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BALOGUN ODERINLO OF IBADAN: THE DREADED GIANT WARRIOR WHOSE MYSTERIOUS DEATH REMAIN UNSOLVED TILL TODAY

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BALOGUN ODERINLO OF IBADAN: THE DREADED GIANT WARRIOR WHOSE MYSTERIOUS DEATH REMAIN UNSOLVED TILL TODAY

 

The establishment of lbadan as a municipal, and then a regional, power actually began with the rule of Bashorun Oluyole from about the year 1836. This remarkably gifted warrior led several successful military campaigns, among which was the final rout of the Fulani army in Osogbo in 1840. His rule, according to historians, was a most ruthless and arbitrary one, but in fact, he paid just as much attention to war as to agricultural innovation and municipal administration.

 

The Bashorun is the one credited, for instance, with establishing the list of chieftaincy titles that are still mostly in use today, as well as their order of precedence. In addition, Bashorun Oluyole was the one who founded the still flourishing main market of Oja’ba [Oja Oba], which stands now as it did then directly in front of his compound. And he deserves to be credited, therefore, with the establishment of the city of lbadan as one of the important commercial centers in the then emerging country, whose present-day geographical identity can be best described as a vast, entangled network of markets. For it was Bashorun Oluyole’s sterling example which inspired the founding of other markets by his commanders, the most notable of them perhaps being the famous Oje market, started by Chief Dele, the Aare Ago, together with Balogun Oderinlo, on the road to lwo.

 

Oluyole’s successes, and the ‘democratic’ ambience of the town, encouraged people to flock into lbadan so that by the year 1851, the town’s population was put at between 60,000 and 100,000 while its surrounding walls stretched out for up to ten miles!

 

After Bashorun Oluyole’s death. Oderinlo who was his Balogun was next in line to succeed him. Because of the purges and wars that Oluyole engineered during his time as the leader of Ibadan, all the chiefs that were senior to Oderinlo had died before Oluyole or soon after Oluyole’s own death. So there was practically no rival to Oderinlo’s position as Balogun and ruler of the town.

 

Oderinlo rose to prominence as one of the chiefs who played an active role in the rebellion against Lakanle and the latter’s subsequent suicide. There seemed to have been some form of close ties between him and Oluyole. It is likely to Oderinlo was at least an associate if not a close friend of the Bashorun. It was the influence of Oluyole that he became the Otun Balogun to Bankole Aleshinloye, the first Balogun under Oluyole. After Aleshinloye’s death, Oderinlo became the Balogun. Oderinlo was the Balogun who led the Ibadan troops to fight in the second Ibadan- Ilorin war at Osogbo, a war that Ibadan won comprehensively.

 

The Army of Ibadan equally attacked Ilesa to rescue Oshogbo. From that war, the Ibadan Army ventured into Ekiti for the relief of Otun, which was attacked by Ilorin Army. They also fought in Ara to reinstate the Alara who was then having problems with his people. He was among the six generals who plotted against Oluyole after that campaign. He was also among the four who later rescinded that decision, leaving the two who did not rescind, Lajubu and Akinluyi to die in a purge by the Bashorun.

 

At the time Bashorun Oluyole died, Balogun Oderinlo was planning to go on a war to Oke Ogun. So when the entire council of Ibadan invited him to become the Baale He declined, saying he wanted to win that war first. Historians speculate that he wanted to gather the wealth from that war to boost his claim to the rulership of Ibadan at the time.

 

Balogun Oderinlo went to the war and came back. He won the war and gathered enough loot and slaves to bring back to Ibadan. However, a few months after his triumphant return to Ibadan from Oke Ogun, as he was set to be announced as the Baale of Ibadan, Balogun Oderinlo died mysteriously. To this day nobody knows how Balogun Oderinlo died, but the sudden and mysterious nature of his death has led many to speculate that he may have been poisoned. But no body could pinpoint who did the warrior the fatal blow.

 

After his demise, Baale Opeagbe replaced him on the throne of Ibadan.

 

Balogun Oderinlo has been honoured in Ibadan, a statue of him stands at Beere not far from Mapo Hall and the statue of Bashorun Oluyole. His house and some of his descendants live not far from Oja’ba to this day. His son Tanpe, would become a chief of Ibadan.

 

Source:

 

Akinyele, I.B.(1951) Iwe Itan Ibadan ati die ninu awon Ilu agbegbe re bii Osogbo Iwo ati Ikirun.

Engine Room: Tosin Olaseinde – Empowering Financial Literacy Through Money Africa

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In our “Engine Room” series, we shine a radiant light on the exceptional individuals driving brands, orchestrating behind-the-scenes efforts, and leading the way with unwavering determination. This edition unveils a lineup of extraordinary figures, and among them stands Tosin Olaseinde. She is the visionary force propelling Money Africa, a dedicated platform for financial literacy and investment education.

Tosin Olaseinde’s journey is one of inspiration and transformation. In 2018, driven by an unwavering passion, she founded Money Africa with a resolute vision to translate her enthusiasm into reality. Her aim: to demystify finance and empower individuals with the knowledge and tools needed to navigate the intricate world of investments and financial decisions.

Tosin Olaseinde

In a monumental stride that echoes her commitment to progress, Tosin co-founded Ladda.ng in 2020. This innovative financial technology platform has unfurled a groundbreaking avenue for retail investors to cultivate and amplify their wealth through compounding strategies. It’s a testament to Tosin’s prowess in marrying visionary ideas with tangible solutions.

Since the inception of Money Africa, Tosin’s impact has been nothing short of monumental. Her platform has galvanized a community of over 500,000 individuals across social media platforms, all eagerly imbibing her wisdom on financial literacy. Additionally, her mailing list boasts more than 1000 individuals who recognize the importance of financial education in shaping a secure and prosperous future.

As we embark on a journey to connect with this trailblazer, our sights are set on featuring her story in our esteemed “Africa Catalyst” magazine. Tosin Olaseinde’s narrative is one of triumph against the odds, of realizing a vision, and of empowering countless individuals to rewrite their financial destinies. Her unwavering dedication to amplifying financial literacy stands as a beacon of hope, a torchbearer illuminating the path toward informed financial decisions and a more prosperous tomorrow.

See other Engine Room for the week here

Engine Room: Jennie Nwokoye – Pioneering HealthTech for Africa’s Wellness

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In our “Engine Room” series, we shine a radiant light on the exceptional individuals driving brands, orchestrating behind-the-scenes efforts, and leading the way with unwavering determination. This edition unveils a lineup of extraordinary figures, and among them stands Jennie Nwokoye, a visionary entrepreneur and founder of the Nigerian healthcare startup, Clafiya. Her journey from a graduate student specializing in systems engineering to the helm of Clafiya is a tale of innovation, dedication, and transformative impact.

Jennie Nwokoye’s story began in 2018 during her tenure as a graduate student at Georgetown University in the United States. Immersed in the world of systems engineering, she embarked on a journey that would birth the revolutionary concept of Clafiya. Derived from the words “community wellness,” Clafiya stands on a profound mission – to foster healthy communities across Africa and beyond, starting from its roots in Nigeria.

Jennie Nwokoye

At its core, Clafiya seeks to reshape healthcare access in Nigeria, and by extension, the world. In a region grappling with healthcare disparities, Jennie’s brainchild emerges as a beacon of hope. By seamlessly merging technology and wellness, Clafiya offers a fresh perspective on how healthcare services are delivered and accessed, setting new benchmarks for community well-being.

A testament to Clafiya’s prowess, the startup recently garnered significant attention in July 2023 by securing an impressive $610,000 in pre-seed funding. This influx of capital stands as a testament to the faith investors have in Clafiya’s mission and its potential to redefine healthcare paradigms. This funding injection will undoubtedly fuel Clafiya’s expansion, enabling it to reach even more individuals in need.

As Clafiya’s influence burgeons, it’s evident that Jennie Nwokoye is indeed changing the narrative of healthcare accessibility in Nigeria. Her relentless pursuit of a healthier, more connected society is a testament to her commitment to make a tangible difference. Her journey from academic realms to a trailblazing entrepreneur exemplifies the power of a vision nurtured with passion and expertise.

In recognition of her profound impact, we are thrilled to announce that Jennie Nwokoye will soon grace the pages of our Africa Catalyst magazine. Her journey, insights, and success story will undoubtedly inspire and resonate with our readers, underscoring the transformative potential of dedication, innovation, and a heart committed to driving change.

Stay tuned as we delve deep into Jennie Nwokoye’s story, a narrative that mirrors the very essence of our “Engine Room” series – celebrating those who ignite change, empower communities, and pave the way for a brighter, healthier future.

See other Engine Room for the week here

OPEN LETTER TO BURNABOY- NO, YOU ARE NOT A MUSICAL MESSIAH COMING TO SAVE NIGERIAN AFROBEAT – Tino

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OPEN LETTER TO BURNABOY- NO, YOU ARE NOT A MUSICAL MESSIAH COMING TO SAVE NIGERIAN AFROBEAT

 

Dear Burna Boy ,

 

I hope this gets to you in good spirit .

 

I choose to write you this open letter because you called for it . I understand what this is all about to you – to stir up a buzz for the release of your forthcoming album,’ I told them ‘ two days from today . You want this controversy reason you decided to take a wrecking ball to the genre that made you .

 

Dear Odongwu, your antecedent in the past has proven that you take pride in putting others down to climb. Your pride knows no bound . I have defended you in most of those days, but it seems with you that a leopard truly can’t change its spot.

 

You said, ” 90% of Afrobeats’ songs lack real-life experiences and substance,” and you said this on the stage of world music . You decided to rubbish the genre that gave you life so as to be that ‘ messiah ‘ that rescues ‘Afrobeat ‘ So who said your songs have ‘substance’? What exactly have you sang that shows substance or can last generations like Fela or even Tuface ? Who gave you the audacity to be the touch bearer of Afrobeat?

 

Fine , musicians worldwide, and everywhere now chase hit songs for Tiktok without paying attention to real ‘substance’ just for number, but you are a culprit of this too. Many of your songs have no ‘substance ‘ according to you. How dare you take yourself out of the equation and throw others under the bus?

 

In perspective, sometimes Davido sings about his life experiences , struggles, etc, same as Wizkid , Olamide , Omahlay, and others . In fact , Omahlay tells his life stories in his song that they now call his song ‘ Afrodepreesion’. So what are you talking about ?

 

You are struggling so hard to fit into the American culture by putting down the African culture that made you and the other day, you once allegedly said ‘ Black Americans have no culture ‘ and yet you try to be like them . It seems to me you are now a box of paradox . A man without no identity seeking identity from the West . You trash your people and bring them down before the West so as to acclaim you are the ‘ African Giant’ …African Giant my foot!

 

 

Dear Burnaboy, you are no Odogwu . You are no messiah of Afrobeat, and in fact, Afrobeat needs no MESSIAH. It’s doing just fine. If not, you won’t be where you are today .

 

Your own don too much , it’s time to clear your craaaze!

 

Afrobeat is bigger and better, and no one has the monopoly to it but every lovers of music, especially Nigerians. It has substance, sit your ikebe down!

 

Sincerely,

 

Tino writes ✍️ from New York.

Engine Room: Kanaga Jnr and the Inspiring TKJ Apparel Brand

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In our revered Engine Room series, we consistently shine a luminous spotlight on the vanguards propelling brands forward, the orchestrators of behind-the-scenes magic, and the leaders who set exceptional standards. As our latest edition unfurls, we present a captivating lineup of exceptional individuals, each a shining star in their own right. Among these luminaries stands Kanaga Jnr, a dynamic force with whom we are collaborating to feature in the forthcoming September edition of the Africa Catalyst Magazine.

Kalu-Anaga Emmanuel Eme, better known by his moniker Kanaga Jnr, emerges as a central figure in this constellation of extraordinary minds. His visionary leadership is steering the ascent of the TKJ apparel brand, an entity that resonates not only in the fashion realm but as a catalyst of empowerment for countless young souls. With each stitch, each design, Kanaga Jnr is igniting the spark of self-reliance among the youth, leaving an indelible mark on their journeys.

Kanaga Junior

Kanaga Jnr’s journey is a testament to the power of dedication and creative ingenuity. His clothing brand, TKJ, stands as a testament to his relentless drive and innovative spirit. Rooted in his passion, TKJ is more than just a label; it’s a symbol of inspiration, a canvas upon which he paints aspirations of self-sufficiency for the youth he influences.

The growth trajectory of Kanaga Jnr’s brand is nothing short of remarkable. As his apparel brand blossoms, it heralds the promise of more achievements and successes, a testament to his relentless pursuit of excellence. His journey is one we eagerly follow, anticipating the transformation of his hard work into tangible and awe-inspiring realities.

In collaboration with Kanaga Jnr, the September edition of Africa Catalyst Magazine will showcase the embodiment of his spirit, journey, and impact. This partnership is a testament to the magazine’s commitment to highlighting exceptional individuals who are reshaping industries and redefining success. As we await the unveiling of Kanaga Jnr’s story, we’re poised to witness the fusion of his passion, dedication, and the growth of his TKJ apparel brand into a force of inspiration and empowerment.

Stay tuned to witness the transformation of dreams into reality, as Kanaga Jnr’s influence continues to reverberate, nurturing a new generation of self-reliant and empowered youth through the artistry of fashion.

See other Engine Room for the week here

Engine Room: Tony Elumelu CFR, Illuminating Africa’s Path with Economic Expertise and Philanthropy

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In our latest Engine Room spotlight edition, we cast our gaze on the exceptional individuals propelling brands, orchestrating behind-the-scenes efforts, and shaping our world’s future. At the forefront of this illustrious lineup stands Anthony Onyemaechi Elumelu CFR, an eminent Nigerian economist and a philanthropic visionary whose influence reaches far beyond his native land. As we delve into his story, we uncover a legacy of transformation, dedication, and unwavering commitment to positive change.

As the captain of Heirs Holdings and Transcorp, Elumelu leads with a visionary perspective that transcends the ordinary. His mastery in orchestrating economic transformations turns mundane opportunities into avenues of progress. But it’s his legacy that ascends to its zenith in The Tony Elumelu Foundation – a testament to his profound commitment to nurturing entrepreneurship and fostering impactful change.

In 2020, the world recognized Elumelu’s global resonance as he clinched a coveted spot on Time magazine’s prestigious list of the 100 most influential people. Yet, his impact is far from confined to a mere listing. Beyond the accolades, Elumelu stands as an engine room propelling the African continent’s growth and development. His influence acts as a catalyst, sparking transformational change that reverberates across the vast expanse of the continent.

At the heart of his achievements lies an unwavering dedication to elevating Africa’s economic landscape. Elumelu’s role as chairman at Heirs Holdings enables him to navigate intricate financial terrains, steering investments and initiatives that sow the seeds of sustainable progress. His leadership extends to Transcorp, where he defies corporate limitations, infusing every facet of his work with a spirit of advancement.

The pinnacle of Elumelu’s philanthropic endeavors shines through The Tony Elumelu Foundation. Through this institution, he opens doors of opportunity for countless African entrepreneurs, empowering them to transform aspirations into thriving businesses. His belief in the transformative power of entrepreneurship resonates deeply, as he provides not only financial support but also mentorship and guidance, fostering a new generation of leaders poised to propel Africa’s growth.

Tony Elumelu

Elumelu’s titles as an “engine room” and a “catalyst” are fittingly earned. His influence permeates industries, economies, and societies, transcending conventional boundaries of philanthropy and business leadership. His multifaceted endeavors meld into a symphony of progress, uplifting Africa’s fortunes in ways unprecedented.

In an era teeming with both challenges and opportunities for Africa, Anthony Onyemaechi Elumelu stands as a beacon of hope, illuminating a path forward with his economic expertise, visionary leadership, and unyielding philanthropy. His impact knows no bounds, resonating beyond Africa’s confines, harmonizing with the global call for inclusive development and shared prosperity. As Africa’s engine room and an unswerving catalyst for change, Elumelu’s legacy stands as an enduring testament to the unwavering spirit of progress.

See other Engine Room for the week here

Tinubu designates Mojoyinoluwa Dekalu-Thomas as NELMCO’s MD/CEO & Executive Director.

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President Bola Tinubu has granted approval for the designation of Mrs. Mojoyinoluwa Dekalu-Thomas as the new Managing Director and Chief Executive Officer of the Nigeria Electricity Liability Management Company (NELMCO), with a tenure of four years.

Mrs. Mojoyinoluwa Dekalu-Thomas, who had previously been serving as the Acting MD/CEO of NELMCO following the conclusion of Mr. Adebayo Fagbemi’s tenure on May 8th, 2023, has now been officially appointed to the role.

As a result of her transition from the interim position, a vacancy has arisen for the position of Executive Director, Liability Management, which she previously held.

Consequently, Mr. Dimla Joel Nchinney’s appointment as the substantive Executive Director, Liability Management, has received the approval of President Tinubu to fill this vacancy within NELMCO.

These appointments, in accordance with the President’s directives, will come into immediate effect.

Ajuri Ngelale
Special Adviser to the President
(Media & Publicity)
August 25, 2023

 

“𝐈𝐟 𝐅𝐞𝐥𝐚 𝐊𝐮𝐭𝐢 𝐖𝐚𝐬 𝐇𝐞𝐫𝐞 𝐓𝐨𝐝𝐚𝐲, 𝐌𝐚𝐧𝐲 𝐍𝐢𝐠𝐞𝐫𝐢𝐚𝐧𝐬 𝐖𝐨𝐮𝐥𝐝 𝐀𝐬𝐤 𝐏𝐨𝐥𝐢𝐜𝐞 𝐓𝐨 𝐀𝐫𝐫𝐞𝐬𝐭 𝐇𝐢𝐦” – 𝐁𝐮𝐫𝐧𝐚 𝐁𝐨𝐲

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“𝐈𝐟 𝐅𝐞𝐥𝐚 𝐊𝐮𝐭𝐢 𝐖𝐚𝐬 𝐇𝐞𝐫𝐞 𝐓𝐨𝐝𝐚𝐲, 𝐌𝐚𝐧𝐲 𝐍𝐢𝐠𝐞𝐫𝐢𝐚𝐧𝐬 𝐖𝐨𝐮𝐥𝐝 𝐀𝐬𝐤 𝐏𝐨𝐥𝐢𝐜𝐞 𝐓𝐨 𝐀𝐫𝐫𝐞𝐬𝐭 𝐇𝐢𝐦” – 𝐁𝐮𝐫𝐧𝐚 𝐁𝐨𝐲

The late afrobeat pioneer, Fela Kuti, would likely face criticism and calls for his imprisonment if he were alive today, according to Grammy-winning Nigerian musician Burna Boy.

 

The grandson of Fela Kuti’s original manager, Benson Idonjie, Burna Boy, recently discussed his viewpoint in an interview with Apple Music’s Zane Lowe in New York.

 

He emphasised that Fela Kuti’s experiences during his period were distinct from what musicians would face today, while acknowledging that the contemporary era has particular dynamics.

 

The singer expressed thanks for the circumstances of that time, which allowed Fela Kuti to use his music to transmit his profound words, as she thought back on the significance of the period in which he lived.

 

Burna Boy maintains that Fela Kuti’s influence was made possible by the unique circumstances of his time, which allowed him to express his conscious creativity, highlighting the fact that spirituality was more prevalent in earlier times.

 

He also asserted that ignorance and stupidity predominate in today’s society, although they did not at the time of Fela Kuti.

 

Burna Boy expressed gratitude that Fela Kuti lived during a time when it was possible for people to understand the true significance of his ideas, values, and the profound messages he delivered via his music.

 

He stated

 

Quote:. “𝑊ℎ𝑎𝑡 𝐼 ℎ𝑎𝑣𝑒 𝑟𝑒𝑎𝑙𝑖𝑠𝑒𝑑 𝑖𝑠 𝑡ℎ𝑎𝑡 𝑡ℎ𝑒 𝑡𝑖𝑚𝑒𝑠 𝑎𝑟𝑒 𝑟𝑒𝑎𝑙𝑙𝑦 𝑓𝑢𝑛𝑛𝑦. 𝐹𝑒𝑙𝑎 𝑖𝑛 ℎ𝑖𝑠 𝑡𝑖𝑚𝑒 𝑤𝑎𝑠 𝑔𝑜𝑖𝑛𝑔 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑡ℎ𝑖𝑛𝑔𝑠 𝑡ℎ𝑎𝑡, 𝑖𝑓 ℎ𝑒 𝑤𝑎𝑠 ℎ𝑒𝑟𝑒 𝑡𝑜𝑑𝑎𝑦, 𝑖𝑡 𝑚𝑖𝑔ℎ𝑡 ℎ𝑎𝑣𝑒 𝑏𝑒𝑒𝑛 𝑎 𝑤ℎ𝑜𝑙𝑒 𝑑𝑖𝑓𝑓𝑒𝑟𝑒𝑛𝑡 𝑓𝑒𝑒𝑙𝑖𝑛𝑔 𝑙𝑖𝑘𝑒 𝑎 𝑤ℎ𝑜𝑙𝑒 𝑏𝑢𝑛𝑐ℎ 𝑜𝑓 𝑝𝑒𝑜𝑝𝑙𝑒 𝑓𝑟𝑜𝑚 𝑁𝑖𝑔𝑒𝑟𝑖𝑎 𝑤ℎ𝑜 𝑦𝑜𝑢 𝑠𝑒𝑒 𝑡𝑜𝑑𝑎𝑦 𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑛𝑔 𝐹𝑒𝑙𝑎, 𝑎𝑟𝑒 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒 𝑝𝑒𝑜𝑝𝑙𝑒 𝑡ℎ𝑎𝑡 𝑤𝑜𝑢𝑙𝑑 ℎ𝑎𝑣𝑒 𝑏𝑒𝑒𝑛 𝑡𝑎𝑔𝑔𝑖𝑛𝑔 𝑡ℎ𝑒 𝑝𝑜𝑙𝑖𝑐𝑒 𝑡𝑜 𝑔𝑜 𝑎𝑛𝑑 𝑎𝑟𝑟𝑒𝑠𝑡 𝐹𝑒𝑙𝑎 𝑖𝑓 𝑡ℎ𝑒𝑟𝑒 𝑤𝑎𝑠 𝑇𝑤𝑖𝑡𝑡𝑒𝑟 𝑡ℎ𝑒𝑛.

 

“𝑆𝑜, 𝑎𝑡 𝑡ℎ𝑒 𝑒𝑛𝑑 𝑜𝑓 𝑡ℎ𝑒 𝑑𝑎𝑦, 𝐼 𝑓𝑒𝑒𝑙 𝑙𝑖𝑘𝑒 𝐺𝑜𝑑 𝑑𝑜𝑒𝑠𝑛’𝑡 𝑚𝑎𝑘𝑒 𝑚𝑖𝑠𝑡𝑎𝑘𝑒𝑠. 𝑌𝑜𝑢 𝑘𝑛𝑜𝑤 𝑤ℎ𝑎𝑡 𝐼 𝑚𝑒𝑎𝑛 𝑙𝑖𝑘𝑒 𝑡ℎ𝑒 𝑡𝑖𝑚𝑒𝑠 𝑎𝑟𝑒 𝑗𝑢𝑠𝑡 𝑝𝑒𝑟𝑓𝑒𝑐𝑡 𝑓𝑜𝑟 𝑒𝑣𝑒𝑟𝑦𝑜𝑛𝑒, 𝑦𝑜𝑢 𝑘𝑛𝑜𝑤.

 

“𝐼𝑓 ℎ𝑒 [𝐹𝑒𝑙𝑎] 𝑤𝑎𝑠 ℎ𝑒𝑟𝑒 𝑡𝑜𝑑𝑎𝑦, 𝑙𝑖𝑘𝑒 ℎ𝑖𝑠 𝑐𝑎𝑟𝑒𝑒𝑟 𝑠𝑡𝑎𝑟𝑡𝑒𝑑 𝑛𝑜𝑤, ℎ𝑒 𝑚𝑎𝑦 𝑛𝑜𝑡 ℎ𝑎𝑣𝑒 𝑡ℎ𝑒 𝑠𝑝𝑎𝑐𝑒 𝑡𝑜 𝑒𝑥𝑝𝑙𝑜𝑟𝑒 𝑡ℎ𝑎𝑡 [ℎ𝑖𝑠 𝑐𝑜𝑛𝑠𝑐𝑖𝑜𝑢𝑠 𝑐𝑟𝑒𝑎𝑡𝑖𝑣𝑖𝑡𝑦] 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑡ℎ𝑒𝑟𝑒 𝑖𝑠 𝑡𝑜𝑜 𝑚𝑢𝑐ℎ 𝑖𝑛 𝑡ℎ𝑖𝑠 𝑑𝑎𝑦 𝑎𝑛𝑑 𝑎𝑔𝑒 𝑡ℎ𝑎𝑡 𝑖𝑡 𝑗𝑢𝑠𝑡 𝑑𝑜𝑒𝑠𝑛’𝑡 𝑖𝑛𝑡𝑒𝑟𝑙𝑜𝑐𝑘 𝑤𝑖𝑡ℎ 𝑡ℎ𝑒 𝑠𝑝𝑖𝑟𝑖𝑡𝑠. 𝑅𝑖𝑔ℎ𝑡 𝑛𝑜𝑤, 𝑠𝑝𝑖𝑟𝑖𝑡𝑢𝑎𝑙𝑖𝑡𝑦 𝑖𝑠 𝑎𝑙𝑚𝑜𝑠𝑡 𝑛𝑜𝑛-𝑒𝑥𝑖𝑠𝑡𝑒𝑛𝑡.

 

“𝑁𝑜𝑤, 𝑖𝑡 [𝑡ℎ𝑒 𝑠𝑜𝑐𝑖𝑒𝑡𝑦] 𝑖𝑠 𝑗𝑢𝑠𝑡 𝑚𝑜𝑠𝑡𝑙𝑦 𝑟𝑢𝑛 𝑏𝑦 𝑠𝑡𝑢𝑝𝑖𝑑𝑖𝑡𝑦 𝑎𝑛𝑑 𝑖𝑔𝑛𝑜𝑟𝑎𝑛𝑐𝑒. 𝐼𝑡 𝑤𝑎𝑠 𝑠𝑡𝑖𝑙𝑙 𝑡ℎ𝑒 𝑠𝑎𝑚𝑒 𝑏𝑎𝑐𝑘 𝑡ℎ𝑒𝑛 [𝑑𝑢𝑟𝑖𝑛𝑔 𝐹𝑒𝑙𝑎’𝑠 𝑒𝑟𝑎] 𝑏𝑢𝑡 𝑖𝑡 𝑤𝑎𝑠𝑛’𝑡 𝑎𝑠 𝑎𝑚𝑝𝑙𝑖𝑓𝑖𝑒𝑑 𝑜𝑟 𝑎𝑐𝑐𝑒𝑠𝑠𝑒𝑑 [𝑎𝑠 𝑖𝑡 𝑖𝑠 𝑡𝑜𝑑𝑎𝑦]. 𝑁𝑜𝑤, 𝑒𝑣𝑒𝑟𝑦𝑡ℎ𝑖𝑛𝑔 𝑖𝑠 𝑑𝑒𝑓𝑖𝑛𝑒𝑑 𝑏𝑦 𝑠𝑡𝑢𝑝𝑖𝑑𝑖𝑡𝑦 𝑎𝑛𝑑 𝑖𝑔𝑛𝑜𝑟𝑎𝑛𝑐𝑒.

 

“𝐼’𝑚 𝑔𝑟𝑎𝑡𝑒𝑓𝑢𝑙 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑓𝑎𝑐𝑡 𝑡ℎ𝑎𝑡 ℎ𝑒 [𝐹𝑒𝑙𝑎] 𝑒𝑥𝑖𝑠𝑡𝑒𝑑 𝑖𝑛 ℎ𝑖𝑠 𝑡𝑖𝑚𝑒 𝑠𝑜 𝑡ℎ𝑎𝑡 𝑤𝑒 𝑐𝑎𝑛 𝑔𝑒𝑡 𝑎𝑛 𝑒𝑥𝑝𝑒𝑟𝑖𝑒𝑛𝑐𝑒 𝑜𝑓 𝑡ℎ𝑒 𝑡𝑟𝑢𝑒 𝑜𝑟𝑔𝑎𝑛𝑖𝑐 𝑛𝑎𝑡𝑢𝑟𝑒 𝑜𝑓 𝑤ℎ𝑎𝑡 ℎ𝑒 𝑤𝑎𝑠, 𝑡ℎ𝑒 𝑒𝑠𝑠𝑒𝑛𝑐𝑒 𝑜𝑓 𝑤ℎ𝑎𝑡 ℎ𝑒 𝑠𝑡𝑜𝑜𝑑 𝑓𝑜𝑟 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑚𝑒𝑠𝑠𝑎𝑔𝑒𝑠 ℎ𝑒 𝑝𝑎𝑠𝑠𝑒𝑑 𝑎𝑐𝑟𝑜𝑠𝑠 𝑡𝑜 𝑢𝑠.”

Omolara Dauda is meticulously preparing to launch her upcoming film titled ‘Igbekun’.

Omolara Raimot Dauda stands out as a rapidly emerging figure in the Yoruba movie sector.

Over the course of five years, she has not only flourished but also ventured into movie production.

Originating from Abeokuta, she is an alumna of Lagos State Polytechnic, boasting an impressive filmography that encompasses notable titles like ‘May 3rd’, ‘HOD’, ‘Omo Ina’, ‘Asigbo’, ‘Aje Adugbo’, and more.

Displaying her versatility, Omolara has not only honed her acting skills but also mastered the intricacies of movie production, successfully spearheading six films – ‘Ipinnu’, ‘Awusa’, ‘Isura’, ‘Daramola’, ‘Ninu Ala’, and ‘Alejo Oru’.

Currently, Omolara is deeply engrossed in her latest cinematic endeavor, ‘Igbekun’, under the direction of Azeez Ijaduade and the management of Afeez Eniola.

The film showcases a stellar ensemble cast including Wunmi Toriola, Kolawole Ajeyemi, Kiki Bakare, Damilola Oni, Shonye Olamilekan, and many more.

Omolara attributes her career’s progress not only to her determination but also to her choice of role models within the industry.

She holds figures like the trendsetting actor/producer Femi Adebayo, Ibrahim Chatta, Toyin Abraham Ajeyemi, and Funke Akindele as her mentors, who have significantly influenced her journey.

Slit dresses

Embraced by women of refinement who effortlessly exude style and sophistication, slit dresses invariably grace every occasion, whether social or professional, leaving an indelible mark with their captivating and bold design.

Whether adorning a corporate skirt, an elegant gown, or a statement ‘owanmbe’ attire, the presence of a slit dress invariably announces the presence of a true lady.

Historically, the slit dress, also referred to as a vent—an incision or opening in fabric—served the utilitarian purpose of facilitating movement, particularly when fashioned from non-stretch materials.

However, in the realm of modern fashion ingenuity, slit dresses now serve as deliberate canvases to celebrate the allure of the legs, thoughtfully and artistically enhancing style choices.

Designers, irrespective of fabric constraints, ingeniously incorporate slits into dresses of diverse silhouettes, catering to audacious individuals eager to express themselves through leg-centric fashion.

This audaciousness is the key determinant in the placement of the dress slit—whether it skims the higher or lower lengths of the leg.

Originating from the hemline, the slit travels upward, tailored to reach the desired point on the leg or thigh.

Yet, it’s prudent to maintain a sense of elegance by favoring a modest knee-high slit, as true sophistication finds its embodiment in moderation.