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Toyin Abraham Breaks Her Own Records as Oversabi Aunty Crosses ₦711 Million in 18 Days

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Toyin Abraham is redefining commercial success in Nollywood with the extraordinary box office performance of her latest film, Oversabi Aunty. In just 18 days, the movie has grossed over ₦711 million, setting a new personal and industry benchmark.

The figures become even more striking when compared with her 2024 release, Alakada: Bad and Boujee. That film took 15 weeks to reach ₦500 million. By contrast, Oversabi Aunty not only surpassed that figure in less than three weeks but has also delivered a significant leap in overall earnings.

 

Industry data shows a 42 percent growth in Toyin Abraham’s box office returns, alongside an eightfold increase in the speed at which her films are generating revenue. This sharp acceleration points to stronger audience pull, wider acceptance across demographics, and growing confidence in her brand as a bankable filmmaker and performer.

Cinema attendance figures reflect this momentum. Viewers are turning out in large numbers, reinforcing the film’s word-of-mouth appeal and confirming Toyin Abraham’s ability to command sustained interest in an increasingly competitive market.

 

Beyond personal achievement, the success of Oversabi Aunty represents a broader win for the Nigerian film industry. It underscores Nollywood’s expanding commercial potential and the power of locally produced stories to draw mass audiences to cinemas.

 

With this performance, Toyin Abraham further cements her position as one of Nollywood’s most reliable box office forces, setting a pace that few can currently match.

Victor Osimhen, Team Discipline, and the Cost of Division in the Super Eagles

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Criticism of Victor Osimhen’s conduct toward his teammates has grown louder, and rightly so. Football is a collective enterprise. Teams succeed not only through talent, but through maturity, mutual respect, and a strong professional bond among players. When these elements weaken, performance suffers, no matter the quality on display.

 

What played out yesterday marked the peak, at least in recent memory, of a troubling pattern in Victor Osimhen’s on-field behavior. This did not begin with the most recent incident. Many still recall his visible rage after Nigeria’s 1–1 draw against Zimbabwe in a World Cup qualifier, a match in which he rejected repeated attempts by teammates to calm him. The image of him aggressively confronting his namesake, Victor Boniface, remains vivid and unsettling.

 

The conduct witnessed again yesterday reinforces concerns that have lingered for some time. It mirrors earlier moments, such as the match against Mozambique, where Osimhen publicly ignored the team captain, Wilfred Ndidi, shouted at Ademola Lookman, and later walked alone into the tunnel without acknowledging teammates or fans after the final whistle. These are not isolated flashes of emotion. They form a consistent pattern.

 

There are also previous instances beyond the pitch that raise questions about temperament and professionalism. Osimhen’s public criticism of Finidi George, then head coach and a respected former international, crossed the boundaries of acceptable player conduct. At club level, there have been scenes of confrontations with opponents that nearly escalated into physical altercations. Such behavior does not align with the standards expected of a player carrying both national responsibility and global recognition.

 

It is important to state a basic truth. Every player in the national team and at club level is an equal. There is no alpha male in a football team. Once hierarchy of ego replaces unity of purpose, the squad fractures. Nigerian football has suffered before from divisions created by perceived “big boys,” and the damage to team spirit and results from that era remains a clear lesson. Repeating that history would be costly.

 

Ademola Lookman deserves particular mention in this discussion. He has formed an effective and often decisive partnership with Osimhen. Many of Osimhen’s goals for the Super Eagles have been influenced directly or indirectly by Lookman’s movement, assists, and tactical intelligence. It is fair to argue that Lookman has had one of the most positive impacts on Osimhen’s output in the current team.

 

Both players are accomplished in their own right. Osimhen won the Italian league with Napoli and was crowned CAF African Footballer of the Year in that same period. Lookman lifted the Europa League with Atalanta and succeeded Osimhen as Africa’s best player. These are two elite footballers, evenly matched in pedigree and achievement. Respect between them should be automatic.

 

History shows that talent alone is never enough. Football is filled with gifted players whose careers fell short of their full promise due to poor discipline and strained relationships. Karim Benzema, David Ginola, Eric Cantona, and Djalminha all come to mind. Despite immense ability, issues of attitude and control limited what could have been even greater legacies, especially at international level.

 

Nigeria has never lacked attacking talent. Osimhen should remember that no player is indispensable. Before him came Rashidi Yekini, Victor Ikpeba, Julius Aghahowa, Victor Agali, and others. The conveyor belt of strikers has not dried up, and it will not stop with this generation.

 

Nigeria has already missed out on World Cup qualification. The focus now must be singular. Winning the Africa Cup of Nations. As the tournament reaches its decisive stages, unity is not optional. The Super Eagles are set to face the winner of Algeria versus Congo in the quarterfinals. If that hurdle is crossed, the winner of Morocco versus Cameroon awaits in the semifinals. These are demanding fixtures that require total cohesion.

 

This is not the time for division, ego, or personal grievances. It is a moment that calls for restraint, humility, and leadership from every player, especially those regarded as stars. The success of the team must always come before individual emotion.

 

Wise counsel must prevail.

Singer Portable On The Run Over Alleged Baby Mama Assault

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Portable On The Run Over Alleged Baby Mama Assault

Nigerian controversial singer Portable is reportedly avoiding arrest after police began searching for him over an alleged assault involving actress Ashabi Simple, one of his baby mamas.

 

The incident was said to have occurred on Thursday, January 1, 2026, when Ashabi visited Portable’s bar in Ogun State. A video later shared online showed a tense confrontation between the pair.

 

During the exchange, Ashabi, who is often described publicly as one of Portable’s baby mamas, expressed anger over the label and insisted she should be regarded as a wife. Portable, however, maintained that only his legally married wife, Bewaji, is his spouse, while every other woman in his life is a baby mama.

 

The disagreement quickly escalated, with Portable accused of pushing and assaulting her.

 

After the incident, Ashabi and her siblings reported the matter to the police, accusing the singer of assault and abuse.

 

Ashabi later shared her side of the story online. She said she went to the bar after Portable invited her, but the visit turned sour following a disagreement. She also alleged that he seized their phones and threatened them.

 

Police officers were said to have gone to Portable’s residence to arrest him, but he had reportedly left before they arrived. His pregnant wife was the person met at home by the officers.

 

In an Instagram video, Ashabi narrated the incident, saying:

“I celebrated the new year in a happy mood with my family. You are the one that called me that you’re in a bad mood, and I told you that I went to my dad’s house for the new year. And you asked me to bring new year food for you and I said ok.

 

“I called you when I got to your bar, and you asked me to meet you outside. When I got there, we had a minor disagreement and you slapped me, beat me up, seized our phones and threatened my siblings and I with axe,” she alleged.

‘My Brother’s Keeper’: Anthony Joshua Visits Families of Friends Killed in Car Crash

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Former world heavyweight boxing champion Anthony Joshua has paid a quiet and deeply personal tribute to two members of his inner circle who lost their lives in a tragic road accident in Nigeria.

 

The accident occurred on December 29 along the Lagos–Ibadan Expressway. Joshua, who was involved in the crash, sustained minor injuries. Two of his close associates did not survive. They were Kevin Latif Ayodele, his longtime personal trainer, and Sina Ghami, his strength and conditioning coach.

 

For days following the incident, Joshua remained silent, choosing to grieve away from public attention. On Sunday, he broke that silence with a brief but powerful message shared across his social media platforms.

 

The post featured photographs of Joshua standing with the families of both men, moments marked by restraint, sorrow, and solidarity. Accompanying the images was a short caption that spoke volumes: “My Brother’s Keeper.”

 

Those words reflected the depth of Joshua’s bond with the men who had worked closely with him behind the scenes of his career. Ayodele and Ghami were not only members of his professional team but trusted companions who played key roles in his physical preparation and personal journey in the sport.

 

The visit to their families was widely seen as an act of respect and responsibility, underscoring Joshua’s commitment to those who stood with him during his rise and remained by his side through its demands. In choosing presence over statements and action over explanation, the boxer offered a gesture that resonated beyond boxing.

 

Since the announcement, messages of sympathy and support have continued to pour in from fans, athletes, and public figures around the world. Many praised Joshua for his composure and for honoring the memories of his fallen teammates with dignity rather than spectacle.

 

As investigations into the accident continue, the focus for Joshua appears to remain on mourning, remembrance, and standing with the families left behind. His message, though brief, captured a sense of duty and loyalty that extended beyond the ring, reinforcing a simple truth in a moment of loss: brotherhood does not end with tragedy.

Femi Bankole Osunla: The Man Who Photographed Afro-Beat History

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Femi Bankole Osunla, widely known as Femi Foto, remains one of the most important yet unsung figures in the visual history of Afro-beat music. A native of Arigidi in Ondo State, Nigeria, Osunla’s work as Fela Anikulapo Kuti’s personal photographer from 1975 until Fela’s death in 1997 helped shape how the world sees Afro-beat, its culture, and its revolutionary spirit. His extraordinary images captured the essence of a movement and introduced countless people around the globe to the art and power of Afro-beat.

 

Photography in Nigeria has deep historical roots dating back to the 19th century when George Da Costa opened the first portrait studio in Lagos in 1859. Since then, a remarkable lineage of photographic talent has emerged, including Jonathan Adagogo Green, J.D. Ojeikere and Yusuf Oladele. Into this tradition stepped Femi Bankole Osunla, whose name became synonymous with the visual life of Fela Kuti and the Afro-beat phenomenon.

 

Osunla’s journey into photography began not far from the stage that would define his life’s work. While learning photography, he met Isaac Olaleye, a maracas player for Fela’s then Africa 70 Band. One night at the Shrine, Olaleye invited Osunla to take photos of his performance. As Osunla prepared to shoot, someone tapped him on the shoulder and requested that he take “some action photos,” and from that moment, his path was sealed. He would go on to document the iconic performances, intimate moments, and rebellious spirit of Fela and his circle.

 

Over his career, Osunla produced a portfolio of more than 15,000 images chronicling the life and times of Fela Kuti, making Fela one of the most photographed Nigerians of all time.

 

These photographs are not merely visual records but cultural artifacts that reflect the energy, struggle, joy, and resistance embedded within Afro-beat.

 

Osunla’s work was not without personal cost. In 1977, a brutal military raid on Fela’s Kalakuta Republic residence and recording studio left him with permanent physical scars. In a later press interview, he pointed to his missing bottom teeth, a small bump on his forehead, and the thin scars on his face, remnants of that harrowing event.

 

Reflecting on the violence he witnessed and endured, Osunla said the experience was far from easy. He stood on the front lines with Fela in what he described as a lifelong battle against oppressive Nigerian regimes. Despite the pain inflicted by police and soldiers, he remained steadfast, knowing that his images were preserving history for future generations.

 

“I believed in what he was doing,” Osunla once said. “I took the pain, the police brutality, the soldier brutality, because I wanted future generations to see that Fela was a great man.”

Femi Foto’s legacy extends beyond his photographs of one man. His work captures the soul of a music and a movement that spoke truth to power and celebrated African identity, culture, and resilience. For many who have never set foot in Lagos or Nigeria, it was through Osunla’s lens that they first experienced the dynamism of Afro-beat.

Osunla passed away in 2007, but his images continue to live, teaching new generations about Fela, Afro-beat, and the creative defiance that defined an era. In celebrating Femi Bankole Osunla, we recognise not only a master photographer but a cultural historian whose work shaped how the world understands one of Africa’s greatest musical forms.

 

Source: bim_babarinde archives.

Adesegun Adeosun (SMADE) Named Business Person of the Year 2025 by Ranks Africa

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Adesegun Adeosun, popularly known as SMADE, Founder of SMADE Group and Co-Founder of AfroNation, has been named Business Person of the Year 2025 by Ranks Africa, emerging from an elite pool of over 100,000 African entrepreneurs across the continent and diaspora. This recognition celebrates visionary entrepreneurship, cultural leadership, and sustained global impact.

Widely regarded as the King of African Music Festivals, SMADE is one of the few African business leaders who believed early in the global journey of African music, long before Afrobeat became a worldwide movement. His vision has never been confined to popularity or trends; instead, he has consistently championed African music in its broadest and richest forms, creating global platforms that elevate African sounds, stories, and talents.

As the driving force behind SMADE Group and a co-architect of AfroNation, the world’s largest Afrobeats and African music festival, SMADE has redefined how African culture is exported, consumed, and celebrated globally. Through large-scale festivals, international showcases, and strategic partnerships, he has positioned African music as both a cultural force and a powerful economic asset.

SMADE’s work goes beyond entertainment. He has built cultural bridges that connect Africa with Europe, the Americas, and beyond, using one of the continent’s most valuable exports: art, creativity, and music. In doing so, he has created opportunities for African artists, creatives, and entrepreneurs to thrive on global stages while maintaining authentic African identity.

What distinguishes SMADE is his purpose-driven approach to business. Every project under his leadership is guided by a commitment to placing Africa firmly on the global map, not as a participant, but as a leader. His impact continues to reshape how the world engages with African culture, proving that African creativity is not just influential, but economically transformative.

Naming Adesegun Adeosun as Business Person of the Year 2025 is more than a recognition of success; it is a celebration of a visionary who turned belief into global institutions and culture into commerce.

Watch out for an exclusive, in-depth feature on Adesegun Adeosun in the Ranks Africa Q1 2026 magazine, where we explore his journey, leadership philosophy, and the business of exporting African culture to the world.

Alleged N8.7bn Money Laundering : EFCC Arraigns Malami, Wife, Son in Abuja Court  

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The Economic and Financial Crimes Commission, EFCC, on Tuesday, December 30, 2025 arraigned the immediate past Attorney-General of the Federation and Minister of Justice, Abubakar Malami, SAN, alongside his wife, Hajia Bashir Asabe, and son, Abubakar Abdulaziz Malami, before Justice Emeka Nwite of the Federal High Court, Maitama, Abuja, over alleged money laundering offences to the tune of N8, 713,923, 759.49( Eight Billion, Seven Hundred and Thirteen Million, Nine Hundred and Twenty Three Thousand, Seven Hundred and Fifty Nine Naira, Forty Nine Kobo)

 

The defendants were docked on a 16-count charge bordering on conspiracy, procuring, disguising, concealing and laundering proceeds of unlawful activities, contrary to the provisions of the Money Laundering (Prevention and Prohibition) Act, 2022.

 

At the commencement of proceedings, prosecution counsel, Ekele Iheanacho, SAN, informed the court that the matter was for arraignment of the defendants.

 

“My Lord, this matter is for the arraignment of the defendants on a 16-count charge dated and filed on December 23, 2025. We humbly pray that the charge be read to the defendants and their pleas taken,” he said.

 

Counsel to the defendants, J. B. Daudu, SAN, raised no objection, following which Justice Nwite ordered that the charge be read.

Count one of the charge reads: “That you Abubakar Malami, SAN, and Abubakar Abdulaziz Malami, between July 2022 and June 2025, in Abuja, procured Metropolitan Auto Tech Limited to conceal the unlawful origin of the sum of N1,014,848,500.00 (One Billion, Fourteen Million, Eight Hundred and Forty-Eight Thousand, Five Hundred Naira) in a Sterling Bank Plc account, when they reasonably ought to have known that the sum constituted proceeds of unlawful activities, thereby committing an offence contrary to Section 21(c) of the Money Laundering (Prevention and Prohibition) Act, 2022, and punishable under Section 18(3) of the same Act”.

 

Count five reads: “That you Abubakar Malami, SAN, Abubakar Abdulaziz Malami and Hajia Bashir Asabe, an employee of Rahamaniyya Properties Limited, sometime in September 2024, in Abuja, conspired to disguise the unlawful origin of the aggregate sum of N1,049,173,926.13 (One Billion, Forty-Nine Million, One Hundred and Seventy-Three Thousand, Nine Hundred and Twenty-Six Naira, Thirteen Kobo) paid through the Union Bank Plc account of Meethaq Hotels Limited, Jabi, between November 2022 and September 2024, contrary to Section 21 of the Money Laundering (Prevention and Prohibition) Act, 2022, and punishable under Sections 18(2)(a) and 18(3) of the same Act”.

Count six reads: “That you Abubakar Malami, SAN, and Abubakar Abdulaziz Malami, between November 2022 and October 2025, indirectly took control of the aggregate sum of N1,362,887,872.96 (One Billion, Three Hundred and Sixty-Two Million, Eight Hundred and Eighty-Seven Thousand, Eight Hundred and Seventy-Two Naira, Ninety-Six Kobo) paid through the Union Bank Plc savings account of Meethaq Hotels Limited, when they reasonably ought to have known that the funds constituted proceeds of unlawful activities, contrary to Section 18(2)(d) and punishable under Section 18(3) of the Money Laundering (Prevention and Prohibition) Act, 2022.

 

Following the pleas, Iheanacho informed the court that the prosecution was ready for trial and requested a trial date. He disclosed that the prosecution had been served with a bail application by the defence a day earlier and sought time to respond.

 

In response, Daudu urged the court to grant bail orally, contending that the alleged offences were bailable.

 

“My Lord, having listened carefully to the 16-count charge, this is a proper case for an oral application for bail,” he said, citing Abiola v. FRN.

“The offences alleged are bailable, and Section 216 of the ACJA does not mandate that an application for bail must be made in writing,” he said.

 

Opposing the application, Iheanacho urged the court to discountenance the oral bail request.

 

“My Lord, we oppose the oral application for bail. The case of Abiola v. FRN relied upon by learned silk is inapplicable,” he argued.

 

He further submitted that the court must be guided by affidavit evidence.

 

“This is a court of record. Submissions of counsel, no matter how brilliantly presented, do not amount to evidence and cannot replace affidavit evidence,” he said, warning that granting the oral application would amount to ambushing the prosecution.

 

On the gravity of the case, Iheanacho stressed public interest considerations.

 

“The charge before this Honourable Court borders on serious economic crimes involving complex financial networks, and public interest must be taken into account,” he submitted, adding that the high office previously held by the first defendant did not entitle him to preferential treatment.

 

In his ruling, Justice Nwite held that the prosecution must be given the opportunity to respond adequately to the bail application.

“Having listened to the submissions of learned counsel, the prosecution must be allowed adequate opportunity to respond,” the judge ruled.

 

He ordered that the defendants be remanded at the Kuje Correctional Centre and adjourned the matter to January 2, 2026 for hearing of the bail application.

Funke Akindele Breaks New Ground as Behind the Scenes Crosses ₦1.1bn in Record Time

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Funke Akindele has once again reshaped expectations within the Nigerian film industry as her latest feature, Behind the Scenes, continues its extraordinary run at the box office.

 

Just 17 days after its release, the film has crossed the ₦1.1 billion mark at the West African box office, making it the fastest film in the region’s history to reach the billion-naira milestone.

The achievement further cements Akindele’s status as a dominant force in Nollywood. She now stands as the only filmmaker to have surpassed ₦1 billion in box office earnings on three separate occasions. With Behind the Scenes, she also becomes the first filmmaker to deliver three consecutive ₦1 billion-plus films within a single calendar year, an unprecedented feat in the industry.

 

The film’s commercial momentum was underscored on Boxing Day, when it recorded the highest single-day theatrical gross ever achieved in the region, pulling in ₦129.5 million in one day.

 

FilmOne Entertainment, the distributor of Behind the Scenes, confirmed the figures and marked the milestone across its social media platforms. The company described the achievement as “another history made,” while expressing gratitude to audiences for turning out in large numbers, filling cinemas, and embracing the story with sustained enthusiasm.

 

The latest success adds to a growing list of industry records and highlights a broader shift in the scale, ambition, and commercial power of Nollywood productions, with Akindele continuing to set the pace.

Femi Otedola Exits Geregu Power in $750 Million Majority Stake Sale

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Billionaire investor Femi Otedola has sold his majority holding in Geregu Power Plc in a landmark transaction valued at approximately $750 million, marking one of the most significant private divestments in Nigeria’s power sector.

 

The deal involves the sale of Otedola’s controlling interest in the company, representing about 77 percent of Geregu Power, according to a filing by Geregu Power Plc on the Nigerian Exchange website and information from sources familiar with the transaction.

 

The divestment was executed through the sale of Otedola’s 95 percent stake in Amperion Power Distribution Company Limited, the investment vehicle through which he held his interest in Geregu Power. The acquiring entity is MA’AM Energy Ltd, a Nigerian firm.

 

Market observers describe the transaction as a major turning point for Geregu Power, one of Nigeria’s leading power generation companies, and a defining moment in the ongoing evolution of private sector participation in the country’s energy industry.

 

Details of the agreement, including financing structure and future governance arrangements, have not yet been fully disclosed. However, the size and structure of the deal place it among the largest private power transactions ever recorded in Nigeria.

 

Further information is expected as regulatory processes are completed and additional disclosures are made to the market.

National Grid Collapse Plunges Nigeria Into Widespread Power Outage

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National Grid Collapse Plunges Nigeria Into Widespread Power Outage

 

Nigeria’s national electricity grid collapsed on Monday afternoon, cutting power supply across most parts of the country and reducing nationwide distribution to near zero levels.

 

Distribution load data released at 3:12 pm on December 29, 2025, showed that only a fraction of electricity was reaching consumers, reflecting a major system failure on the national grid.

 

Figures obtained from the Distribution Companies indicated that only two operators were receiving power at the time of the collapse. Ibadan Electricity Distribution Company recorded an allocation of 30 megawatts, while Abuja Electricity Distribution Company received 20 megawatts. All other DisCos were allocated zero power.

 

Operators affected by the outage included Benin, Eko, Enugu, Ikeja, Jos, Kaduna, Kano, Port Harcourt, and Yola Electricity Distribution Companies, leaving large sections of the country without electricity.

 

In total, nationwide electricity distribution stood at just 50 megawatts, far below normal operating levels and insufficient to meet even minimal demand. The outage disrupted homes, businesses, and essential services, compounding concerns over the reliability of the power supply network.

 

As of Monday evening, the Nigerian National Grid confirmed that efforts were ongoing to restore the grid and gradually return electricity to affected areas. No official timeline had been provided for full recovery at the time of reporting.