Beauty Queen “Beauty Tukura” indeed looks good in just about anything. But when it comes to posing for a photoshoot, the reality star proves time and again that you can be comfortable, fun, or even tell a beautiful story without uttering words.

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DSS intervenes in NNPCL/marketers dispute

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The Nigerian National Petroleum Limited Company has formally agreed to permit oil marketers, who operate under the auspices of the Independent Petroleum Marketers Association of Nigeria, to commence the lifting of Premium Motor Spirit (petrol) from its depot at a lower price.

 

The Nigerian Midstream and Downstream Petroleum Regulatory Authority has also committed to issuing import and off-taker licenses to the oil dealers to either import fuel directly or purchase products straight from the Dangote Refinery in line with the government plan to fully deregulate the oil sector.

 

This came after the association threatened to cease operations nationwide due to the high costs associated with loading petroleum products from NNPCL facilities.

 

IPMAN had revealed on Thursday that the cost of petrol from the Dangote Petroleum Refinery to NNPC was about N898/litre, but noted that NNPC was selling the same product to independent marketers at N1,010/litre in Lagos.

 

The association, which controls over 70 per cent of filling stations nationwide, kicked against this and threatened to down tools, as it also demanded a refund from NNPC for earlier petrol supply payments made by its members.

 

The IPMAN national president, Abubakar Maigandi, who spoke during a live television interview on Thursday, argued that the price was higher than what NNPC paid for the product from the Dangote refinery.

 

He also noted that independent marketers’ funds had been held by the national oil company for about three months.

 

According to him, NNPC purchased the product from the refinery at N898/litre but is asking marketers to buy it at N1,010/litre in Lagos; N1,045 in Calabar; N1,050 in Port Harcourt; and N1,040 in Warri.

 

“Our major challenge now is that independent marketers have an outstanding debt from the NNPC and the company collected products through Dangote at a lower rate, which is not up to N900, but they are telling us now to buy this product from them at the price of N1,010/litre in Lagos; N1,045 in Calabar; N1,050 in Port-Harcourt; and N1,040 in Warri,” Maigandi stated.

 

However, in a new agreement reached following a peace meeting facilitated by the Director General of the Department of State Services, Adeola Ajayi, the national oil firm has permitted the loading of products to cover the N15bn owed to the marketers.

 

The National Publicity Secretary of IPMAN, Chinedu Ukadike, revealed this in an interview with Sunday PUNCH on Saturday.

 

The national officer stated that the meeting was attended by a director from the NMDPRA and the Group Chief Executive Officer of NNPCL, Mele Kyari, making it easy to shift grounds to enable independent marketers to load products.

 

He said, “We were invited by the Director of the Department of State Services to resolve the ongoing issue between the association and the NNPCL.

 

“The meeting was on the non-compliance of selling PMS to IPMAN by Dangote Refinery and the problem we are having with NNPCL in terms of pricing. Based on this, the director of DSS invited us and brokered peace.

 

“Among what was agreed upon after a meditation process led by our National President Abubakar Maigandi, NNPCL has agreed to make some reductions and allow independent marketers to load out those tickets that amount to N15bn immediately.”

 

Ukadike further disclosed that the NMDPRA agreed to issue IPMAN import licenses to be able to embrace full deregulation in the sector.

 

When contacted, the NMDPRA spokesperson, George Ene-Ita, claimed not to be aware of the meeting. “I am sorry, I am not aware of any meeting or license approval. I was not part of it.”

 

Meanwhile, the NMPDRA has resolved to make a payment of N10bn to the oil marketers as outstanding payments under the Petroleum Equalisation Fund.

David Steward, 73, worth $11.4B, becomes America’s richest Black billionaire 

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David Steward, founder and chairman of World Wide Technology (WWT), has been named the wealthiest Black person in America, according to Forbes’ 2024 list of the wealthiest Americans.

 

Steward’s fortune reached a record-breaking $11.4 billion this year, a substantial rise from $7.6 billion in 2023 and $6 billion the year before.

His firm, WWT, an IT services provider based in St. Louis, Missouri, serves corporate giants such as Apple, Citi, and Microsoft, and reported sales of $17 billion in 2023.

 

Steward, 73, ranks 84th on the Forbes 400 list and is joined by Robert F. Smith, the CEO of Vista Equity Partners, whose wealth has grown to $10.8 billion.

 

Other Black billionaires on the list include Palantir co-founder Alexander Karp ($3.6 billion) and NBA legend Michael Jordan ($3.5 billion), with Jordan having secured his position after selling his majority stake in the Charlotte Hornets.

 

What we know about America’s richest black man

Born in Clinton, Missouri, and raised in a segregated environment, Steward’s journey from humble beginnings to billionaire status has become an emblematic “rags-to-riches” narrative.

 

After graduating from Central Missouri University, he embarked on a corporate career, starting as a production manager at Wagner Electric (1974–1975), followed by a role as a sales representative at Missouri Pacific Railroad Company (1975–1979). He later became a senior account executive at Federal Express (1979–1984), where his talent in sales was recognized; he was named Salesman of the Year and inducted into FedEx’s Hall of Fame in 1981.

 

In the years leading up to founding WWT in 1990, Steward owned and operated Transportation Business Specialists and Transport Administrative Services, which laid the groundwork for his future in logistics and technology. He also co-founded Telcobuy, a global technology and supply chain management firm that further expanded his reach in the industry.

 

What you should know

He co-founded WWT in 1990 with just $250,000, and the firm has since expanded into one of the largest privately-held IT companies in the world. Steward’s entrepreneurial success has been recognized by Forbes, earning him a “self-made” score of 10, a rare distinction reserved for billionaires who have built their fortunes from the ground up.

 

In addition to his rise in personal wealth, Steward’s ranking highlights the low representation of Black Americans on the Forbes 400 list, with only four individuals meeting the $3.3 billion threshold in 2024. Despite this, Steward remains optimistic about future prospects for entrepreneurs of color, stating in a 2019 Forbes interview, “We still live in the greatest country in the world, and God blesses persons of color too.”

 

His achievement, while significant, shows the work still to be done for greater representation in the upper echelons of wealth. Steward himself acknowledges this, saying, “It’s something to celebrate, but gosh, there’s still a lot more to do.”

 

Steward’s rise, along with Smith, Karp, and Jordan, reflects the growing influence of Black entrepreneurs in tech, finance, and sports.

 

Credit: Deborah Don Awoh

How Indigenous Languages Propel Afrobeats to Global Success

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Afrobeats is one of the most important, if not the most important, global musical movements in the modern era; it originated out of Nigeria and has been spreading at breakneck speed. It is artists like Burna Boy, Davido, Asake, Tems, Fave, Ayra Starr, Rema, Tiwa Savage, Odumodublvck, Victony, Ckay, Fireboy, Flavour, The Cavemen, Wizkid, Olamide, Yemi Alade, Amaarae and more who have led this genre and have shown pulsating beats and rhythms to the rest of the world. However, behind these successes, what generally went unnoticed was the usage of indigenous Nigerian languages like Yoruba, Igbo, and Pidgin English. These languages add to the authenticity of Afrobeats and are essential in its international application.

Indigenous languages serve as powerful vehicles of cultural identity in Afrobeats. Most artists, like Burna Boy, Wizkid, Flavour, Rema, Davido, Ayra Starr and Tiwa Savage, often interweave Yoruba, Igbo and Pidgin into their lyrics as ways of relating themselves to their Nigerian identity and heritage. Songs sung in vernacular languages strike a chord with African audiences and the diaspora, digging deep into pride and identity. To many listeners, these songs are more than mere entertainment; they epitomise African culture and identity.

More so, indigenous languages add unique rhythmic qualities to Afrobeats. The melodic structures of Yoruba, Igbo and the lyrical flow of Pidgin contribute much to the infectious nature of the genre, therefore appealing to a wide audience. The effect might be that even listeners from outside the African continent are attracted by the music and find themselves dancing along, never knowing what is being said. This universality increases Afrobeats’ global scope and proves that language can be no barrier.

 

Afrobeats artists use indigenous languages to communicate their cultural narratives better. Most songs have a drive for local traditions, folklore, and current social issues to which listeners can relate while listening to a track. An example would be Wizkid’s “Ojuelegba”, which may be an ode to his hometown but speaks about surviving and hope, even in challenges. This blend of the personal narrative with wide cultural themes strikes a chord deep within the fans who hear their experiences mirrored in the music.

So far, Afrobeats has gone global with the development of digital platforms. Social media platforms like TikTok and Instagram have given a boost to Afrobeats tracks all over the world. A good example is CKay’s “Love Nwantiti”, which went viral from dance challenges and proved that this sound can cross linguistic borders. The infectious nature of Afrobeats is that even tracks delivered in vernacular languages can be global with a great melody and an interesting rhythm.

Besides, access to Afrobeats worldwide has been made easier with streaming services such as Spotify and Apple Music. The playlists curated for global audiences are littered with records in indigenous languages, opening listeners up to a foreign sound. Such increased access has been instrumental in the international growth of Afrobeats-the ability of the artists to reach fans in countries far from where they originate.

Besides, the collaborations with Western artists have also moved Afrobeats to the mainstream of music. Afrobeats stars collaborating with global icons-like the collaboration between Wizkid and Drake, between Ayra Starr and Coldplay-introduce the genre to a wider audience, creating new fusion sounds which cut across diverse tastes in music. This also makes Afrobeats flexible, a genre that can incorporate elements of other genres like hip-hop and R&B while keeping to its cultural roots.

Some of these partnerships have beamed interest in utilising indigenous languages used in Afrobeats. In collaborations with American artists, Nigerian artists come out boasting of local dialects used in their respective genres. This does not only promote Afrobeats but also educates global audiences on the richness of Nigerian languages and culture.

Besides rhythmic contributions, indigenous languages in Afrobeats contribute to the story behind Afrobeats. Most times, their lyrics speak to socio-political issues, love, and everyday life, touching souls that understand from whence these Afrobeats come. Actually, a great number of Afrobeats sing of African pride and criticise societal ills using local dialects in ways that effectively propagate their messages. This cultural authenticity is appealing not only to the local audience but also to the global audience, who are desperate to relate to African narratives.

For example, artists like Burna Boy, Falz and Omah Lay use their lyrics to describe societal ills, love, and other life complexities that happen in Nigeria. Songs articulating heartbreaks, aspirations, and social injustice would better be relayed in the local language to make the experiences more relatable with locals and globally.

As Afrobeats gains more international attention, there is growing international concern it may be losing its cultural identity. Some critics have argued the genre risks losing its authenticity to more commercialisation and global influences. It’s a different story, though the use of indigenous languages helps in keeping this important cultural aspect intact.

The embracing of the local languages used in Afrobeats shows this genre emanates from its roots, which is truly Nigerian culture. As the genre evolves and morphs with various influences, the integration of Indigenous languages helps uphold a cultural link so essential to its identity.

Basically, this represents its international success, fundamentally identifying characteristics of Afrobeats rests with indigenous languages. These languages add not only to the authenticity of the genre but are powerful conduits for cultural expression. As Afrobeats as a genre grows in leaps and bounds, it has remained steadfast to the use of indigenous languages, primarily as a function of it holding to its roots and thus becoming a celebration of African identity and a force for global cultural exchange.

While infectious beats, rich lyrics born out of culture, and innovative collaborations have been Afrobeats’ ingredients for making a significant niche in the global music scene, it does prove that language, culture, and sound can merge into something universally appealing. As the genre evolves, it will be great to see how artists take up the mantle with indigenous languages to shape the future of Afrobeats and the global music landscape. It’s not just about the sound; Afrobeats’ journey is a vocal translation of a culture that simply will not get lost in translation.

 

Written By Ikenna Churchill

Onyeka Chigbo is ready to unleash her boldness to create her empire

One of the best things to happen to Nigerian and African reality stars is the addition of Onyeka Chigbo from the recently concluded BBNaija Season 9, “No Loose Guard.” From the very first day she was introduced to the audience, she promised to deliver captivating content—and she certainly delivered, providing back-to-back entertainment like never before.

While some viewers labeled the show as boring, it was impossible to tag Onyeka as such; she was undeniably one of the main characters of the season. Starting from the bottom four during the first eviction, she fought her way to become the second runner-up on the final day. This remarkable journey was not mere luck; it stemmed from her ability to build a strong fanbase from within the house, making the show genuinely enjoyable, while her team outside amplified her visibility.

DIGITAL COVER STORY: ONYEKA CHIGBO

Though she did not clinch the title of winner, Onyeka never stopped trending, proving her enduring appeal. Misjudged at times, she faced the reality show dynamic where fans often condemn one contestant to elevate their favorites. However, Onyeka’s resilience shone through, showcasing her talent, boldness, and calm demeanor.

As a lawyer turned reality star, many are asking, “What’s next for Onyeka?” Her time in the house revealed that she is not only talented but also fearless in her quest for success. While the show may have ended, the journey continues, and the big question remains: What’s next for Onyeka Chigbo?

Looking at past BBNaija housemates, it’s common for fame to fade if not actively maintained. However, with Onyeka’s determination and readiness to build her empire, we anticipate continued progress and success for this incredible talent. The future looks bright for Onyeka Chigbo, and we can’t wait to see what she accomplishes next!

Why Brands Need to Partner with Onyeka Chigbo as a Brand Influencer or Ambassador

In today’s competitive market, brands are constantly seeking authentic voices to represent them and connect with their target audience. Onyeka Chigbo, a standout personality from the recently concluded BBNaija Season 9, embodies the qualities that make her an ideal brand influencer and ambassador. Here’s why partnering with her can significantly benefit brands looking to enhance their visibility and impact.

 

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Exploring Onyeka Chigbo Post-BBNaija Career Paths

Exploring Onyeka Chigbo Post-BBNaija Career Paths

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Onyeka Chigbo, has captured the hearts of many during her time on Big Brother Naija. With a background in law, a flair for entertainment, and a strong entrepreneurial spirit, Onyeka has several promising avenues to explore post-show. Here are some potential career paths she could consider:

A: Continue Her Legal Profession

Onyeka’s legal expertise is a significant asset. Returning to her legal career could provide stability and a platform to advocate for important causes. Her visibility from BBNaija could also help her build a niche practice, perhaps focusing on entertainment law, where she can merge her legal skills with her passion for the arts.

B: Actor and Filmmaking (Documentaries, Short Films)

Onyeka’s charisma and creativity make her a natural fit for the entertainment industry. Pursuing acting and filmmaking, especially in Nollywood, could be a rewarding path. She could start with documentaries and short films, leveraging her storytelling skills to highlight important social issues or personal narratives.

DIGITAL COVER STORY: ONYEKA CHIGBO

C: Brand Influencer

With her growing social media presence, Onyeka is well-positioned to become a successful brand influencer. She can collaborate with brands that align with her values and interests, promoting products and services to her dedicated fanbase. This role would allow her to maintain a flexible schedule while engaging with her audience.

D: Professional Podcast

Onyeka’s articulate nature and engaging personality make her an ideal candidate for hosting a podcast. She could cover a range of topics, from legal advice and entrepreneurship to entertainment and personal development. A podcast would provide a platform to share her insights and connect with listeners on a deeper level4.

E: Chekas App

Onyeka and her sister Chizoba have already shown entrepreneurial flair with their Chekas app. Post-BBNaija, Onyeka could focus on expanding and enhancing this app, potentially turning it into a significant business venture. This path would allow her to combine her legal knowledge, entrepreneurial spirit, and tech-savvy skills.

Conclusion

Onyeka Chigbo has a wealth of opportunities ahead of her. Whether she chooses to continue her legal career, dive into the entertainment industry, become a brand influencer, host a podcast, or expand her entrepreneurial ventures, her future looks incredibly bright. Her diverse skill set and passionate drive will undoubtedly lead her to success in whichever path she chooses.

Which of these paths do you think Onyeka should pursue first?

 

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Onyeka Chigbo is ready to unleash her boldness to create her empire

Why Brands Need to Partner with Onyeka Chigbo as a Brand Influencer or Ambassador

Why Brands Need to Partner with Onyeka Chigbo as a Brand Influencer or Ambassador

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As Onyeka Chigbo steps into the fame industry, it’s clear that her journey is set to transform her into a top brand influencer. With the right management, she is poised to leverage her popularity into lucrative partnerships and brand ambassadorships.

During her time as a BBNaija housemate in the recently concluded season, Onyeka showcased several qualities that position her for success as an influencer:

1. Authenticity: Onyeka’s genuine personality resonated with viewers, making her relatable and trustworthy. Brands seek influencers who can connect with their audience, and Onyeka has proven she can do just that.

2. Dedicated Fanbase: Throughout the season, she built a loyal and passionate fanbase that is eager to support her ventures. This strong following is a valuable asset for any brand looking to reach a wider audience.

3. Talent and Creativity: Onyeka demonstrated her artistic flair and creativity during her time on the show, showcasing her ability to engage audiences. This creativity will be instrumental in crafting compelling content for brands.

4. Promotion of Sponsors: She consistently promoted the show’s sponsors during her time in the house, showing her commitment to brand partnerships. Her willingness to champion the brands associated with her reflects her professionalism and understanding of influencer marketing.

5. Visibility for Brands: As she transitions into her post-show career, Onyeka is expected to command attention and visibility for the brands she collaborates with. Her strong presence on social media and in the public eye will provide brands with the exposure they need to thrive.

With these qualities, Onyeka Chigbo is set to become a sought-after brand influencer. As she embraces her new role, the potential for partnerships and collaborations is immense, and we can anticipate exciting opportunities on the horizon for this rising star.

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Exploring Onyeka Chigbo Post-BBNaija Career Paths

 

Pelumi Nubi Partners with Peugeot for Exciting New Adventure!

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Pelumi Nubi Partners with Peugeot for Exciting New Adventure

In an exciting announcement on Instagram, Pelumi Nubi, the unstoppable road warrior, has revealed her latest collaboration with Peugeot, declaring, “You have been asking for it! And it’s finally happening!” 🎉🥳

After successfully completing the legendary solo drive from London to Lagos, Pelumi is ready to embark on yet another thrilling adventure, this time with a focus on sustainability. “We’re going green!” she exclaimed, hinting at her commitment to eco-friendly travel.

Pelumi invites her followers to join her on this journey, encouraging them to spread the word and “flood the comment tribe” with their support. She emphasized that this collaboration with Peugeot is “the collab of the year,” and fans are eager to see what the duo has in store.

Stay tuned as Pelumi and Peugeot take road trips to the next level with the all-electric New Peugeot E5008! 🌍🚗

#PeugeotRoadTrip #PoweredByPleasure #AllElectric #NewPeugeotE5008

https://www.instagram.com/reel/DA9A7CeoQ7R/?igsh=Y2FuMWEycXdvbWY=

 

BBNaija Queen Unfollows Husband Amid Marriage Hitches

Why is it that most celebrities marriages doesn’t last? Probably because they’re in the spotlight. In this light, season 6 Big Brother Naija star, Queen Mercy Atang and her husband, David Oyekanmi are reportedly experiencing hitches in their marriage.

Queen Mercy Atang and her husband, David Oyekanmi
Queen Mercy Atang and her husband, David Oyekanmi

This is so as Mercy unfollows her husband on Instagram, deletes all pictures of both of them together including their traditional wedding pictures.

This is weird for a couple who had their traditional wedding ceremony 6 months ago and hinted their fans about having a white wedding this month.

However David is still following his wife on Instagram as checks on his Instagram page revealed this. Does this mean that the two are no longer going to the altar to solemnize their marriage?

In another twist David took to his wife’ comment section in a recent post and commented “mine ❤️❤️❤️❤️”. I guess he did this to shut down reports of their marriage glitches. It is called, “damage control”.

However few minutes after he commented on his wife’ post on Instagram, he has deleted his comment.

See screenshots below,

 

 

 

Farmer’s Bride Review: A Masterful Nollywood Romance Redefining the Genre

Farmers Bride, A Gripping Tale of Love, Self-Discovery, and Societal Expectations

Nollywood’s latest offering, “Farmer’s Bride,” has taken the industry by storm with its captivating narrative, outstanding performances, and visually stunning production. Directed by [Director’s Name], this romantic drama has set a new standard for Nollywood films, exploring nuanced themes and emotions with depth and sensitivity.

 

A Story of Self-Discovery

 

The movie follows Funmi, a young woman forced into marriage with Odun, an older, wealthy farmer. As Funmi struggles to adjust to her new life, she embarks on a transformative journey of self-discovery and desire, challenging societal expectations and pushing against the boundaries of her arranged marriage.

 

Standout Performances

 

The film boasts exceptional performances from its lead cast, including Mercy Aigbe, Femi Branch, Gbubemi Ejeye, and Tobi Bakre. Each actor brings depth and nuance to their characters, making the story even more relatable and immersive.

 

Cinematography, Costumes, and Soundtrack

 

The cinematography is breathtaking, capturing the vibrant colors and textures of rural Nigeria. The costumes are intricately designed, reflecting the rich cultural heritage of the Yoruba people. The soundtrack perfectly complements the narrative, evoking emotions and heightening the tension.

 

“Farmer’s Bride” delves into complex themes, including:

– Love vs. Societal Expectations: Funmi’s journey highlights the tension between following one’s heart and conforming to societal norms.

– Culture vs. Personal Desires: The film explores the struggle to balance cultural obligations with individual aspirations.

– Self-Discovery: Funmi’s transformation serves as a powerful reminder of the importance of self-awareness and personal growth.

 

A Must-Watch Experience

 

Despite minor flaws, “Farmer’s Bride” is an unforgettable, emotionally charged experience. With its authentic storytelling, outstanding performances, and stunning visuals, this film is a must-watch for anyone craving culturally rich and thought-provoking cinema.

 

Rating: 4/5

 

Recommendation: Don’t miss this masterpiece. “Farmer’s Bride” is a testament to Nollywood’s growing influence and artistic excellence.

 

Genre: Romantic Drama

 

Cast Mercy Aigbe, Femi Branch, Gbubemi, Efe Ìrele, Ejeye, Tobi Bakre

 

Director: Adebayo Tijani, Jackkeneth Opukeme

Language: Yoruba, English

 

Farmers Bride Still showing in Cinemas

Last Year Single: A Drifted Drama Entwined in Character Dynamics

With a 13-episode romcom, Last Year Single delves into the world of romance, career and lifestyles using three besties as heroines.

Last Year Single by Omoni Oboli
Last Year Single by Omoni Oboli

Despite being an interesting movie, Last Year Single features a drift in the drama and character dynamics among the main characters; Belinda, Tamara, Afua and Kharibi Fubara.

They are three friends with a common trait of self-discovery as they try to balance their career and love lives. Well their notion about love is shaped by their ideology.

For instance, Belinda, Tamara and Afua are eager to get some rings on their fingers because of societal pressure.

The aesthetics makes the storyline intriguing with commentaries on relationships, lifestyle dynamics, self-discovery, and societal expectations.

 

PLOT

Last Year Single was released on September 6, on Netflix. Karibi Fubara featured in this series, yet he passed away in 2021. This means this film was filmed in 2020 thereabouts.

Which brings me to the question; will the storyline and themes explored not be outdated with the way Nollywood has evolved in the last 4 years?.

The themes depicts Love and Career competing with each other. The storyline is perfect but the themes are off standard, very common in many romcoms. This added to the drifts in the movie.

Well the storyline features character dynamics which is acceptable. I’m glad that towards the ending of the movie, the three main characters reviewed their criteria for choosing men.

But why repitition? The three main characters have to revisit previous discussions. I understand that dialogues and flashbacks are used for effective narrative, but adding subsequent repititions  might make the audience bored.

Also the pacing of scenes is slow, probably the producer did this to drag the movie for a longer watching time.

 

THEMES

I have reservations with the themes of this series. This is because Love and Career have been explored a couple of times in movies, especially romcoms.

Joy Isi Bewaji could have given the audience another dimension to the storyline outside the two main themes highlighted above. I have watched Love competing with Career countless times on the big screen.

It would have been better if themes like *Family Bond or *Sibling Fight were objectified. But thanks to the aesthetics in the movie, they cheered me up to watch till the end.

 

CHARACTERIZATION

Belinda (Omoni Oboli)

Belinda had her love life going until her man broke her heart. This made her to have resentment and bitterness towards men.

Aside relationship, Belinda is a successful businesswoman. Belinda played the main character and I find her character weird.

Her desire to get married at all cost was blown out of proportion. She was desperate to get a ring which made her take decisions on impulse. She regretted this anyway.

 

Tamara (Toni Tones)

Tamara has a long term relationship of 7 years, from the storyline she was trying to fit into the picture-perfect African wife.

Why on Earth will an ambitious lady be in a relationship of 7 years while her fiance enjoys frolicking with other ladies!

Shew was in a toxic relationship and her character is relatable to a regular Nigerian lady. She was stuck between self-love and fantasy.

Tamara built her whole world around her man which got me confused like all she came to achieve in this world is getting married and have children. She eventually lost it when Bayo broke her heart.

She did a perfect job overplaying the role with too much seriousness. Well I don’t see Toni Tones in that capacity in reality.

I think Omoni/JIB were trying to tell us there are some successful ladies whose validation is tied to marriage. If I’m being true it still happens.

Lest I forget, Tamara dress sense was poor at the onset, the wig and clothes she rocks was ancient. Afua helped her fashion sense with some advice. I guess the producer is using this to pass a message.

 

Afua (Bimbo Ademoye)

I noticed that Bimbo Ademoye keyed into the Afua character. Imagine an architect getting a career switch; blogging which is entirely unrelated to her previous career.

Afua was resilient to become a successful blogger, get connections and as well get a romance mate among male celebrities. Probably her decision to switch to blogging was to get a celebrity man.

This is because her career switch in Last Year Single is indifferent. I mean she was desperate to be among the top bloggers. She is the typical blogger who would publish anything including lies just to get engagements on her blog. That sounds desperate.

In addition, Afua reeled some humor into the scenes. While watching each scene I always look forward to another scene where Afua will come on screen with her comic character.

 

Bayo (Karibi Fubara)

Bayo, played by Karibi Fubara, featured character dynamics in his relationship with Tamara.

Seeing him and Tamara having chemistry got me confused because their character contradicts each other and they always have different sides to everything.

Fubara did a good job with his role, but sadly he is no longer here. That’s why at the end of each series you see: “Rest in Peace Karibi Fubara.

 

OTHER CASTS

Supporting characters also brought their artistic performances to the scene. The likes of Tayo Arimoro (James), Mawuli Gavor (Victor), Chy Nwakanma (Gloria), improved the aesthetics of the film.

 

OVERALL THOUGHT

Last Year Single has a wonderful plot but with drifts in the narratives and the producer’s effort in relating the scenes is slow-paced.

I must say that Last Year Single is restricted to a particular audience. The audience who will find it appealing are those who are fans of Love and Career competing in movies.

These concepts are not new, but I hail the producer for ensuring that the common narrative is told in an unusual direction. With this I rate the movie 8/10.

The movie world is evolving, producers and writers are upping their game but they should do better by giving the audience uncommon narratives.