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Did El-Rufai and Ganduje Collaborate to Disappear Dadiyata? By Farooq Kperogi

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Now that Abdullahi Ganduje has issued a (tepid) denial of Nasir El-Rufai’s televised allegation of his complicity in Abubakar “Dadiyata” Idris’ unexplained disappearance, I have a few thoughts to share.

Dadiyata and I followed each other on Twitter when I was active there, so I have a fair sense of what he tweeted about. El-Rufai correctly described Dadiyata as a Kwankwasiyya devotee. But Dadiyata was openly critical not just of Ganduje but of several APC figures, including Buhari and El-Rufai. Sadly, his Twitter handle has now been disabled, perhaps because of extended inactivity.

When Dadiyata was active on Twitter, Rabiu Kwankwaso and Atiku Abubakar were in the PDP, and Kwankwaso’s supporters were strongly associated with Atiku’s presidential bid.

While Ganduje may indeed have had strong political incentives to view Dadiyata as a threat in view of the intense rivalry between Ganduje and Kwankwaso, El-Rufai’s suggestion that Dadiyata was not a fierce critic of his does not square with the public record.

From my recollections, Dadiyata’s Twitter commentary frequently targeted El-Rufai, as many people have already pointed out.

It is also difficult to ignore that Bashir El-Rufai, El-Rufai’s son, had, in a December 2019 tweet, mocked both Dadiyata’s disappearance and the social media campaign for his safe return, saying, “Dangerous lies in the public space have consequences.”

That’s no proof that El-Rufai was guilty of disappearing Dadiyata, but given El-Rufai’s close relationship with his children, Bashir’s tweet is at least circumstantial evidence of El-Rufai’s knowledge of and unease with Dadiyata’s biting commentaries (disguised as “dangerous lies in the public space”) and his interest in making him pay for it (“consequences”).

From my perspective, both El-Rufai and Ganduje have a probable political and emotional investment in squelching and disappearing Dadiyata, and I won’t be shocked if it later emerges that they collaborated to achieve this and that El-Rufai is squealing now only because he is still smarting from his painful exit from the inner circle of power, is now politically at odds with Ganduje, and thinks there will be no consequence for his disclosure.

I searched credible public records for a list of critics El-Rufai caused to be arrested, detained, prosecuted, or tortured when he was governor. Although many people mention “more than 20,” I was able to verify 15.

The U.S. State Department’s 2019 Human Rights Report, for example, said nine community elders in Southern Kaduna were detained “by order of Kaduna State Governor Nasir El-Rufai” in retaliation for criticizing him.

In 2016, a journalist by the name of Jacob Onjewu Dickson was arrested and charged for reporting that El-Rufai was pelted with stones. In the same year, Dr. John Danfulani, a lecturer, was arrested and prosecuted for his criticism of El-Rufai.

Other critics El-Rufai arrested and harassed are Audu Maikori (music executive, 2017); Luka Binniyat (journalist, 2017); Stephen Kefas (journalist/activist, 2019); and Bello Yabo (Islamic scholar, 2020).

The 15 is not, by any means, a ceiling. It is merely the lowest defensible count from cases I can verify. But I am certain there are more.

As for Ganduje, I have found at least five identifiable people who were arrested, detained, remanded, or taken to court for criticizing him.

They are Mu’azu Magaji, former Kano commissioner and critic; Abdulmajid Danbilki Kwamanda, politician and critic; Mubarak Muhammad and Nazifi Isa Muhammad, TikTok satirists; and Jaafar Jaafar, publisher of Daily Nigerian.

While most governors in Nigeria are morbidly intolerant of even the mildest criticism, El-Rufai enjoys notoriety as perhaps the most thin-skinned and intolerant governor since 1999.

Given their records of intolerance to criticism, the best I can surmise is that El-Rufai and Ganduje found common cause in silencing Dadiyata since he was severely critical of both of them.

Now, since El-Rufai appears to have information about Dadiyata’s disappearance, even going so far as to mention an unnamed police officer who reputedly told someone that Dadiyata’s arrest was ordered from Kano, we have, for the first time ever, a solid, potentially helpful investigatory lead.

Law enforcement authorities should, without delay, invite El-Rufai to disclose the identity of the police officer under conditions that allow independent verification. Ganduje’s disclaimer is not enough. He should also be questioned.

The disappearance of a citizen over expressed opinions is too grave to be reduced to political theater or media spectacle. I hope this provides an opportunity for Dadiyata’s family to get closure on this sordid episode.

South African police arrest woman over killing of Nigerian e-hailing driver in Pretoria West

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South African police have arrested a woman in connection with the killing of Isaac Satlat, a 22-year-old Nigerian national who was working as an e-hailing driver in Pretoria West. Authorities say the incident happened on Wednesday, February 11, 2026, after the driver picked up passengers who had requested a trip. 

In a statement shared by police and repeated by local media, investigators said a male and a female passenger are suspected to have attacked the driver inside the vehicle. Police also indicated that the victim’s vehicle was later recovered and the victim’s body was found in Atteridgeville on the same day, as the investigation widened beyond the original pickup area. 

The case gained wider attention after video footage circulated online, showing an assault unfolding in the vehicle. Reporting on the footage, South African media described a woman seated in front and a man seated behind her during the attack, with both suspects fleeing afterward. 

Police say the arrested woman faces charges including hijacking and murder, and she is expected to appear at the Atteridgeville Magistrate’s Court on Monday. Investigators added that further arrests are expected as inquiries continue. 

Boyi Solomon Nyango leads Nigerian men as Lagos City Marathon, crowns new winners

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Boyi Solomon Nyango emerged as the first Nigerian male runner to finish the 2026 Access Bank Lagos City Marathon, crossing the line in 2:25:32 after a demanding race through key corridors of Lagos.

The 11th edition of the road race, held on Saturday, February 14, 2026, again drew a mix of elite international athletes and mass participants, reinforcing its position as one of the most watched long-distance events on Nigeria’s sports calendar. In the elite men’s race, Ezra Kipchumba Kering took first place in 2:11:55 to claim the top prize, while the women’s title went to Meseret Dinke in 2:37:36.

Beyond the overall podium, Nyango’s finish carried strong local significance. He led the Nigerian men’s field on a day when the elite positions were decided at a much faster clip, but the national category remained a key marker of progress for homegrown distance running.  

In the Nigerian women’s category, Deborah Pam Badung was the first Nigerian woman to complete the marathon, posting a time of 2:55:46.  

Organisers also tied the event’s prestige to incentives designed to deepen local participation. Reports on the 2026 edition described a structured prize system for Nigerian finishers, with cash awards spread across the top 10 in each gender, including a top prize for the first Nigerian finisher.  

The race route and finish remain central to its identity. The event is staged in Lagos, with the course anchored around Eko Atlantic and adjoining districts, and it is marketed as a major early-morning city race that blends competition with spectacle.  

United International Pictures Appoints Nile Entertainment as West Africa Theatrical Distribution Partner

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United International Pictures, the international distribution company representing Universal Pictures and Paramount Pictures, has officially appointed Nile Entertainment as its theatrical distribution partner for West Africa.

The announcement marks a significant development in the region’s cinema landscape, positioning Nile Entertainment as the company responsible for the theatrical rollout of major Hollywood titles across key West African territories.

United International Pictures, which handles international distribution for two of the world’s most established studios, continues to expand its footprint in emerging markets through strategic local partnerships. By aligning with Nile Entertainment, the company is strengthening its operational structure in West Africa, a region that has demonstrated sustained audience growth and increasing cinema infrastructure investment over the past decade.

Nile Entertainment has built a reputation as one of the leading film distribution companies operating within the Nigerian and broader West African market. The company has consistently handled high-performing theatrical releases and has developed working relationships with cinema chains, exhibitors, and promotional networks across the region. This new mandate consolidates its role within the premium studio distribution segment.

Under the partnership, Nile Entertainment will oversee theatrical distribution activities, including release scheduling, marketing coordination, exhibitor engagement, and territory-specific promotional execution for Universal Pictures and Paramount Pictures titles across West Africa. The collaboration is expected to improve operational efficiency, streamline release strategies, and strengthen box office performance within the territory.

West Africa, particularly Nigeria and Ghana, remains one of the most commercially active cinema markets on the continent. The appointment reflects a broader industry trend in which major global studios rely on experienced local distributors to navigate regional audience behavior, regulatory environments, and exhibition dynamics.

For exhibitors and cinema operators in the region, the partnership signals continuity in access to global studio content while reinforcing structured distribution processes. For audiences, it ensures that blockbuster releases from Universal and Paramount will continue to reach West African screens through an established and locally embedded distribution network.

The move further underscores West Africa’s strategic importance within the global theatrical value chain and highlights the increasing sophistication of its film distribution ecosystem.

Kemity Breaks Silence on “Sex-for-Roles” Allegations, Affirms Career Built on Integrity and Hard Work

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Nollywood actress Oluwakemisola Apesin, widely known as Kemity or Aunty Sidi, has publicly rejected allegations that she traded sexual favours for film roles, describing the claims as false and damaging.

In a detailed statement shared on her official Instagram page on February 12, 2026, the actress addressed the growing online speculation and made it clear that her career trajectory was built on persistence, discipline, and personal sacrifice rather than compromise. Her response came amid heightened social media conversations linked to a public disagreement involving her mentor, Ibrahim “Itele” Yekini, and fellow actor Austine Emmanuel.

Kemity stated unequivocally that she has never exchanged intimacy for professional opportunity. According to her, every role she has earned in Nollywood came through merit, consistency, and industry relationships built on respect. She described her journey as one defined by “sweat” and hard work, insisting that her name and reputation remain intact.

Addressing questions about her financial background before fame, the actress disclosed that she was already economically independent prior to gaining recognition in the film industry. She revealed that she owned two wine shops and worked as a receptionist at Masters Hotel in Ayobo. These ventures, she explained, allowed her to sustain herself while pursuing her acting ambitions without relying on unethical shortcuts.

Kemity also reflected on a transitional phase in her career when acting roles were not financially rewarding. During that period, she pivoted into makeup artistry as a practical means of survival. She noted that the decision was strategic rather than reactive. As her brand expanded and her market visibility improved, she gradually returned to acting with renewed leverage and stronger industry footing.

The controversy surrounding her name emerged within the broader context of a dispute between Ibrahim “Itele” Yekini and Austine Emmanuel. Although the disagreement was not directly about her, some social media users introduced unverified accusations linking her career growth to inappropriate conduct. Kemity described such narratives as unfair and rooted in speculation rather than evidence.

Beyond defending her professional record, the actress spoke from a personal standpoint as a mother of two daughters. She emphasized her responsibility to model dignity, resilience, and self-respect. She maintained that she is raising her children on values she upholds publicly and privately, stressing that her legacy must reflect honour rather than controversy.

Kemity’s statement adds to ongoing conversations within Nollywood about reputation, gender dynamics, and the pressures female actors face in the digital age. By responding directly and firmly, she has positioned her defence not only as a personal rebuttal but as a broader assertion of professional integrity in an industry often shaped by rumour and public opinion.

Online Community (Fanbase) Of The Year 2025 – Vote Now

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This category celebrates the most powerful online fan communities of 2025, recognising fanbases that consistently showed up with strong engagement, loyalty, visibility, and digital influence.

From trending hashtags to nonstop support, these communities shaped pop culture conversations, boosted careers, and proved that fandom is now one of the biggest forces in entertainment and digital culture.

For this edition, our evaluation focus is on reality TV fanbases, based on their consistency, online presence, mobilisation strength, and overall impact throughout the year.

Nominees

  • Imisi Fanbase
  • Dede Fanbase
  • Koyin Fanbase
  • Faith Fanbase
  • Sweet Guluva Fanbase
  • Ash-ley Ogle Fanbase

Vote Now

Which online community truly owned 2025?

🗳 Voting is now open
Voting closes 15th February 2025

This poll has ended (since 5 months).

FilmOne Entertainment Signs Distribution Deal for Nollywood Thriller, Headless

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LFilmOne Entertainment has officially signed a distribution agreement for the highly anticipated Nigerian feature film Headless, marking another significant collaboration within Nigeria’s growing film ecosystem. The signing ceremony, held at the Filmhouse Support Office in Lagos, was attended by filmmaker and Maturion Films CEO, Michael W. Ndiomu, formally sealing the partnership that will bring Headless to cinemas nationwide.

The agreement reflects FilmOne Entertainment’s continued commitment to championing

Nigerian stories and ensuring quality local films reach audiences at scale. With FilmOne’s robust distribution network and strategic market reach, Headless is set to screen across multiple cities, giving cinema-goers nationwide the opportunity to experience the film on the big screen.

(L-R) Jay Franklyn Jituboh, Ijeoma Aniebo, Ladun Awobokun, Michael W. Ndiomu and Mojisola Oladapo

Speaking at the signing, Michael W. Ndiomu shared his excitement about the collaboration:

“I’m thrilled to be working with FilmOne Entertainment on Headless. Their platform gives the film the visibility and reach it deserves. What makes this project especially personal is the level of commitment on set: the lead actor performed a death-defying stunt himself, without a stunt double. That authenticity translates directly to the screen, and we’re confident audiences will feel it.”

Renowned for its strategic approach to film distribution, FilmOne Entertainment will deploy its extensive cinema network and marketing expertise to maximise the film’s visibility and audience impact across Nigeria.

Also commenting on the partnership, Ladun Awobokun, Chief Content Officer, FilmOne Entertainment, said:

“Headless is a strong and compelling addition to Nigeria’s cinematic landscape. We’re excited to partner with Michael W. Ndiomu to bring this story to audiences across the country and to continue spotlighting the depth of creativity and talent within our local film industry.”

Headless first premiered as the Opening Night Film at AFRIFF 2024, setting the tone for a memorable festival experience. The project is led by producer Michael W. Ndiomu, whose previous work includes the Netflix hit The Origin: Madam Koi-Koi, also distributed by FilmOne Entertainment; further reinforcing a partnership rooted in trust, shared ambition and proven success.

This signing once again underscores FilmOne Entertainment’s role as a key force in Nigeria’s film industry, providing filmmakers with the reach, structure and support needed to connect meaningfully with audiences, while contributing to the continued evolution of Nigerian cinema.

 

 

 

Ranks Awards: MOST TALKED ABOUT PERSONALITY 2025

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MOST TALKED ABOUT PERSONALITY 2025 🔥

Nominees:
Ash-ley Ogle
Priscilla Ojo
Imisi Ayanwale
Sweet Guluva
Juma Jux
Faith Adewale

These are the personalities who dominated conversations all through 2025 from reality TV moments to pop culture headlines and viral online discussions. Whether you loved them, debated them, or couldn’t escape their names on your timeline, one thing is clear: they stayed in the spotlight.

📌 Note: This is a Jury-Selected Category and is not open for voting.

But let’s hear you anyway 👀
Who are you rooting for?

Drop your pick in the comments 👇🏽✨

Libya: Massive Crowds Attend the Funeral of Saif al-Islam Gaddafi in Bani Walid

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Libya on Friday witnessed one of the most significant public gatherings linked to the Gaddafi family since the collapse of the former regime in 2011, as thousands of people converged on Bani Walid for the funeral of Saif al-Islam Gaddafi.

The funeral, held on February 6, 2026, drew large crowds from across the region, transforming what was expected to be a private burial into a major political and symbolic event. Streets in Bani Walid, long regarded as a historic stronghold of Gaddafi loyalists, were filled with mourners chanting slogans, carrying portraits, and openly expressing nostalgia for the former Libyan state.

Observers noted that Libya has not seen a funeral of this scale for a member of the Gaddafi family since the death of Muammar Gaddafi in 2011. The turnout underscored the continued presence of pro-Gaddafi sentiment in parts of the country, despite years of political fragmentation, armed conflict, and competing authorities.

What began as a burial ceremony quickly took on a wider meaning. The gathering evolved into a visible show of popular support, with many attendees framing the event as a public statement on Libya’s unresolved political future. For supporters, the funeral served as both mourning and protest, reflecting frustration with years of instability and unmet expectations since the fall of the former government.

Saif al-Islam, the second son of the late Libyan leader, was reportedly assassinated by four unidentified commandos, according to accounts shared by those close to the family. Details surrounding the attack remain unclear, and no official claim of responsibility has been confirmed.

Bani Walid, located southeast of Tripoli, has repeatedly played a symbolic role in Libya’s post-2011 history. The scale of attendance at the funeral highlights how deeply divided narratives of the past remain and how figures associated with the former regime continue to command loyalty among sections of the population.

As Libya continues to struggle with political reconciliation and national unity, the scenes from Bani Walid stand as a reminder that the legacy of the Gaddafi era remains a powerful and unresolved force in the country’s public life.

Historic Partnership: Ooni Extols Awakan, Signs MoU with NTDA to Revolutionize Nigeria’s Tourism

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PRESS RELEASE

Historic Partnership: Ooni Extols Awakan, Signs MoU with NTDA to Revolutionize Nigeria’s Tourism

The Ooni of Ife, His Imperial Majesty, Adeyeye Enitan Ogunwusi, Ojaja II has thrown his royal weight behind the Director-General of Nigerian Tourism Development Authority (NTDA), Dr. Ola Awakan.

HRM, Ooni of Ife and DG, NTDA holding the Memorandum of Understanding (MOU) after the signing in Abuja

In a landmark move poised to elevate Nigeria’s tourism landscape, the NTDA and OJAJA Pan Africa Ltd, led by its Chairman, His Imperial Majesty, the Ooni of Ife have signed a Memorandum of Understanding (MoU) aimed at formalising the federal agency’s mandate with the private-sector expertise of OJAJA.

The partnership aims to harness Nigeria’s rich cultural heritage, cuisine and hospitality to drive economic growth, positioning tourism as a cornerstone of national development.

During the signing ceremony, NTDA’s Director General praised the Ooni as an “epitome of culture, a father, and a staunch supporter of the youth,” acknowledging him as a true royal figure.

Speaking further, the DG added that the partnership is in line with President Bola Tinubu’s Renewed Hope Agenda of diversification from oil and amplification of the PPP initiative.

“This partnership promises transformative benefits for Nigeria’s tourism industry, including economic diversification beyond oil dependency in line with President Bola Tinubu’s Renewed Hope Agenda.” Awakan stated.

“By utilising our storytelling capabilities, we can generate sustainable revenue and attract investments, create jobs, and boost foreign exchange inflows.” He added.

In response, the Ooni eulogised the DG’s professionalism and dedication, noting his pivotal role in initiatives like the Royal African Youth leadership Forum.

The Ooni encouraged continued promotion of youth interests in tourism, highlighting the DG’s nationwide experience and commitment to Nigeria’s diversity.

He expressed gratitude to President Bola Tinubu for appointing a youthful leader to head the NTDA, remarking that he himself embodies youthful energy in cultural stewardship.

The event featured symbolic gestures underscoring the partnership’s focus with the DG presenting the Ooni souvenirs, including a plaque of Naija Flavour, as emblems to propel Nigeria’s tourism and cultural diplomacy.

OJAJA, a Pan-African platform specializing in cultural branding and investment facilitation, brings private capital and diaspora networks to the table, creating a synergistic public-private framework for sustainable tourism advancement.

Looking forward, the NTDA-OJAJA alliance sets a blueprint for tourism-led prosperity, promising lasting impacts on employment, revenue and global visibility.