Beauty Queen “Beauty Tukura” indeed looks good in just about anything. But when it comes to posing for a photoshoot, the reality star proves time and again that you can be comfortable, fun, or even tell a beautiful story without uttering words.

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VDM’s missing N180m NGO funds was not reported to us. We are not the ones handling the matter – Plateau police PRO 

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The Plateau State police command has denied involvement in the investigation into the alleged hacking incident of VeryDarkMan’s NGO and diversion of N180 million from the account.

 

Reacting to the report made by VDM in a video shared on his social media, the spokesperson of the command, DSP Alabo Alfred, said the command has not received any report from the social critic and that the crime was not committed within their jurisdiction.

“The matter is not reported to us. We are not the ones handling the matter because the crime was not committed within our jurisdiction. If he said he is coming to Jos, that does not mean that we are the ones handling the case.

 

The crime happened in Abuja. So, he is not coming to Jos to report an incident that did not happen within our jurisdiction. If he reported the case at the Force CID level, it is the Force PRO who can speak about it.

 

If he reported the case at the FCT Command level, it would be a different thing. Of course, the Force PPRO can talk about it as well. If he can get police officers from where he reported the case, they can all come together to Jos and do their investigation.

 

After that, they can report back to where they came from and continue from there. But we can’t talk on a matter that did not happen within our jurisdiction” Alabo said

 

VDM in the video he released on Friday claimed that hackers diverted N180 million from his NGO’s account and that one of the hackers has been arrested in Jos, Plateau state. He stated that he was on his way to Jos with one of the detectives handling the matter.

Unpacking the Significance of Remo Day 2024: A Celebration of Heritage and Resilience

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On a day filled with vibrant colors, rhythmic drumbeats, and warm smiles, the Remo community came together to celebrate a momentous occasion – The Inaugural Edition of Remo Day 2024. This joyous event was more than just a festive gathering; it was a testament to the community’s rich cultural heritage, their unwavering resilience, and their unrelenting passion for preserving their traditions.

A Celebration of Cultural Identity

Remo Day 2024 was a glorious display of the community’s cultural identity. The event was a kaleidoscope of colors, with attendees adorned in intricate traditional attire, showcasing the community’s unique textile heritage. The air was filled with the sweet scent of traditional delicacies, carefully prepared to delight the senses. Every aspect of the celebration, from the music to the dance, was a deliberate attempt to reconnect with the community’s roots and honor their ancestors.

Distinguished Guests in Attendance

The event was graced by several distinguished guests, including the Governor of Ogun State, His Excellency Omo Oba Dapo Abiodun, who delivered a keynote address. According to the governor, “We celebrated the inaugural Remo Day, honoring Remoland’s progress in agriculture, industrialization, and technology. As a key contributor to Ogun State’s growth, Remoland’s unity and cultural pride inspire continued development, heritage preservation, and innovation”.

The Akarigbo of Remo, His Royal Majesty Oba Babatunde Ajayi , was also in attendance, along with other traditional rulers from across the state. Politicians, celebrities, and well-wishers also joined in the celebration, including notable figures from the entertainment industry.

Honoring the Past, Embracing the Future

Remo Day 2024 was not just a nostalgic trip down memory lane; it was also a forward-looking celebration that acknowledged the community’s growth and evolution. The event featured a series of performances, exhibitions, and presentations that highlighted the community’s achievements in various fields, from education to entrepreneurship. This blending of tradition and modernity was a powerful statement about the community’s ability to adapt and thrive in an ever-changing world.

Community, Unity, and Strength

One of the most striking aspects of Remo Day 2024 was the sense of community and unity that pervaded the entire event. Attendees from all walks of life came together, putting aside their differences to celebrate their shared heritage. This collective sense of purpose and belonging was palpable, and it served as a powerful reminder of the community’s strength and resilience.

Preserving Heritage for Future Generations

Remo Day 2024 was also an opportunity for the community to reflect on their responsibility to preserve their cultural heritage for future generations. The event featured a series of workshops, lectures, and exhibitions that aimed to educate attendees about the importance of cultural preservation. This emphasis on intergenerational transmission of knowledge and traditions was a heartening indication of the community’s commitment to safeguarding their heritage.

Remo Day 2024 was a resounding success, not just as a celebration of cultural heritage, but also as a testament to the community’s strength, resilience, and unity. As the Remo community continues to navigate the complexities of modern life, their commitment to preserving their cultural heritage will remain a vital source of inspiration and guidance. As we look to the future, we can draw valuable lessons from the Remo community’s example, and strive to build stronger, more vibrant communities that honor our shared humanity.

 

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Written By Adesina Kasali

Movie Review: Bimbo Ademoye’s Homecoming

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The reviewer, Lizzy Pereowei, shares her thoughts on the movie “Homecoming” starring Bimbo Ademoye, Bisola Aiyeola, and Timini Egbuson.

Movie Review: Homecoming

Synopsis

The movie follows Dieko (Bimbo Ademoye), who lives with her grandfather and is searching for a good-paying job. Her life takes a turn when she meets Uduak (Bisola Aiyeola) and Luther (Timini Egbuson).

Review

Lizzy praises the movie’s production quality, citing its Netflix or Prime Video-worthy cinematography, sound, and costume design. She highlights standout performances from Bisola Aiyeola and Osereme Iniegbenebor.

However, Lizzy criticizes the movie’s pacing, noting that some scenes feel dragged out or unnecessary. She also expresses disappointment with the handling of certain plot points, such as the disappearance of Dieko’s friend.

Themes and Messages

The reviewer appreciates the movie’s exploration of themes such as resilience, self-worth, and the importance of seeking help when needed. She notes that the movie’s message about leaving toxic situations is particularly striking.

Verdict

Lizzy gives the movie a rating of 6.5/10, recommending it as a worthwhile watch despite some pacing issues. She concludes that “Homecoming” is a beautiful, albeit not particularly Christmassy, movie that explores important themes and features strong performances.

Karim Adeyemi’s Homecoming: A Celebration of Football, Philanthropy, and Culture

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Borussia Dortmund’s star player, Karim Adeyemi, returned to his roots in Ibadan, Nigeria, where he was welcomed with open arms. The young footballer’s visit was a testament to his commitment to giving back to his community and promoting youth development through football.

Adeyemi’s visit coincided with the finals of the U-15 Adeyemi Football Championship, hosted by Adeyemi FC, an initiative of his foundation, the Karim Adeyemi Foundation. The tournament provided a platform for young footballers to showcase their talents and develop their skills.

During his visit, Adeyemi met with His Imperial Majesty Ooni of Ife, Oba Adeyeye Enitan Ogunwusi, in the company of his family. The meeting was a significant moment, highlighting the importance of cultural heritage and the role of football in bridging communities.

Adeyemi’s foundation also facilitated the commissioning of borehole projects across three communities in the Oje area of Ibadan, Oyo State. This initiative demonstrates Adeyemi’s commitment to improving the lives of those in his community and providing access to basic necessities like clean water.

Adeyemi’s visit was not all about official engagements; he also made time for personal moments. He was spotted playing tennis with his father and friends at the Ibadan Recreation Club, showcasing his lighter side and enjoying quality time with loved ones.

Karim Adeyemi’s homecoming was a resounding success, celebrating football, philanthropy, and culture. His commitment to giving back to his community and promoting youth development is truly inspiring, and his visit will be remembered for a long time to come.

𝙊𝙡𝙤𝙬𝙤𝙠𝙚𝙧𝙚 𝙎𝙚𝙜𝙪𝙣 𝙒𝙖𝙨 𝙄𝙡𝙡𝙚𝙜𝙖𝙡𝙡𝙮 𝙏𝙧𝙞𝙚𝙙, 𝘾𝙤𝙣𝙫𝙞𝙘𝙩𝙚𝙙, 𝘼𝙣𝙙 𝙎𝙚𝙣𝙩𝙚𝙣𝙘𝙚𝙙 𝙏𝙤 𝘿𝙚𝙖𝙩𝙝 – 𝙁𝙚𝙢𝙞 𝙁𝙖𝙡𝙖𝙣𝙖, 𝙎𝘼𝙉

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In an attempt to justify the conviction and death sentence passed on Olowokere Segun by the Osun State High Court, the learned trial judge, Falola J. has said that it was a case of armed robbery and not a theft of fowl as widely reported in the social media. The judge pointed out that the convict was found guilty of armed robbery and sentenced to death. However, on the grounds of the young age of the convict and the circumstances of the case, the judge had recommended to the Governor to commute the death penalty to life imprisonment.

We submit that the trial, conviction, and death sentence passed on Olowokere Segun were illegal, null and void in every material particular. Since it was not denied that Olowokere was 17 years old at the time of his trial, the Osun State High Court lacked the jurisdictional competence to have tried him. The case ought to have been instituted in the Osun State Family Court which is exclusively empowered to exercise jurisdiction in any criminal proceeding involving or relating to any penalty, forfeiture, punishment or other liability in respect of an offence committed by a child, against a child or against the interest of a child.

Even if a child is convinced and found guilty of armed robbery, he or she shall not be ordered to be‐(a) imprisoned; or (b) subjected to corporal punishment or ©️ subjected to the death penalty or, have the death penalty recorded against him. In other words, the Family Court or any court in Osun State is prohibited from imposing the death penalty on any person under 18 years.

Even before the enactment of the Child’s Rights Law, it was illegal to pass the death sentence on a 17-year old person under section 420 of the Osun State Criminal Procedure Law. It was in realisation of the provision of that law that the learned trial judge recommended to the Governor of Osun State to grant clemency to Olowokere Segun based on mitigating factors, such as age and first-offender status.

But probably due to poverty and ignorance, the family of Olowokere neither appealed against the judgment nor pursued the recommendation of clemency made by the trial judge. Hence, the young convict had been on death row at the Kirikiri Maximum Correctional Centre for the past 10 years.

Since the trial, conviction and death sentence passed on Olowokere Segun cannot be justified in law, Governor Ademola Adeleke has rightly granted him full pardon in exercise of the prerogative of mercy conferred on him by section 214 of the 1999 Constitution of the Federal Republic of Nigeria.

The case of Olowokere Segun is a sad reminder of the case of the 12 young persons who were convicted and sentenced to death for armed robbery in Lagos in 1989. The judgment was full of errors of mistrial. In particular, the convicts were below the age of 16 years and did not speak a common language. In fact, the charge of conspiracy to commit robbery was not proved as the convicts could only express themselves in Hausa, Yoruba and Ewe languages.

Curiously, the tribunal ordered the deportation of two Ghanaians among the convicts, thereby sparing their lives. Even though the Armed Robbery and Firearms Decree ousted the jurisdiction of the courts, we challenged the human right of the convicted Nigerians to freedom from discrimination under Article 2 of the African Charter on Human and Peoples Rights (Ratification and Enforcement) Act.

The Lagos State High Court granted our application for injunction restraining the Lagos State military Governor from executing the convicts pending the determination of the substantive application. Before the substantive case was heard, the military junta had relinquished power. Based on the representation made on behalf of the convicts by our law firm, Governor Michael Otedola committed their death sentences to 10 years imprisonment. A few months later, the Governor granted them full pardon on account of their good behaviour.

Happily, Governor Otedola ensured that the ex-convicts were rehabilitated upon their release from prison custody. While appreciating the decision of Governor Adeleke to grant pardon to Olowokere Segun, we are compelled to call on the the Osun State Government to facilitate his full integration to the society.

Femi Falana SAN

19th December 2024.

My Review of Everybody Loves Jenifa – Daniel Nsa

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The day I decided to watch Everybody Loves Jenifa, I thought I was early—sharp guy like me. But apparently, Lagosians had other plans. The box office was already looking like a BRT queue during rush hour. “Come back tomorrow, we’re sold out,” the attendant said with a smirk that screamed, You dey whine me? At that moment, two truths slapped me across the face: Funke Akindele has Nigerian cinema on lockdown, and I might just be the only person in Lagos who hadn’t joined the Jenifa cult. As I dragged my tired self home, one question lingered: “Why does everybody love Jenifa? And will I?”

Let’s rewind to 2009—a simpler time when fuel was cheap, and Jenifa wasn’t just a movie; it was practically a religion. Her face was on posters at every video club, and her voice echoed in living rooms across Nigeria. My grandma, after laughing her heart out, would pause the tape just to preach about “bad company.” Jenifa wasn’t just entertainment; she was home training wrapped in comedy. Fast-forward 16 years, and Funke Akindele is still cashing in on her creation like a long-lost MMM pioneer. With Everybody Loves Jenifa pulling in ₦45 million on opening day (and that’s without Genesis Cinemas, o), you can’t argue with her star power. But here’s the real question: Is the movie actually good, or is it just noise wrapped in nostalgia?

The film kicks off in AMEN Estate—Jenifa’s crib for the soft life. Her business is booming, and her NGO is making waves. But trouble shows up in the form of Mr. Lobster (Stan Nze), a domestic violence perpetrator disguised as a philanthropist. Before you know it, Jenifa’s life spirals into a chaotic whirlwind that takes her from Lagos to Ghana, mixing domestic violence exposés with cartel drama and her iconic gbagaun one-liners.

Now, let’s call a spade a spade—this movie doesn’t pretend to be deep. It’s big, loud, and packed fuller than a plate of party jollof. The cast list alone is like a Nollywood Avengers lineup: Hilda Baci, Lagbaja, and almost everyone who’s anybody in Nollywood make cameos. While the star power will have fans screaming, the plot struggles to keep up. Imagine cooking with 15 different spices—sounds exciting, but the result might confuse your taste buds.

The biggest offender? The pacing. Some scenes drag on like Lagos traffic, repeating the same info over and over like a bad lecturer. And those subplots? Hmmm. Did we really need Destiny Etiko’s situationship with Mr. Lobster or Lateef Adedimeji’s waka pass moment as Jaburata? Honestly, the second half feels like the movie switched scripts halfway through, but at least Jackie Appiah shines as a drug lord. And then there’s Falz—our ever-reliable Shege. His romance with Jenifa is a refreshing oasis in this desert of plot chaos. Their chemistry reminds us why we fell for Jenifa’s charm all those years ago. Add Layi Wasabi as Rex, Shege’s sidekick, and you have some genuinely hilarious moments.

But e get one small wahala. Jenifa herself doesn’t quite hit the way she used to. Back in 2008, she was the underdog—awkward, relatable, and loveable. Here, she feels more like a parody of herself, surrounded by equally exaggerated characters. Adaku’s obsession with food, Madam Bassey’s limp and lisp—these gimmicks feel forced and unnecessary.

That said, the film has its moments of brilliance. The running gag of people correcting Jenifa’s grammar—even in life-threatening situations—is top-tier absurd humor. Imagine someone pointing a gun at you, and your response is, “Oga, it’s were not was.” It’s ridiculous, it’s bold, and it works.

So, why does everybody love Jenifa? Maybe because she mirrors our chaos as Nigerians—the hustle, the resilience, the gbas gbos of daily life. Or maybe Funke Akindele has simply built a brand too iconic to fail. Either way, Everybody Loves Jenifa knows its audience, and it delivers the kind of wild, laugh-out-loud spectacle that keeps fans coming back.

Is it Funke Akindele’s best work? Nope. But it’s far from her worst. It’s a nostalgia-heavy, slightly chaotic movie that will leave die-hard fans grinning and first-timers raising an eyebrow. And as I sat there in the packed cinema, surrounded by cheers and laughter, I finally got it. Loving Jenifa isn’t about logic or storytelling finesse; it’s about the vibes. The unexplainable, unreplicable, chaotic energy that only Jenifa brings to the table.

Rating: 2.5/5

Credit Daniel NSA

𝗖𝗢𝗡𝗧𝗥𝗢𝗩𝗘𝗥𝗦𝗜𝗔𝗟 ‘𝗝𝗘𝗦𝗨𝗦 𝗜𝗦 𝗡𝗢𝗧 𝗚𝗢𝗗’ 𝗕𝗔𝗡𝗡𝗘𝗥 𝗥𝗘𝗠𝗢𝗩𝗘𝗗 𝗙𝗥𝗢𝗠 𝗟𝗘𝗞𝗞𝗜 𝗠𝗢𝗦𝗤𝗨𝗘 𝗙𝗢𝗟𝗟𝗢𝗪𝗜𝗡𝗚 𝗕𝗔𝗖𝗞𝗟𝗔𝗦𝗛

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A banner displayed at the gate of the Lekki Central Mosque in Lagos State, which sparked widespread debate and criticism on social media, has been removed.

This was confirmed on Wednesday by a member of the Lekki Muslim community identified as Tunde Alabi, in a video shared online.

“My name is Tunde Alabi. I noticed that there was a banner in front of our mosque causing some controversies. I sent a message to the mosque committee, and they informed me that it had been removed. I came here personally to check, and I can confirm it has actually been removed,” Alabi said.

The banner, which had the inscription, “Jesus Christ is not God. He is a Prophet and Messenger of God!” also referenced Quran 5:72, stating, “Allah says, They have disbelieved those who say that God is the Messiah, Jesus, the son of Mary. While the Messiah had said, ‘Children of Israel, worship God, my Lord and your Lord. God has forbidden Paradise to anyone who worships something else besides Him.’”

Alabi added, “It has actually been removed as you can see. (0:28) You can see this other banner and the one that was removed was supposed to be here behind me. Actually, I am not speaking on behalf of the mosque. I’m speaking on behalf of myself.

“I can confirm that it has been removed, so let me see. I’m sorry for any inconvenience that must have caused, but the banner has been removed.
Thank you. So this date is the 18th of December and it’s about 6 p.m. Thank you.”

The message on the banner, which quickly went viral, triggered heated reactions online. Some users condemned it as disrespectful to Christianity and blasphemous, while others defended the statement as a factual representation of Islamic beliefs.

A Nigerian actress, Wumi Tuase, expressed her disapproval, saying, “I found it very weird that Lekki Central Mosque has this in front of their gate.” Similarly, a user, Fisayo Ojabodu, tweeted, “The banner is disrespectful to other people’s religion and is propagating a foolish agenda.”

Another user, Adesuwa, described the message as blasphemy.

However, some supported the banner’s content. One commenter, Olawale, remarked, “The message on the banner is true.”

Another user, Abdul’fattah Muhdl’awwal, added, “Jesus himself never said he is God. The quote in that banner is the fact and not blasphemous.”

The controversy also reignited discussions about religious tolerance and freedom of expression in Nigeria.

A user, ChristTheLighthouse, urged Christians to remain peaceful, stating, “Our Lord and saviour received criticism, backlash, rejection, and even insults up to the point of death. The gospel is never by force, war, coercion, or propaganda.”
-Punch

Tunji Afolayan: The Creative Genius Behind Seven Doors’ Breathtaking Production Designs

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Tunji Afolayan, the award-winning art director behind the critically acclaimed Netflix series Seven Doors, shares his experiences working on the show, his approach to set design, and the challenges of bringing a vision to life.

Afolayan’s passion for set design is driven by his desire to tell stories that resonate with audiences. As an art director, he believes that set design is a crucial element in storytelling. “It’s not just about creating a physical space; it’s about crafting an atmosphere that draws the audience in and enhances the narrative,” he explains.

 

Afolayan’s work on Seven Doors was a collaborative effort with the show’s producers and directors. He immersed himself in the script and the world of the story, working closely with the team to understand their vision and bring it to life. The result was a range of iconic sets, from the Ipebi to the Aganju Shrine, The vintage interiors, The tunnel, The Esusu shrine, The demolished house, each with its unique challenges and opportunities.

Afolayan’s experience working on Seven Doors is just one example of his impressive body of work. He has also worked on numerous other projects, including Jagun-Jagun, Amina, Ijakumo, King of Boys, Asiri Ade, Alakada Bad Boujee and many more. Throughout his career, Afolayan has demonstrated his commitment to excellence and his passion for storytelling.

 

However, Afolayan’s success is not just a personal achievement; it also reflects the growth and development of the Nollywood industry. Despite the challenges facing the industry, including Netflix’s recent decision to stop funding Nollywood producers, Afolayan remains optimistic about the future.

“Netflix’s decision to stop funding Nollywood producers is a wake-up call for us as an industry,” he says. “We need to find local solutions to our distribution problems. We can’t rely solely on international platforms to fund and distribute our content. We need to develop our own distribution networks, our own streaming platforms, and our own marketing strategies.”

 

Afolayan’s comments highlight the need for the Nollywood industry to take ownership of its own distribution and marketing. By developing local solutions and infrastructure, the industry can reduce its reliance on international platforms and create more opportunities for Nigerian filmmakers.

In addition to the challenges facing the Nollywood industry, Afolayan also discusses the importance of preserving Nigeria’s cultural heritage. As an art director, he has encountered difficulties in portraying centuries-old locations and cultures accurately. However, he sees this challenge as an opportunity to be innovative and resourceful.

 

Afolayan’s commitment to excellence and his passion for storytelling have earned him numerous accolades, a multi award winning across several platforms:

Amvcas: 2018 (winner Lotanna), 2022 ( winner Amina), 2023 (Nominee Battle on Bukka street), 2024 (Nominee Jagun-Jagun)

AMAA: 2022 (nominee Foreigners god ), 2024 (Jagun-jagun)

Golden movie Award: 2018(winner Lotanne), 2020(winner Foreigners god)

Best of Bollywood: 2024(winner Jagun-jagun)

The Importance of Recognizing Filmmakers Behind the Camera

Afolayan’s success highlights the importance of recognizing the hard work and dedication of filmmakers behind the camera. As he notes, “It’s unfortunate that the people behind the camera are often overlooked. Without us, the film wouldn’t be the same. I think it’s essential to recognize and celebrate the hard work and dedication of the entire filmmaking team.”

 

The Role of Funding in Movie Projects

Funding is a crucial aspect of movie production, and Afolayan emphasizes its significance. “Funding is crucial in movie projects,” he states. “It determines the scale and quality of the production. Without adequate funding, it’s challenging to bring a vision to life.”

 

What’s Next for Tunji Afolayan?

As Afolayan looks to the future, he remains committed to his craft and passionate about telling stories that resonate with audiences. With his exceptional talent and dedication, we can expect to see more of his outstanding work in the years to come.

Tunji Afolayan: The Visionary Art Director Behind Netflix’s Seven Doors

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Tunji Afolayan is a name that has become synonymous with excellence in the Nigerian film industry. As an award-winning art director, he has successfully worked on a wide range of projects, including the critically acclaimed Netflix series, Seven Doors.

A Diverse Portfolio

Tunji’s impressive portfolio boasts an array of iconic projects, including:

 

– 7 Doors

– Jagun-Jagun 1 and 2

– Amina

– Battle on Bukka Street

– King of Boys

– Foreigners’ God

– Lotanna

– Asiri Ade

– The Trade

– Alakada Bad and Bougie

– Malaika

– Ijakumo

 

Iconic Sets in Seven Doors

 

Tunji’s work on Seven Doors is a testament to his creativity and attention to detail. Some of the most memorable sets include:

 

– The Ipebi

– The Aganju Shrine

– The Palace Sets

– The Vintage Interiors

– The Tunnel

– The Esusu Shrine

– The Demolished House

 

A Master of His Craft

As an art director, Tunji has received several nominations and awards for his work on various projects. His success can be attributed to the motivation and support of his team, who are essential to bringing his ideas to life.

 

Tunji has expressed his gratitude to producer Femi Adebayo, who has consistently provided him with opportunities to work on his projects. He has also praised the directors of Seven Doors, Femi Adebayo, Tope Adebayo, and Adebayo Tijani, for their vision and imagination.

 

Bringing Imagination to Life

Tunji’s work on Seven Doors was particularly challenging, as he had to bring the directors’ imagination to life through quality and effective production designs. From sourcing and building sets to creating iconic props, Tunji’s attention to detail and creativity were instrumental in making the series a success.

 

Tunji Afolayan is a true visionary in the Nigerian film industry. His work on Seven Doors and other iconic projects is a testament to his creativity, dedication, and passion for storytelling. As the industry continues to evolve, Tunji remains at the forefront, pushing boundaries and inspiring future generations of filmmakers.

From first-class in Engineering to Jollof vendor in UK – Story of Ayo Akande

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Ayo Akande is a 25-year-old Nigerian entrepreneur with an impressive academic and professional background. Ayo, a King’s College Lagos alumnus and a first-class graduate of Chemical Engineering from the University of Lagos, also holds an MSc in Entrepreneurship from University College London and an LLM in International Business Law. During his time working in London’s financial services sector, Ayo recognised the underrepresentation of African cuisine within the city’s diverse culinary landscape. Inspired to fill this gap, he launched City Jollof to bring the bold, flavourful essence of West Africa to London’s food scene. In this interview with KENNETH ATHEKAME, he spoke about his education, international partnership and the future of global business. Excerpts:

 

How has life been after school? Has your degree given you a ticket to a better career?

 

I wouldn’t say my degree has been a golden ticket, but it has certainly opened the door to many opportunities, both directly and indirectly. My educational background (engineering, business and law) gives me a well-rounded view of issues that affect many industries. This diversity makes people want to listen to what I have to offer. It is then up to me to live to the standards and expectations that I have set. Currently, I work full-time as an investment manager—a role that isn’t directly related to the courses I studied in university or during my postgraduate studies. I am able to excel because I have acquired a lot of the foundational concepts over the course of my educational journey.

 

Can you kindly tell us something notable about yourself? What is different about you from others

 

I think I can be very resilient. I don’t give up easily, especially in causes that I am passionate about. This has been both a blessing and a curse, but mostly a blessing and evidence of which is the City Jollof brand. I also believe that ‘you don’t have to be great to start, but you have to start to be great.’” I’m quite philosophical and I enjoy making friends with the older generation. I gain a lot from their experiences, wisdom and knowledge. I got into golf a few years ago and my friends thought I was crazy.

 

One other thing is that, I am quite hands-on, experimental and curious. This is evident both professionally and personally. I was already taking IT certification exams from my secondary days in King’s College Lagos. Although not directly applicable to my current day-to-day, these experiences helped instill resilience (in the face of disinterest) and the willingness to try things out. As a result, I have also managed to gain an experience/knowledge on a wide range of subjects and industries.

 

In your opinion, how significant is the role of a first-class degree in overcoming socio-economic challenges such as poverty?

 

As a first-class degree holder from a prestigious university in Nigeria, I would say that such an achievement is not as appreciated in the Nigerian economy as it should be. Unfortunately, a first-class degree is not an automatic ticket to escaping the socio-economic challenges in the country. While it opens certain doors and provides opportunities, navigating these opportunities often requires persistence, strategic thinking, and, ultimately, God’s guidance.

 

The reality is that systemic issues like unemployment, underemployment, and limited career progression paths often overshadow individual academic achievements. However, with the right network, skills, and attitude, a first-class degree can be a stepping stone to building a better future. The key lies in leveraging that academic excellence to stand out and create value, even in a tough economy.

 

 

How well do you think a first-class degree translate into a career opportunity that lifts individuals out of poverty?

 

I think a first-class degree, like many things, is what you make out of it. Whilst you have lifetime bragging rights, the degree stops to matter after a few years into your career. People are more interested in what you are able to offer and deliver, not your degree class.

 

In navigating career opportunities, I certainly believe that having a first-class degree makes people want to listen to you. That alone, is worth the sleepless nights required to achieve such a feat.

 

Looking back, how do you think not having a first-class degree would have impacted your career and personal development?

 

Looking back, I believe not having a first-class degree would have slightly impacted my career and personal development. It might have limited my ability to make certain requests or pursue particular opportunities with confidence. The achievement has given me a level of credibility that reinforces my seriousness and dedication, which, in turn, has opened doors for me. However, this limitation might have existed only for the first few years of my career. Because I might have proved myself in other ways that display what a typical first-class degree represents – seriousness, dedication, focus, resilience.

 

Beyond career opportunities, earning a first-class degree also shaped my mindset. It instilled discipline, a strong work ethic, and the confidence to tackle challenges head-on—qualities that continue to influence my personal growth and professional journey. While success isn’t solely defined by academic achievements, having this distinction undoubtedly provided me with a strong foundation to build upon.

 

How much do you think your first-class degree shaped your decision making, both in terms of career choices and life goals, comparing with what you studied in school and what you are doing now?

 

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I believe the process of obtaining the degree was more impactful than the degree itself. The journey taught me valuable lessons about discipline, focus, and perseverance. I had to make sacrifices, remain consistent, and navigate through potential distractions. That process not only shaped how I approach challenges but also enhanced my decision-making skills, both in career choices and in life. While my career path may seem unconventional—having studied Chemical Engineering in university, followed by a master’s in Entrepreneurship, and then another in Law—it aligns perfectly with my ultimate goal of becoming an entrepreneur. Each step has added layers of knowledge and perspective, equipping me with diverse skills that support my aspirations. This progression might not follow a linear trajectory, but it reflects my belief in building a foundation that supports long-term growth and flexibility in achieving my career goals.

 

What strategies or decisions were most impactful in helping you pivot from your past to your present situation and how do you plan to continue that evolution moving forward?

 

The most impactful strategies in my transition have been field study, asking questions (from mentors and industry experts), and conducting thorough research (mostly with customers). These steps helped me gain practical insights and build a strong foundation. Moving forward, I plan to keep evolving by staying committed to learning, staying adaptable, and continuously engaging with industry trends and customer needs. The Customer is King and Queen.

 

Would you consider your current position a pitstop or a pause? How do you view this stage in your long-term goals

 

I strongly believe in the philosophy of “you don’t know unless you try,” and I’m not afraid to take risks. Starting City Jollof was a huge leap of faith, especially for an industry that wasn’t my comfort zone. This stage feels like a pivotal moment in my journey. While I’m confident that City Jollof will grow into a globally recognised brand, it also aligns with my long-term vision of making “Jollof rice” a widely celebrated and appreciated dish across all cultures. My ultimate goal is for Jollof rice to become a staple in meal timetables worldwide, and it would be even more rewarding if it’s City Jollof’s Jollof making that impact. My work wouldn’t be complete until Jollof rice becomes as global as pasta, sushi and pizza.

 

For now, I view this stage as an exciting step forward, one that will shape my future goals and help me learn and grow in unexpected ways.

 

What motivated you to transition from chemical engineering to culinary industry? And were there specific factors or experiences that influenced this decision?

 

The opportunity for City Jollof was too big and impactful for me to pass on. It was a call to action, that I couldn’t refuse. It was an avenue to create something tangible, share my culture, and connect with people in a unique way. Starting City Jollof allowed me to combine creativity with business while building a brand that represents my values and vision. The idea of contributing to something that can leave a lasting cultural impact has made the move worthwhile and exciting.

 

How have the skills and knowledge you gained in while studying chemical engineering, law and entrepreneurship been applicable or transferable to your work in culinary sector.

 

It’s quite interesting that little drops of knowledge make an ocean. You learn and grow, often without realizing it.

 

From Chemical Engineering, I developed a strong foundation in problem-solving, process optimisation, and precision—skills that are invaluable in ensuring consistency and quality in food preparation and operational efficiency. Understanding processes also helps in maintaining standards as the business grows.

 

My background in Law has been instrumental in navigating the regulatory landscape of the culinary (and any other) industry. Whether it’s handling permits, contracts, or intellectual property for the brand, my legal training ensures that the business operates compliantly and strategically protects its interests.

 

Entrepreneurship has tied everything together by equipping me with the tools to build and manage a business. It has taught me how to identify opportunities, manage risks, and create a sustainable business.

 

The combination of these disciplines has given me a unique perspective on the culinary sector, enabling me to approach challenges and opportunities with a well-rounded, strategic mindset.

 

Where do you envision City Jollof in the coming years?

 

Just like the name suggests, the vision for City Jollof is to expand beyond the UK and be found in major cities around the world. We aim to introduce more people to the richness of our cuisine through a brand that represents the very best of what we have to offer. Ultimately, we want City Jollof to be a global ambassador for our culture and flavors, bringing people together through exceptional food experiences.