility with value.

He showed us that you can be regal without being arrogant, traditional without being outdated, and powerful without being loud.

As Ojude Oba continues to rise in global visibility, one thing is certain:
We will always look out for the man who rides not just a horse β€” but rides culture with him.

And when we see him, we don’t just see agbada.
We see art.
We see authenticity.
We see Africa β€” bold, proud, rooted.

Popular TV Couple Mr. and Mrs. Kogberegbe, Honor Olalekan Fabilola for His Efforts to Preserve Yoruba Heritage

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Popular TV Couple and Creative Directors of Dallas International Yoruba Movie Awards (DIYMA), Mr. and Mrs. Kogberegbe, Honor Olalekan Fabilola for His Efforts to Preserve Yoruba Heritage

Olalekan Fabilola, the TV host of β€œMasoyinbo,” a Yoruba cultural game show, has been presented with an honorary award by the dynamic TV couple, Mr. and Mrs. Kogberegbe.

Fabilola received the recognition for his consistent efforts in preserving and promoting the Yoruba language and culture through his engaging and educational show.

 

Mr. and Mrs. Kogberegbe, known for their popular TV drama series and their roles as Creative Directors of the Dallas International Yoruba Movie Awards (DIYMA), bestowed the award upon Fabilola as a surprise award after they were guest on the Masoyinbo show.

 

The duo commended Fabilola’s dedication to showcasing the richness of Yoruba heritage and fostering a deeper appreciation for the language among audiences worldwide.

β€œWe are thrilled to present this honorary award to Olalekan Fabilola, a true champion of Yoruba culture and an inspiration to many,” said Mr. Kogberegbe.

 

β€œThrough β€˜Masoyinbo,’ he has created a platform that not only entertains but also educates viewers on the beauty and significance of our Yoruba traditions.”

 

Mrs. Kogberegbe added, β€œThis recognition is well-deserved, as Fabilola’s work aligns with our shared mission to preserve and elevate Yoruba arts and culture through platforms such as DIYMA. We hope this award encourages him to continue his remarkable efforts and inspire others to take pride in their heritage.”

 

Olalekan Fabilola expressed his gratitude for the recognition, stating, β€œI am deeply honored and humbled to receive this award from Mr. and Mrs. Kogberegbe, who have made significant contributions to the Yoruba entertainment industry. Their support is a testament to the importance of preserving our cultural identity and ensuring it thrives for future generations.”

 

The presentation of this honorary award signifies the collective dedication of these influential figures in promoting and safeguarding the vibrant Yoruba culture, language, and traditions for audiences both locally and globally.

 

About Dallas International Yoruba Movie Awards (DIYMA):

DIYMA is an annual awards ceremony that celebrates and recognizes outstanding talents in the Yoruba film industry across the globe. The event aims to promote and preserve Yoruba culture, language, and traditions through the art of filmmaking.

For more information on DIYMA, please visit their website at diyma.org or contact info@diyma.org.

Credit:: Adenike Fagbemi

Exclusive Interview: Princess Adesile β€” Where Royalty Meets Relevance

In this special edition of the Ranks Africa Spotlight Series, we sat down with one of the most celebrated figures of Ojude Oba 2024 and 2025β€”the radiant Princess Adesile.

Known not only for her regal presence at the festival but also for her powerful voice in business and culture, Princess Adesile continues to shape the narrative of tradition in modern times. As the founder of Desile Lagos and a fierce advocate for heritage-led innovation, she represents the perfect harmony between elegance, purpose, and enterprise.

In this exclusive interview, she opens up about what Ojude Oba means to her, the deeper inspiration behind her iconic appearances, how she built a brand that spans continents, and her vision for a future where Yoruba culture isn’t just preservedβ€”but globally revered.

Prepare to be inspired by a woman who doesn’t just wear royaltyβ€”she redefines it.

  1. Ojude Oba has become synonymous with elegance and cultural pride β€” what does the festival mean to you personally?

For me, Ojude Oba is more than a festival, it’s a living, breathing expression of who we are as Ijebu people. It’s our history, and our pride. Personally, it’s a sacred time to honour my roots, my royal lineage, and the strength of those who came before me. It reminds me that heritage isn’t just something we inherit, it’s something we carry and evolve with purpose.

  1. You’ve been celebrated as one of the iconic faces of Ojude Oba two years in a row. How do you prepare for the festival, and what inspires your stunning presence?

First, I’m truly humbled by the recognition; it’s not something I take lightly. My preparation goes beyond fashion; it’s really intentional. Every element of my appearance, from my outfit to riding into the pavilion. I’m inspired by the idea that when I ride, I carry not just my family’s name but the aspirations of countless young women watching, believing they can do this too.

  1. Beyond culture, you are a businesswoman with enterprises both in Nigeria and abroad. Can you share a bit about your business journey and what drives your success?

Absolutely. My journey in business has been defined by boldness, learning, and service. I’ve built a fashion brand called Desile Lagos  and I also have over ventures that bridge tradition and innovation. What drives me is impact. Whether I’m mentoring young entrepreneurs or collaborating on global partnerships, I’m always asking: how does this serve others? That clarity keeps me grounded and resilient.

  1. How do you balance cultural advocacy with entrepreneurship β€” and what advice would you give young women looking to walk a similar path?

It starts with authenticity. I don’t see culture and entrepreneurship as separate worlds; for me, they’re intertwined. Culture gives my business its soul, and entrepreneurship gives my culture a global voice. My advice to young women is: be audacious about your identity. You don’t need to choose between tradition and ambition. Wear both. Lead with excellence. And remember, legacy is not about being perfect, it’s about being purposeful.

  1. Looking ahead, what are your hopes for the future of Ojude Oba and the visibility of Yoruba culture on the global stage?

I want the world to experience Yoruba culture not as a relic, but as a renaissance; dynamic, regal, and globally relevant. My hope is for Ojude Oba to become an international cultural summit, attracting scholars, creatives, and leaders from all over the world. I also hope to see more women riding, more young people owning their heritage, and more platforms that spotlight our voices. The world is watching, and it’s time we take up space; boldly, beautifully, and unapologetically.

Princess Adesile β€” Royalty in Motion, Culture in Action

Princess Adesile’s grace isn’t just cultivatedβ€”it’s inherited. She was born into royalty, a descendant of not one, but two distinguished royal houses in Ijebuland, making her a true β€œdouble princess” by heritage.

Her father, Prince Abdul Gafar Adebayo Ajigboteso, carries the lineage of both the Awujale of Ijebuland and the Olisa of Ijebu-Ode, with ancestral roots tracing back to Oba Ademuyewo Fidipote, the revered Awujale of Ijebuland in the 1800s. Her family’s history echoes through royal compounds and traditional palacesβ€”from the Gbegande Ruling House of Ososa to the Sekoro-Rubakoye Royal Family.

This legacy of nobility is further enriched by her grandparents, Prince Tijani Adefoluso Ajigboteso and Princess Rukayat Abebi Olowoporoku, whose lives exemplified leadership, elegance, and cultural pride.

Princess Adesile @ 2024 Ojude Oba

More than just titles, Princess Adesile carries forward generations of tradition, dignity, and serviceβ€”with a modern voice that continues to honor and elevate her roots.

In a world where tradition often waits to be discovered, Princess Adesile is already living it out loud. A true cultural custodian, fashion entrepreneur, and one of the most captivating faces of Ojude Oba 2024 and 2025, she is the definition of elegance with purpose.

Princess Adesile @ 2025 Ojude Oba

She didn’t just show up for the festivalβ€”she made the festival show up for the world.

More Than a Festivalβ€”A Legacy in Motion

β€œOjude Oba is more than a festival,” Princess Adesile tells Ranks Africa in her exclusive interview (read here). β€œIt’s a living, breathing expression of who we are as Ijebu people.” And she lives by those words. From the very start of 2025, long before the official festival day, Princess Adesile infused Ojude Oba into her lifestyleβ€”with curated fashion shoots, cultural imagery, and online storytelling. Even on her birthday, she brought the tradition to life, donning regal attire and riding a horse with prideβ€”blurring the line between celebration and cultural advocacy.

Princess Adesile 2025 Birthday Photoshoot

When Ojude Oba 2025 finally arrived, she wasn’t just participatingβ€”she was leading. Online and offline, her presence became symbolic of the modern yet rooted Ijebu identity. She didn’t wait for Ojude Oba. She carried Ojude Oba.

Princess Adesile @ 2025 Ojude Oba

Beyond the Festival: Building Legacy in Business

But Princess Adesile is not only a cultural iconβ€”she’s a powerhouse entrepreneur. As the founder of Desile Lagos, her fashion brand boldly blends heritage and contemporary luxury. From Nigeria to international markets, she is using business as a platform to give culture a global voice.

β€œI’ve built a fashion brand, but I also have ventures that bridge tradition and innovation,” she shares. β€œWhat drives me is impact… how does this serve others?”

Whether she’s mentoring young entrepreneurs or collaborating globally, she’s proving that women can lead with identity, purpose, and power.

In 2023, UNESCO described Ojude Oba as a cultural heritage worthy of global recognition, and Princess Adesile is one of the key figures bringing that dream closer. Through her consistent digital promotion, international appeal, and rooted storytelling, she has helped position Ojude Oba as more than a Yoruba celebrationβ€”it is now a cultural event with global interest.

She envisions the future of Ojude Oba as an international cultural summit, attracting creatives, leaders, and scholars from around the world.

β€œI want the world to experience Yoruba culture not as a relic, but as a renaissance,” she says. β€œThe world is watchingβ€”it’s time we take up space boldly, beautifully, and unapologetically.”

Princess Adesile’s signature? Grace with substance. Beauty with meaning. Fashion with soul.
Every look she dons, every caption she shares, every platform she touches is used with intentβ€”to honor history while shaping the future.

She is not just riding into Ojude Obaβ€”she is leading it into the future.

In Princess Adesile, we see the best of both worlds: heritage and hustle, tradition and transformation. She is not only one of the faces of Ojude Oba 2024 and 2025β€”she is one of the forces redefining what culture can look like in this generation.

And at Ranks Africa, we are proud to spotlight her journey.

WE HID IN THE SUN, BUT PROSPER LIGHT IS READY FOR THE WORLD TO SEE

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The Rise of a Storyteller Using Cinema to Champion Visibility, Depth, and Unapologetic Representation

On June 13, as the world marks International Albinism Awareness Day, a quiet revolution will unfold on screen.

Three films.

One voice at the center.

A rising storyteller who has never stopped choosing truth.

Prosper Light is the face and force behind a compelling new chapter in African cinemaβ€”one where representation is not just present but powerful, authentic, and creatively excellent.

We Hid in the Sun – Trailer Drops June 13

The day begins with the official trailer release of We Hid in the Sun, a deeply moving film written by FΓ© Doyin and directed by Yusuf Zay. The full film isn’t out yetβ€”but the trailer offers a gripping first look at the world inside this groundbreaking project centered on albinism awareness.

In it, Prosper Light delivers a stirring performance that’s already drawing attentionβ€”culminating in the film’s official selection for the Toronto International Nollywood Film Festival (TINFF).

The Sun’s Glory – World Premiere

On the same day, Prosper Light steps behind the camera with the world premiere of his own short film, The Sun’s Glory. Written and directed by him, the story is a striking cinematic reflection of light, identity, and inner triumph.

It’s more than a filmβ€”it’s an act of reclamation. A declaration that stories about people with albinism can be layered, emotional, and bold.

β€œFor me, it’s about telling the stories that matter. I didn’t want pityβ€”I wanted truth. The Sun’s Glory is about being seen, and being enough.”

The Albino Story – Screening at the Premiere

Rounding out the event is a screening of The Albino Story, a film by Tosin Jones, where Prosper plays the lead role in another unforgettable portrayal.

Though all three films highlight themes around albinism, each character Prosper embodies is distinctβ€”showcasing his range, spontaneity, and emotional depth as an actor.

From Stereotype to Spotlight

Actors with albinism are often confined to stereotypes or used as symbols. But Prosper Light is shifting that narrativeβ€”not only through his roles but by being intentional about the entire creative process.

Across these three projects, he shows what’s possible when performers with albinism are given room to lead, explore, and shine without constraint.

β€œYes, these films highlight albinism,” he says. β€œBut what they really do is show that we can tell any story. I’m not limited to a boxβ€”and I hope this shows that no one has to be.”

The Face of a Movement Going Global

This is not just a momentβ€”it’s the emergence of a storyteller who’s changing what global cinema can look like.

Prosper Light is becoming a symbol for something bigger: the kind of creative, intentional, world-class representation that transforms how stories are toldβ€”and who gets to tell them.

On June 13, the world will witness trailers, premieres, and screenings.

But more importantly, it will witness a young filmmaker who once hid in the sunβ€”

and is now, finally, ready for the world to see.

 

 

The Weight She Carries: What Udochi and Straw Reveal About Single Motherhood’s Silent Battle

In a world that worships hustle and headlines, single mothers are the unsung soldiers, fighting invisible wars daily, with no medals, no ovations, and often, no help. Nigerian-American actress Faith Itohan’s soul-searing drama Udochi, a masterpiece, steps into that silence with a raw voice. And when viewed alongside Tyler Perry’s Straw, starring Taraji P. Henson, these two films don’t just tell stories, they peel back the skin of societal neglect to show us the bleeding, beating heart of motherhood.

β€˜Udochi’— A Mirror of Nigerian-American Realities

In Udochi, Faith Itohan, who also leads the film delivers a performance that’s not just gripping but deeply lived. She plays a woman stretched so thin by life that she’s almost transparent. Like many single mothers experience, Udochi is fighting to hold her world together, raising children, battling loneliness, and wrestling with economic injustice.

This film doesn’t blink. It shows you every late-night breakdown, every bill unpaid, every prayer whispered through clenched teeth. It is not just a story, it is a reflection of countless real-life mothers who are both caregivers and warriors.

The Motherhood Tax: Invisible, Unpaid, Unappreciated

Where Udochi thrives is in its portrayal of what society rarely wants to acknowledge: motherhood as labor, often unsupported and emotionally isolating. We see how Udochi, like so many women, becomes the scaffolding of an entire household, sacrificing her own dreams for survival.

And that’s where Straw connects. Taraji P. Henson’s Janiyah in Tyler Perry’s Straw is the American cousin to Udochi, both victims of a society that expects women to bend but never break. Janiyah’s descent into desperation after losing her job and housing is not just dramatic it’s real. It’s the unspoken scream of thousands of women who are asked to suffer in silence and smile through their storms

Faith Itohan vs. Taraji P. Henson: Two Queens, One Truth

What unites Itohan and Henson isn’t just talent it’s truth. They act with a kind of pain that can’t be faked, drawing from the same well of real, raw womanhood. While Janiyah breaks down under the weight of hallucinated hope in Straw, Udochi endures a different kind of slow collapse one fueled by years of cultural shame, gendered expectations, and generational silence.

Both characters represent the intersection of strength and vulnerability. They are women who love fiercely but are allowed no space to fall apart. Their tears are private. Their strength is public. Their pain? Ignored.

What These Films Are Really Saying

Udochi and Straw force us to confront an ugly truth: our systems, be they African, American, or diasporic are failing mothers. There are no support structures, no mental health lifelines, and no communal shoulders left for them to lean on.

They beg the question: Why must a mother lose everything before she’s seen?

Why do we only recognize her worth when she breaks?

Why is her pain so normalized that it becomes background noise?

A Call to Culture & Policy

These films are more than entertainment they’re cultural indictments. Udochi calls out the Nigerian cultural stigmas that demand perfection from mothers. Straw calls out the American systems that push Black women into economic desperation.

Faith Itohan’s Udochi is not just a film, it’s a cry for intergenerational healing, for policy reform, for community rebuilding. And like Straw, it’s a cinematic sermon reminding us: no woman should have to choose between sanity and survival.

Finally, there’s something poetic in how Udochi and Straw speak to one another, two films from different worlds that echo the same truth. They don’t offer easy endings or fix-all solutions. But they shine a light. They give voice. They bear witness.

In these stories, we see not just mothers, but pillars. Women who carry the weight of the world, yet still make breakfast the next day. If we’re truly watching, maybe we’ll stop asking them to carry it alone.

 

Watch Udochi now on Faith Itohan 247. Watch it not just to feel, but to understand. Because when we listen to a mother’s pain, we start building a world that no longer punishes her for carrying it.

 

 

Written by Adesina Kasali

Production Consultant | Media Strategist | Advocate for Purposeful Storytelling

Toyin Abraham’s Iyalode Premieres in Lagos: A Night of Glamour, Culture, and Cinematic Royalty

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The city of Lagos stood still on the evening of June 1, 2025, as one of Nollywood’s most anticipated films of the year, Iyalode, premiered in grand fashion. At the helm was none other than the powerhouse herself, Toyin Abraham, who brought to life a story that weaves cultural heritage, female leadership, and social commentary into a rich cinematic tapestry.

This wasn’t just a film premiere. It was a cultural celebration. A historic moment. A bold declaration of how far Nollywood has come and where it’s headed next.


Held at one of Lagos’ premier cinemas, the red carpet dazzled with the presence of top-tier industry figures and influencers. Madam Florence Itagiwa, Mercy Aigbe, Odunlade Adekola, Muyiwa Ademola, Wale Ojo, Ibrahim Chatta, MC Oluomo and several other dignitaries were among the many high-profile attendees who came out in full regalia to support the film and its trailblazing creator.

Mercy Aigbe-Adeoti At Iyalode Premier

To elevate the night further, legendary Fuji singer Pasuma took the stage with a riveting live performance that blended tradition with showbiz flair. His performance ignited the crowd and echoed the cultural depth that Iyalode embodies.

A Story Rooted in Power, Heritage, and Womanhood; At the heart of Iyalode is the story of a formidable woman navigating the complex intersection of tradition, leadership, and societal expectations in a patriarchal world. The film is steeped in Yoruba culture, but its themes are universal, exploring the strength, vulnerability, and resilience of women who carry entire communities on their shoulders.

This is Toyin Abraham’s signature: telling stories that don’t just entertain, but provoke thought, stir emotions, and challenge social norms.

In a bold move that raised industry eyebrows, Abraham revealed she invested nearly ₦1 billion in the production of Iyalode. The result? A visually stunning, emotionally charged, and technically refined film that rivals international standards.

Odunlade Adekola at ÌyÑlóde Premiere

From intricate costume design to powerful dialogue delivery and immersive set designs, Iyalode signals a new era of Nollywood filmmaking, where quality is non-negotiable and cultural authenticity is embraced rather than watered down.


Mark your calendars. Iyalode officially hits cinemas nationwide on June 6, 2025, and already, anticipation is off the charts.

Whether you’re a die-hard Nollywood fan, a lover of Yoruba culture, or someone eager to see a powerful story well told, Iyalode promises to be more than just a movie, it promises to be an experience.

Aishat Lawal At Iyalode Premier

With this project, Toyin Abraham cements her position not just as a successful actress and producer, but as a visionary who understands the responsibility of storytelling. She is setting a new standard, one where African stories are told boldly, richly, and on our own terms.

Iyalode is more than a film.
It’s a tribute to tradition.
It’s a celebration of womanhood.
It’s Nollywood at its most majestic.

βΈ»

πŸ’¬ Join the Conversation

Have you watched the trailer yet? What are your expectations for Iyalode? Drop your thoughts in the comments and don’t forget to tag @toyin_abraham when you head to the cinemas!

 

All Eyes on Iyalode Ibadan as Stage Play Prepares for June Premiere in Ibadan

The city of Ibadan is set to witness a significant moment in its cultural and theatrical calendar with the stage production of Iyalode Ibadan, slated for June 22, 2025. The play, a retelling of an epic story rooted in Yoruba heritage, will be staged at the iconic venue of the University of Ibadan’s Arts Theatre.

Produced by Ayo Adams in collaboration with Egbe Atelewo and directed by Waheed Olamilekan Orolabi, Iyalode Ibadan is not just a dramatic performance. It is a collective effort to preserve and reimagine indigenous narratives through the lens of contemporary theatre. The production brings together seasoned and emerging talents in acting, music, costume, and production design, showcasing a blend of traditional Yoruba aesthetics and modern stagecraft.

 

The story, drawn from the sociopolitical landscape of old Ibadan, explores the power dynamics, gender roles, and communal values through the eyes of the central female figure, an Iyalode, traditionally a high-ranking and influential woman in Yoruba society. Through this lens, the play seeks to engage audiences with questions about leadership, identity, and the enduring relevance of culture.

According to the producers, Iyalode Ibadan is more than just performance art. It is a statement of purpose to deepen public appreciation for Yoruba history and theatre. It also reflects a growing movement within Ibadan’s creative community to invest in culturally conscious storytelling that resonates across generations.

 

Rehearsals have been ongoing with support from artists, language consultants, and cultural advocates. The production team emphasizes that accessibility and authenticity are top priorities, ensuring the story remains faithful to its roots while remaining engaging to a contemporary audience.

Beyond the Frame: How Prosper Light and OGWA Studios Are Redefining Beauty, Belonging, and Bold Storytelling in Nollywood

At the Heart of Storytelling, There’s Prosper Light

Prosper Light is more than a scriptwriter and directorβ€”they’re one of the most intentional voices reshaping Nollywood today. Through deeply personal narratives that challenge convention and center the marginalized, Prosper isn’t just telling storiesβ€”they’re forging a new cinematic language. One where representation is real, and inclusion is embedded from concept to execution.

From this bold creative spirit came OGWA Studiosβ€”a home for Original Gripping Works of Art. OGWA isn’t just a production studio; it’s a storytelling sanctuary. Every project is rooted in authenticity, purpose, and the unshakable belief that stories can heal, reveal, and radically shift culture.

A Case Study in Excellence: The Sun’s Glory

In The Sun’s Glory, Prosper Light turns the lens toward albinismβ€”a subject often misrepresented or ignored. The short film is tender yet bold, offering a nuanced portrayal that moves past stereotype into celebration. More than a film, it’s a cultural act of courage.

Behind the scenes, The Sun’s Glory exemplifies what inclusive filmmaking truly looks likeβ€”from ethical casting and disability-aware direction to a story that does more than offer visibilityβ€”it offers voice.

Casting Light on A Rainbow for Christmas

If The Sun’s Glory is a quiet revolution, A Rainbow for Christmas is a bold leap.

Set on Christmas Eve, the short film follows Ezra, a young man wrestling with his identity who finally gathers the courage to come out to his family. What unfolds isn’t rejection or despairβ€”but something far more radical: unconditional love.

At just five minutes, the film is tender, brave, and deeply resonant. It captures the fragile courage it takes to live one’s truth, especially within families shaped by cultural and generational expectations. It doesn’t preachβ€”it reflects. It doesn’t sensationalizeβ€”it softens, warms, and welcomes.

Written by Prosper Light, the film is a bold act of storytelling: queer-centered, emotionally honest, and wrapped in the spirit of the season. It’s a reminder that loveβ€”like the holidaysβ€”isn’t earned. It’s given.

With this project, OGWA Studios expands its mission: creating space for untold storiesβ€”crafted with intention, beauty, and heart.

Representation That Resonates

Authentic representation isn’t a trendβ€”it’s a lifeline. For marginalized communitiesβ€”queer individuals, people with disabilities, and those from underrepresented ethnic or social backgroundsβ€”seeing their stories told with dignity has a profound, lasting impact.

With Prosper Light at the helm, these stories go beyond screen time. They reflect lived realities, reclaim agency, and remind audiencesβ€”especially young viewersβ€”that their existence is valid, valuable, and worthy of center stage.

From script to casting to post-production, OGWA Studios ensures that inclusion isn’t just visibleβ€”it’s felt. Woven into every beat, every line, every decision.

Beauty, Reimagined

For too long, Nollywoodβ€”and media at largeβ€”has upheld a narrow definition of beauty: often able-bodied, fair-skinned, neurotypical, and heteronormative.

Prosper Light and OGWA Studios are flipping that script.

Here, beauty is expansive. It includes:

β€’ Dark skin in all its hues

β€’ Freckles, scars, and vitiligo

β€’ Individuals living with disabilities and diverse body types

β€’ Queer and gender-nonconforming characters portrayed with dignity

β€’ Characters who speak softly, live boldly, or love differently

These aren’t side stories. They are the heart of the frame. Because when beauty is redefined, freedom followsβ€”for creators and audiences alike.

A Legacy in Motion

This isn’t just filmmaking. It’s healing through art. It’s movement-buildingβ€”wrapped in a lens, a script, a quiet moment between characters.

OGWA Studios, under Prosper Light’s direction, is doing what many hope for but few execute: creating work that lastsβ€”emotionally, socially, and artistically.

With The Sun’s Glory, the conversation around visibility began. With A Rainbow for Christmas, it deepensβ€”into themes of family, identity, and radical acceptance. These stories don’t just reflect the timesβ€”they reshape them.

The future of Nollywood isn’t just big-budget. It’s brave. Inclusive. Deeply human.

And at the heart of that future is a storyteller who dares to speak light into the unseen.

In Prosper Light, the World is Brighter

In Prosper Light’s world, every story is sacred. Every character matters. And every scene is a step toward a more inclusive, emotionally intelligent film culture.

This movement holds more space than we can imagine.

And it’s only just beginning.