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I sold some of my properties to produce Jagun Jagun” Femi Adebayo reveals, speaks on his worst nightmare

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Nollywood actor and filmmaker, Femi Adebayo Salami, recently shared the extraordinary lengths he went to in order to bring his latest movie, Jagun Jagun, to fruition.

During a press interview, the renowned box office King revealed that he made the decision to sell some of his properties to finance the film, as he wanted to avoid seeking assistance from financial institutions or individuals.

 

Adebayo disclosed that Jagun Jagun is a project worth billions of naira, although he refrained from revealing the exact amount he invested in its production.

 

“Jagun Jagun is a multi-billion naira project, and I cannot disclose the exact amount I spent on shooting it,” he stated.

He further explained that he utilized the proceeds from his previous film, Agbeshinkole, to fund Jagun Jagun. Adebayo was determined to avoid relying on external funding sources, and when he found himself running out of finances, he made the difficult decision to sell his properties, driven by his unwavering faith in the success of the project.

 

In another part of the interview, Adebayo revealed that his greatest fear is surpassing the success of Jagun Jagun in his next endeavor.

 

“When I made King of Thieves, I was confident that my next project would surpass it. However, now I lack that same level of confidence. My worst nightmare is having to compete with Jagun Jagun in my next production,” he admitted.

 

Adebayo also discussed the challenges he faced in establishing the warrior school featured in the movie.

 

“We built the warrior school from scratch. We encountered difficulties when it came to acquiring the land; we wanted to own it. Initially, we reached an agreement and made the necessary payments.

However, the children of the landowner had a change of heart and decided against the sale. We had already constructed half of the school when they arrived from Lagos and demanded that we cease construction. They threatened to demolish everything we had built.

 

They were ready to destroy all that we built and that held us up for almost a week, going to the Police station and Obas appealing to them and we were told to only shoot there and not buy it.

 

Speaking about his inspiration, he said, “What inspired the story of Jagun Jagun is the youth and environment of Nigeria.

 

I wanted to pass across a social message to the youths and wanted to do it culturally”.

 

Tinubu Splits Petroleum Ministry, Appoints 2 State Ministers

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Tinubu Splits Petroleum Ministry, Appoints 2 State Ministers

 

President Bola Ahmed Tinubu has assigned portfolios to 45 ministers confirmed penultimate Monday by the Senate.

 

The list of portfolios announced by the Special Adviser to the President on Media and Publicity, Ajuri Ngelale, showed the split of some ministries and the creation of new ones.

 

Some ministries also get more tasks with added appellations.

 

For instance, the president split the Ministry of Petroleum Resources with the appointment of Ekperipe Ekpo as Minister of State, Gas Resources.

 

Heineken Lokpobiri is equally appointed Minister of State, Petroleum Resources.

 

It is not clear if President Tinubu will retain the position of senior Minister of Petroleum.

 

His predecessor, Muhammadu Buhari, oversaw the affairs of the ministry during his eight-year tenure.

 

Also divided are the ministries of Finance, Budget and National Planning as well as Works and Housing with Wale Edun as Minister of Finance and Coordinating Minister of the Economy, and Atiku Bagudu, Minister of Budget and Economic Planning.

 

David Umahi and Ahmed M. Dangiwa are now substantive ministers in the ministries of Works as well as Housing & Urban Development respectively. Abdullahi T. Gwarzo is the Minister of State, Housing & Urban Development.

 

The erstwhile Ministry of Youth and Sports Development has also been split into two and placed under the supervision of John Enoh as Minister of Sports Development and Abubakar Momoh, Minister of Youth.

 

A former governor of Rivers State and leader of G5 Peoples Democratic Party (PDP) governors, Nyesom Wike, who worked for the victory of Tinubu, was appointed Minister of Federal Capital Territory (FCT).

 

Surprisingly, Dele Alake, a former Commissioner for Information and Strategy in Lagos State under the then Governor Tinubu, touted to man the Ministry of Information, was eventually assigned to supervise the Ministry of Solid Minerals Development.

Jagun Jagun: What Movie Lovers Are Saying About ‘The Warrior’ By Femi Adebayo

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Jagun Jagun: What Movie Lovers Are Saying About ‘The Warrior’ By Femi Adebayo

 

Jagun Jagun, a movie produced by Femi Adebayo and jointly directed by Adebayo Tijani and Tope Adebayo Salami, has got many talks on social media.

Released on August 10, the movie tells the story of a young man determined to become the most powerful warrior by joining an elite army, in turn, encountering the wrath of a maniacal warlord and the love of a fierce woman.

 

Jagun Jagun stars the likes of Femi Adebayo, Lateef Adedimeji, Odunlade Adekola, Fathia Williams, and a host of others.

 

Adebayo in a post on his Instagram page noted that his dream to surpass ‘Agesinkole’ another movie of his produced in 2022 has left people asking what else could be bigger.

 

He said, “Well, it happened. We beat our record!

 

“We made a didactic story about LIFE, POWER, PEOPLE, CHANGE, CHANCE and PURPOSE. The day we were BORN and the day we find out WHY we were born.”

 

Reacting to the epic movie, #woliagba_ayoajewole said, “Oh! Good morning! Let me go and pray first. Too early to be watching this over and over. This is too huge!!! 👏👏👏👏”

 

#falzthebahdguy simply said, “This looks big🔥🔥🔥”

 

#adelapinky_07 wrote, “As much as we praise the Jagunjagun movie, to me I still prefer the Ageshinkole pls. Fine, I just watched the “Jagunjagun” today and all ill say is that it’s overhyped, the paparazzi social media attached to it is way more than what we saw. I’m not saying it’s not amazing but pls@Ageshinkole is GOAT 🐐 🤌🔥😌. Ps: my opinion✅ nice one.”

 

Another Instagram user #enioluwaofficial wrote, “So grateful for the culture writers and those who preserve it, putting it on the world map for all to see! Uncle #odunomoadekola movie in the cinema, now an original on Netflix.😮‍💨 So proud of the indigenous film industry in Naija. This looks beautiful Uncle #femiadebayosalami and we are all so excited to see it. Congratulations to you and the team! Many More! Amen!✨🛏️”

 

#obapicker001 said, “Thanks for this beautiful costume and a nice storyline. And also letting our youth know that we don’t need to fight against ourselves while the children of our leaders are far away.

 

On X (formerly Twitter) #Folashade_RP said, “My take on Jagun Jagun It’s an interesting movie and action park but hopefully there will be part 2 cos we need to know how a mighty warrior was easily dis-powered by his wife. What kind of relationship do they share we need to know their story and the end of those obas and who’s chatta?”

 

On Facebook, Ayodele Agoro wrote, “The way Yoruba indigenous movie has transformed recently is beyond comprehension… Culture, tradition, originality, and Africanism are all being infused and brought into the limelight in their full force with quality, elegance and dynamism 🔥🔥🔥🔥🔥”

 

Vivian Obianuju said, “Y’all have made an Igbo girl fall so much in love with Yoruba culture. If only y’all could see the joy in my eyes while watching this…You’d for sure say I’m definitely obsessed with Yoruba movies. 😍😍

 

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Tinubu scheduled to administer oath to new ministers on Monday.

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President Bola Tinubu is scheduled to administer the oath of office to his ministers on Monday, August 21, 2023.

The swearing-in ceremony will take place at the State House Conference Centre in Aso Villa, Abuja, commencing at 10:00 AM.

In accordance with a statement released by Willie Bassey, the Director of Information in the Office of the Secretary to the Government of the Federation, each honorable minister is permitted to bring along two guests.

The event details are as follows:
– Date: Monday, August 21, 2023
– Venue: State House Conference Centre, Aso Villa, Abuja
– Time: 10:00 AM

All honorable ministers and their guests are expected to be seated by 9:00 AM.

The list of ministers and their respective portfolios are as follows:

1. Minister of Art, Culture and the Creative Economy: Hannatu Musawa
2. Minister of Defence: Mohammed Badaru
3. Minister of State, Defence: Bello Matawalle
4. Minister of Education: Tahir Maman
5. Minister of State, Education: Yusuf Sununu
6. Minister of Housing & Urban Development: Ahmed Dangiwa
7. Minister of State, Housing & Urban Development: Abdullahi Gwarzo
8. Minister of Budget & Economic Planning: Atiku Bagudu
9. Minister of State, Environment and Ecological Management: Ishak Salako
10. Minister of Federal Capital Territory: Nyesom Wike
11. Minister of State, Federal Capital Territory: Mairiga Mahmud
12. Minister of Water Resources and Sanitation: Joseph Utsev
13. Minister of State, Water Resources and Sanitation: Bello Goronyo
14. Minister of Agriculture and Food Security: Abubakar Kyari
15. Minister of State, Agriculture and Food Security: Aliyu Abdullahi
16. Minister of Interior: Saidu Alkali
17. Minister of Foreign Affairs: Yusuf Tuggar
18. Coordinating Minister of Health and Social Welfare: Ali Pate
19. Minister of State, Health and Social Welfare: Tunji Alausa
20. Minister of Police Affairs: Ibrahim Geidam
21. Minister of State, Police Affairs: Imaam Sulaiman-Ibrahim
22. Minister of Steel Development: Shuaibu Audu
23. Minister of State, Steel Development: U. Maigari Ahmadu
24. Minister of Information and National Orientation: Muhammed Idris
25. Attorney General of the Federation and Minister of Justice: Lateef Fagbemi
26. Minister of Labour and Employment: Simon Lalong
27. Minister of State, Labour and Employment: Nkiruka Onyejeocha
28. Minister of Special Duties and Inter-Governmental Affairs: Zephaniah Jisalo
29. Minister of Communications, Innovation, and Digital Economy: Bosun Tijani
30. Minister of Finance and Coordinating Minister of the Economy: Wale Edun
31. Minister of Marine and Blue Economy: Bunmi Tunji-Ojo
32. Minister of Power: Adebayo Adelabu
33. Minister of Solid Minerals Development: Dele Alake
34. Minister of Tourism: Lola Ade-John
35. Minister of Transportation: Adegboyega Oyetola
36. Minister of Industry, Trade, and Investment: Doris Anite
37. Minister of Innovation, Science and Technology: Uche Nnaji
38. Minister of Works: David Umahi
39. Minister of Aviation and Aerospace Development: Festus Keyamo
40. Minister of Youth: Abubakar Momoh
41. Minister of Humanitarian Affairs and Poverty Alleviation: Betta Edu
42. Minister of State, Gas Resources: Ekperipe Ekpo
43. Minister of State, Petroleum Resources: Heineken Lokpobiri
44. Minister of Sports Development: John Enoh
45. Minister of Women Affairs: Uju Kennedy

 

Five individuals apprehended in possession of counterfeit US dollars and British pounds.

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Magistrate Adeola Olatunbosun issued a directive on Wednesday, instructing that five men who were presented in court on charges of possessing Indian hemp and counterfeit foreign currencies be held in police custody until the Directorate of Public Prosecution provides legal guidance.

The accused individuals, namely Francis Omwukei (26), Kingsley Ude (33), Umar Idris (37), Eyo (27), and Bright Ahamefula (26), were brought before a Yaba Magistrates’ Court on a dual accusation of possessing Indian hemp and counterfeit foreign currencies, specifically Pounds Sterling and US dollars.

Rita Momoh, the prosecutor, informed the court that the defendants were apprehended on August 9, 2023, in White Sand, Ijora, Lagos State.

Momoh further detailed that the suspects were caught publicly displaying substances suspected to be Indian hemp, an act that could potentially disturb the peace.

She emphasized that this conduct violated Sections 329 and 442 of the Criminal Laws of Lagos State of Nigeria and was punishable by law.

The charge against the accused reads, “On August 9, 2023, at White Sand, Ijora, Lagos, in the Lagos State Magisterial District, you, Francis Omwukei, Kingsley Ude, Umar Idris, Eyo, and Bright Ahamefula, unlawfully possessed leaves suspected to be Indian hemp and two bags containing counterfeit US Dollar and Pounds Sterling currency.

This act contravenes Section 329 of the Criminal Laws of Lagos State of Nigeria, 2015.”

Despite the allegations, the defendants pleaded not guilty to the charges.

The magistrate, in the absence of a remand warrant, ordered a seven-day detention for the accused in police custody, during which time the police would prepare the case file for submission to the DPP for legal advice.

Magistrate Olatunbosun scheduled the next hearing for August 23, 2023, awaiting guidance from the DPP.

MTN releases N100 billion worth of commercial papers.

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MTN Nigeria has unveiled its intentions to issue N100 billion in commercial paper notes as part of its Commercial Paper Issuance Programme.

The company’s recent announcement, which was filed on the Nigerian Exchange Limited, outlines its strategy to diversify financing options and allocate the funds towards short-term working capital and other funding needs.

The commercial paper notes being offered are categorized as series 6 and 7 within the issuance programme.

In a previous instance in June 2020, MTN successfully raised N100 billion through its debut commercial paper issuance, which was oversubscribed by 400 percent.

A growing number of companies are utilizing commercial papers to secure short-term funds amid rising fund costs.

As of the end of the first quarter of 2023, quoted commercial paper values on the FMDQ Exchange totaled N539.22 billion.

Monthly reports from the FMDQ Exchange indicate a consistent increase in the quotation of commercial papers since the start of the year.

Commenting on this trend, Johnson Chukwu, the CEO of Cowry Asset Management Limited, emphasized that the prevailing high-interest rate environment has led companies to seek funding from the money market and opt for issuing commercial papers over borrowing long-term debts.

Chukwu further highlighted that commercial papers offer a means to reduce borrowing costs from banks.

In response to inflation concerns, the Central Bank of Nigeria has escalated its interest rate to 18.75 percent, marking the fourth consecutive rate hike in 2023.

Meanwhile, the National Bureau of Statistics reported a rise in the inflation rate to 24.08 percent in July, up from 22.79 percent in June.

Extended NLNG shutdown jeopardizes gas production.

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The ongoing suspension of operations by Nigerian Liquefied Natural Gas Ltd poses a looming threat to the country’s annual gas production of 22 million tonnes.

NLNG spokesperson Andy Odeh recently reiterated the persistence of the force majeure, which was invoked in October 2022 due to extensive flooding that disrupted supply chains.

This legal concept, force majeure, represents unforeseen external circumstances that hinder a contract party from fulfilling its obligations.

Odeh explained that the upstream gas suppliers’ critical pipelines for liquid evacuation remained unavailable due to acts of sabotage and vandalism, thereby affecting feed gas supplies.

Force majeure is a contractual clause that releases both parties from responsibilities when extraordinary events beyond their control occur, such as wars, strikes, riots, epidemics, or sudden legal changes, that impede the contract’s execution.

Odeh also highlighted NLNG’s ongoing collaboration with customers to mitigate the impact of the resulting gas supply shortage.

The company is an Incorporated Joint Venture, jointly owned by Nigerian National Petroleum Company Limited (49%), Shell Gas B.V. (25.6%), TotalEnergies Gaz & Electricité Holdings (15%), and Eni International N.A. N.V. S.àr.l (10.4%).

Operating with a production capacity of 22 million tonnes per year, NLNG primarily delivers to European clients like Galp and Endesa through long-term contracts.

The company additionally engages in over 70 spot agreements across major LNG markets and is a significant gas supplier within Nigeria.

In October of the previous year, NLNG declared force majeure due to similar circumstances faced by all its upstream gas suppliers.

This declaration, prompted by their suppliers, led to NLNG exporting approximately 18 cargoes in September, according to Refinitiv data.

It’s worth noting that Nigeria relies heavily on fossil fuel exports, contributing to 90% of foreign exchange and nearly half of its budget.

In a notable event, former President Muhammadu Buhari, during the Nigeria International Petroleum Pre-Summit Conference, announced NLNG’s remarkable revenue generation, with $114 billion over the years, accompanied by significant tax payments and dividends to the Nigerian government.

NLNG’s Managing Director, Tony Attah, also highlighted the company’s sales and purchase agreements and its revenue generation exceeding $110 billion since 1999.

However, Adeleye Falade, the General Manager of Production, revealed a substantial loss of nearly $7 billion in revenue in 2022 due to gas supply shortages.

As NLNG’s gas production challenges persist, power generation companies are grappling with gas shortages, leading to a decline in national power output.

The Nigerian Electricity Regulatory Commission emphasized the need for investments in infrastructure and operational procedures to enhance grid visibility and discipline among market participants.

Over the years, power generation has fluctuated between 5,000MW and 4,000MW, recently dropping below 3,000MW per day.

Experts argue that achieving a minimum of 30,000MW is crucial for the country to achieve energy sufficiency and meet its growing needs.

Communities in Ibadan gripped by panic as mogaji orders the sealing of 200 houses, intensifying the situation.

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On Wednesday in Moniya, located in the Akinyele Local Government Area of Oyo State, it was reported that more than 200 houses were cordoned off by a Mogaji (head of a compound) who asserted ownership of the land.

Recently, the Olubadan of Ibadanland, Oba Lekan Balogun, had cautioned Mogajis and Baales against reselling or claiming land and properties that had already been transferred by their ancestors.

During a visit to four communities – Alaja Phase One, Alaja Phase Two, Isagunna, and Aponmode – on Wednesday, residents were seen expressing distress due to their forceful eviction.

They claimed not to have received any official notice.

Rasheed Oyelayo, a community leader, mentioned, “While I was conversing with friends outside the compound, I noticed commotion as police officers entered our communities.

After inquiring, I learned that we were required to pay for the lands.”

Another resident, Olawoye Akinloye, recounted, “More than 200 houses were locked up.

The group arrived in the afternoon when occupants were at work.

The leader was supposedly a recently appointed Mogaji of Olubadan of Ibadanland, despite the monarch’s prior warning against such actions.

They were accompanied by over 15 policemen.”

Having resided there for over 23 years, Akinloye questioned, “Why would someone suddenly demand more money from me?”

When approached, Dele Ogunsola, the media aide to the Olubadan, stated, “I am unable to comment at this time due to the absence of an official complaint or letter on the matter.

It’s true that the Olubadan of Ibadanland, Oba Balogun, had advised Mogajis and Baales not to exploit their people by reselling or reclaiming family land that had already been sold or gifted by their ancestors.

As of now, I am refraining from further comment.”

Efforts to contact the state Police Public Relations Officer, Adewale Osifeso, were unsuccessful, as he neither answered calls nor responded to text messages.

Filmmaker Femi Odugbemi, winner of LSA Distinguished Personality Award and Keynote Speaker of LSA 2023, gave the Keynote Address at the “Colloquium on Media Convergence” held at Dominican University in Ibadan last Friday.

Filmmaker Femi Odugbemi, winner of LSA Distinguished Personality Award and Keynote Speaker of LSA 2023, gave the Keynote Address at the “Colloquium on Media Convergence” held at Dominican University in Ibadan last Friday.

 

Here is the text of the lecture:

Colloquium on Media Convergence at Dominican University Ibadan.

MEDIA CONVERGENCE: CONNECTIONS AND DISCONNECTIONS.

VIRTUAL KEYNOTE ADDRESS BY THE FOUNDER/CEO OF ZURI24 MEDIA FEMI ODUGBEMI, AT THE ONE DAY COLLOQUIUM ON MEDIA CONVERGENCE IN POSTCOLONIAL LOCATIONS HELD AT DOMINICAN UNIVERSITY, IBADAN ON 11TH AUGUST 2023.

Distinguished Ladies and gentlemen,

Let me begin with thanks to the esteemed Vice-Chancellor of Dominican University, Prof. Hyginus Ekwuazi, and to Prof. Tony Adah for the privilege to participate in this conference.

I am indeed very excited by the focus of the colloquium because of how media convergence resonates across all aspects of our lives, intertwining technology, communication, and society in ways that challenge our perceptions and enrich our experiences. And as we navigate its ever-expanding landscape, we find ourselves constantly at the crossroads of innovation and a new era of possibilities.

The big question that constantly confronts us is, are we ready for the next iteration of the digital future?

Media convergence has shaped the economic dominance of world powers in the 21st century. The United States of America has companies like Microsoft, Apple, Google, Facebook, Twitter, YouTube, Amazon and legions of tech start-ups piggy backing these big global gorillas. They have transformed governance, entertainment, communication, and commerce. In the United Kingdom, London has become the biggest multi-cultural hub in Europe for digital startups and creative entrepreneurs designing smart solutions for every conceivable demand of contemporary living. Mumbai in India mirrors London exactly in this regard. Japan’s early adoption of mobile internet and digital technologies positioned it as a global leader in media convergence. The country’s mobile culture gave rise to services like mobile payments, QR codes, and multimedia messaging, which have since influenced trends worldwide. South Korea has seamlessly integrated media technologies. It boasts one of the fastest and most widespread internet connections in the world, fostering innovative services and platforms, from online gaming to video streaming in a robust digital economy. Sweden’s successful adoption of digital media propelled it onto global tech presence with companies like Spotify, Skype, and Minecraft showcasing the country’s ability to harness media convergence for both cultural and economic impact. In China platforms like WeChat and TikTok and others offer a digital ecosystem that combines messaging, social networking, mobile payments, and more, reflecting the country’s integration of various media technologies.

Africa, despite our many challenges, have also made quantum leaps in development in the last 30years from the benefits of convergence. Kenya’s M-Pesa, a mobile money transfer service, is a prime example of how media convergence has transformed financial services, enabling rural and urban people to transfer money, pay bills, and access financial services through their mobile phones. The entire region of east Africa have achieved a high digital penetration and financial inclusion because of M-Pesa. With a more developed technological infrastructure compared to some other African countries, South Africa has advanced the growth of e-commerce, digital media consumption, and online education. Rwanda’s government invested heavily in digital infrastructure to digitize public services and promote e-governance through its “Smart Rwanda” initiative. And despite the proud incoherence of our economic planning, Nigeria has seen advancements in different sectors of our economy because of entrepreneurial opportunities and commercial possibilities of media convergence. It certainly has had a profound impact on how our businesses do business. You just need to see the number of daily transactions of goods and services that are done on Instagram alone. A whole new tribe of entrepreneurs have virtual storefronts on different social media apps, and conclude huge cash transactions via online financial portals like O’Pay. Even the recently incarcerated King of Instagram himself, Mr. Hush Puppy thrived in his nefarious trade on the wings of convergence.

But surely, no sector in Nigeria has been more served by media convergence as Nollywood, especially in how it has significantly influenced a reimagination of its possibilities from creation to distribution. It is well-told history that Nollywood’s beginnings was born of digitalization and media convergence. Fueled by the accessibility and affordability of consumer video technology filmmakers and storytellers were able to create movies with modest budgets, using their ingenuity and resourcefulness. This organic, self- trained film culture has steadily expanded in lock-step with media technology. Convergence gave Nollywood access and today Nollywood has experienced unprecedented growth and creative success. Let me count the ways:

1. Increased Accessibility and Distribution: The proliferation of digital platforms, streaming services, and social media has made it easier for Nollywood films to reach a global audience. Through platforms like Netflix, Amazon Prime, Iroko and YouTube, Nollywood movies have gained exposure far beyond our domestic market, contributing to increased revenues and international recognition.

2. Enhanced Production and Storytelling: Media convergence has allowed Nollywood filmmakers to access cutting-edge technologies, improving production quality and storytelling techniques. High- definition cameras, sophisticated editing software, and visual effects tools have enabled Nollywood to compete with international film industries, resulting in higher production values and more engaging narratives.

3. Globalization of Nigerian Culture: With media convergence, Nollywood has become a powerful voice in post-colonial media narratives showcasing Africa’s unique stories and worldview. Themes, traditions, and stories unique to Nigeria are now accessible to global audiences, fostering cultural exchange and understanding.

4. Diverse Revenue Streams: The old Nollywood revenue model or ‘Nollywood market’ has evolved radically. Media convergence has opened up opportunities for revenue generation through theatre releases, broadcast licensing, video-on-demand services, international subscription platforms, international language dubbing

distributors, and collaborations with global brands for product placements. Through social media platforms a Nollywood star-system has also emerged with many Nollywood stars earning big as influencers and brand ambassadors.

5. Innovation in Marketing and Promotion: Social media platforms and digital marketing strategies have transformed the way Nollywood movies are promoted. Filmmakers can now engage directly with their audience, build anticipation, and create viral campaigns that drive interest in their productions.

6. Talent Exposure and Networking: Media convergence has facilitated networking opportunities for Nollywood professionals. Through online platforms, actors, directors, and other creatives can connect with their counterparts globally, leading to potential collaborations and skill-sharing.

7. Data-Driven Decision Making: Digital platforms provide valuable data insights into audience preferences, viewing patterns, and engagement levels. Nollywood filmmakers can analyze this data to tailor their content, ensuring it resonates with their target audience and improves future productions. The DSTV/Multichoice channels have smart decoders from which real-time data of viewing patterns and audience ratings are harvested and used to design the narrative arch of their premium programmes. The mobile app DSTV Now is the best example of how convergence has personalized programming to the viewing habits of every individual subscriber across the continent.

8. Crowdfunding and Independent Filmmaking: Convergence has paved the way for crowdfunding platforms, allowing independent filmmakers to secure funds for their projects directly from interested institutions and individuals. This democratization of financing has given rise to a new wave of innovative and diverse storytelling in Nollywood.

And that is the best part, that Convergence is inspiring the creation of diverse content and genre to cater to different audience preferences, expanding the storytelling capacities of our industry’s generation-next. Nollywood today is working harder to broaden its genre and to produce films that resonate the best of Africa’s heritage, history and heroes. And that is incredibly valuable because it will platform African films to challenge stereotypes and present a more authentic post-colonial understanding of the continent to the world.

I do not know too much about the educational sector in Nigeria but from my little stints facilitating at a couple of our universities, I am aware that many forward-looking tertiary institutions like Dominican University are enabled because of media convergence to integrate interdisciplinary programs, foster digital literacy, and collaborate with industry professionals just as we are doing virtually right now. Media convergence is impacting scholarship today by requiring a more holistic understanding of various media forms, encouraging cross-disciplinary research, and enabling innovative teaching methods that incorporate multimedia elements. This prepares students for the evolving media landscape and equips scholars to explore complex topics from multiple angles. Naturally the impact extends in this regard to book publishing, academic papers, and publications. It has led to the rise of digital publishing platforms and e-books. Authors can now self-publish or collaborate with publishers to release their work in digital formats, reaching a global audience more quickly and affordably. And enabling the integration of multimedia elements such as videos, images, and interactive graphics into digital publications.

That media convergence has been a blessing is a self-evident fact.

It has played a pivotal role in modern civilization, offering a tapestry of advantages and value that resound across every facet of our existence. It has influenced individuals and societies to expand their horizons and catalyze innovation. From news dissemination to

entertainment, education to communication, media convergence seamlessly integrates diverse platforms and technologies, enhancing accessibility and interactivity. This convergence not only deepens our understanding of the world but also propels us to imagine, to create, and innovate beyond conventional boundaries. Its capacity to connect, educate, and inspire is boundless, underpinning the very essence of progress. The challenges, or ‘disconnections’of media convergence though, are what I also hope will be confronted with some vigour as well in this conference, because they are real, formidable, and just as impacting globally in the most pernicious dimensions. Whilst convergence has reshaped the way we access important information, it has also brought to light the fragility of truth in the digital age. In a time where information is abundant, the veracity of facts has become elusive, and truth has become its biggest casualty. While media convergence has expanded access to information, there are complexities and concerns related to intellectual property rights and copyright infringement as content is shared and repurposed across various platforms. Clear attribution and usage rights are not always guaranteed. Convergent media also often involve the collection and sharing of user data, raising concerns about privacy and data security.

But the real motherlode is the proliferation of the dark arts of misinformation and fake news. The blurring lines between traditional journalism, social media, and user-generated content have made it challenging, even impossible these days to discern credible sources from unreliable ones. It has created a profound erosion of trust in the media. Our recent national election campaigns stand tall as a case-study. Many times an idiotic post on a random unverified Twitter account created sensational debates which morphs into headline news in the newspapers and soon enough there are pundits on television debating, and no one knows exactly how it began. Misinformation spreads faster and wider than accurate information due to its sensational or emotionally charged nature. And this makes it difficult for credible sources to regain control of the narrative. And the race for clicks, views, and engagement has created an environment where sensationalism often takes precedence over accuracy. Too many News outlets are driven by the need to capture attention in an overcrowded digital space, often leading to the distortion of facts for the sake of generating headlines. In this race, truth is the casualty, overshadowed by the pursuit of virality.

The echo chambers created by personalized algorithms exacerbate the problem. People are often exposed to content that aligns only with their existing beliefs, reinforcing biases and limiting exposure to diverse perspectives. This also hinders constructive dialogue and critical thinking. And the results of this we see every day online – a growing global tribe of sophisticatedly ignorant digital nomads.

Dark forces are taking control of the viral opportunities of convergence for nefarious purposes. Intentional misinformation and misrepresentation especially of history has become a legitimate weapon of choice in governance, business and even the arts. Trolling, hate, lies and bigotry are big business, powered by shady fifth columnists from everywhere and anywhere, protected by the anonymity of computer keyboards. And the personality cult of ‘influencers’ have spawned a cult of ‘followers’ who seem happy enough to outsource thinking to their digital devices. It is interesting to recognize that the great symbol of the power of media convergence today is the smartphone. These devices have seamlessly integrated various forms of media—text, images, videos, audio, and internet access—into a single device. And 40% of Africa’s urban elite, our best minds so to say, have one or more. It is the port of entry into their consciousness. And for the most part it is exclusively how they communicate, consume content, and access information, showcasing the profound transformation, impact…AND the clear and present danger that convergence represents to human civilization. All at once.

To counter these challenges, a multi-pronged approach is necessary. We must collectively prioritize media literacy and critical consumption of information. There has to be a way to hold social media platforms accountable without necessarily abridging the freedom of speech. Teaching our young people especially, how to discern reliable sources, fact-check claims, and think critically about the content they encounter is essential in the digital age. Additionally, I think the major media organizations in Nigeria must recommit to journalistic integrity, upholding the principles of accuracy, fairness, and transparency. As consumers of information, all of us must embrace our responsibility to seek out multiple perspectives and encourage debate and discourse. Maybe in doing these, we can counteract the echo chambers and contribute to a more informed and enlightened virtual space. Truth simply cannot be compromised for convenience. It is the foundation upon which a just and equitable world is built.

Technology must advance the cause of truth, not abridge it.

This is especially important because the world stands at the precipice of a technological revolution that is blurring the lines between the real and the digital, transforming the way we interact, learn, and create. Artificial intelligence, virtual reality, and augmented reality are no longer distant dreams but imminent realities that will redefine how we live and how we work. As a progression of media convergence, artificial intelligence will become our compass, guiding us through an ocean of data. It will empower us to personalize content, delivering exactly what we need, when we need it. AI’s ability to analyze vast amounts of data will provide us unprecedented insights, revolutionizing content creation and distribution. And as AI understands our preferences, it will curate our news, entertainment, and information, enhancing our experiences in ways we could have never imagined. Virtual reality and augmented reality are our bridges between worlds, offering immersive experiences that transport us beyond the confines of our physical reality.

With VR, we can step into historical events, explore far-off galaxies, or collaborate with colleagues around the world in virtual offices. AR overlays digital information onto our real world, enhancing everything from education to shopping. Imagine trying on clothes virtually or learning complex subjects through interactive holograms. The impact on how we live and work will be profound. Education will become personalized and globally accessible through AI-driven platforms, VR classrooms, and AR-enhanced textbooks. Healthcare professionals will utilize AR to visualize patient data during surgeries, while AI will aid in drug discovery and diagnostics. Manufacturing will see a revolution with AI-powered automation and virtual simulations improving product design and production processes. With these emerging technologies what is clear is that the world is transiting from an industrial economy driven by mechanical machines and human labour to algorithms, applications and artificial intelligence to create what will be an imagination economy. Everything is possible at the size, and depth of your imagination. Are we ready for the future?

To realize these promises fully, Nigeria must prioritize investments in digital infrastructure, expand internet access, and address affordability concerns. Our vast potential in this ever-evolving technology landscape confronts our diminishing economic fortunes with the receding revenue from oil. I believe with our vast consumer base, demand for digital content, innovative spirit, cultural diversity, and more, Nigeria can and should become a key player in the global digital landscape. The demand for digital content, entertainment, and communication services is high in Nigeria. With the right infrastructure we can create new revenue streams in our economy.

Our diverse culture and languages offer opportunities for localized content, apps, and services that offer solutions to local needs. Convergence will drive more economic empowerment and financial inclusion by providing access to information, education, and services to our underserved communities. Successful integration will inspire an even more dynamic digital economy. And in this economy, consumers are active participants, seeking out and consuming content that resonates with their interests and desires. Virtual and augmented reality technologies will further enhance these experiences, blurring the line between the real and the imagined. The new imagination economy will be about collaborations and cross- pollination of ideas and it will drive an even richer and more diverse innovation ecosystem. It also will demand vigilance and oversight. Governments, industries, and academia must come together to set standards, ensure inclusivity, ethics, and innovation. The future of media convergence is a landscape of infinite possibilities, and emerging immersive technologies will redefine not only how we consume media, but how we perceive reality itself.

Thank you.

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JAGUN JAGUN:THE MODERN DAY SATIRE

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JAGUN JAGUN:THE MODERN DAY SATIRE

Written by: Awoko Emmanuel Iyanuluoluwa

 

Recently, a Nollywood movie titled Jagun jagun was produced by a veteran Nigerian actor known as Femi Adebayo. The movie trends based on the general perception that Yoruba movies are coming up. However, from my own perspective, Jagun Jagun is a current-day satire. The movie communicates a heavy approach to politics, power, subjectivity, societal influence, egocentrism, and all other salient issues that Nigeria is battling with.

 

In case you don’t have the full knowledge of what satire means, this is a short hint about it. According to Advanced English Dictionary, satire is the use of witty language in order to convey insult or scorn. Furthermore, literature emphatically broadens that satire uses irony in order to correct the ills in the society. While satire comes with the intent to correct, sarcasm shows itself with the intent to mock/ridicule the situation. Justifiably, Femi Adebayo uses Lateef Adedimeji to communicate the burden of the play at the resolution scene while along the line, other burdens were picked from some roles and scenes.

 

Typically and beyond the screen view, Ogundiji is a symbolic character and likewise, the rulers who roamed the surface of the villages. Also, Gbotija who later emerges as the hero in the play as well exhibits a great role. However, taking about each deed and role, Gbogunmi and Kitan are also depicted as victims of their society while Ogundiji joyously glorifies himself when he sees them fall.

 

To begin the analysis of each satire in the play in relation to Nigeria, I will be starting with the rulers in the play. About two or more characters are accused of illegally occupying a position/throne that they don’t deserve, however, through cheating, they have emerged as the “sitters” of these thrones. Also, about 80% of the rulers emit attributes that cannot be modeled after. All these notable actions are significant in Nigeria and they can be best related to Nigeria’s politics. Many of the controlling leaders of today are engrossedly satisfied with having power even when they don’t deserve the position. Particularly, it is satirical because Nigeria kept on being in the same shoe over the years, yet names and political parties are changing. The play, therefore, is perceived to be using the set of rulers depicted in satirizing a better political scene in our dear country because, in the play, each of these rulers failed in the system.

 

Another satire to examine is power. Ogundiji is alone best fit to examine the concept of manipulated power and in the cause of this, he influenced the lives of some characters negatively in the play. However, power can also be viewed from a good perspective in the life of Gbotija and Gbogunmi. Although, these characters at some point in time also misbehaved but despite their misbehaviors, both will be preferred because of their knowledge of considering humanity before taking decisions. To this, power at different central positions has always been getting manipulated. Related situations of excessive use of power in Nigeria can be seen in the way in which the masses are being treated. For example, the rise in school fees and the increase in the cost of daily living can be viewed as an act of abuse of power in Nigeria. In a country with an elected ruler, the expectation of the citizens is vested in him/her and if non-correlative result is seen, and negligence is in view, this calls for a check, right? Yeah. That is, only manipulated power can be checked when wrongly used.

 

Also, a dominant satirical effect in the play is subjectivity. In the movie Jagun Jagun , a large number of villages, kings, and youths are subjected to the threat of Ogunjimi. This scenario tackles the principle of godfatherism in Nigeria. In years past, every generation of rulers will always have someone whom they are subjected to. In the subjections to these so-called godfathers, every other of their arrangements always get disorganized and the noble cause of their service is always overturned. Repeatedly, citizens of Nigeria always appear as victims of the fast-growing and widely spread ailment.

 

Furthermore, societal influence is a lead satirical effect in the play. One of the soldiers was enrolled in an institute in order to get fully trained so as to deliver his society. However, the reverse is the case cause the society in which he found himself claimed his life along the line. Regarding Nigeria, the primary aim of our dear parents for sending us to school is so as to liberate them from the shackles of poverty but, much of the reward for their effort is not always realized. The failed system is depicted in a satire at this point. Besides a recent post have it said that corpers will be recruited into the army in order for graduates to run outside the box of their passion. This is evidently abnormal! The family, society, and personality all have a purpose, however, the environment hijacks their purpose and remodeled them to its satisfaction. Cases of such again are also visible during elections when politicians mobilize youths to cause havoc while they sit at home and enjoy.

 

Also, egocentrism can also be identified in the life of Ogunjimi. Egocentrism is also known as self-centredness and the character to this prime attribute is him. He uses others at the of preserving his name, throne, fame, son, and family. While he does this, living outside the circle is always irrelevant. This principle of self-centredness is tagged “my family and I” principle. However, this has continued the ravage the landmass of our beautiful country over time. The society, therefore, wants a leader that is not self-centered and with the emergence of Gbogunmi, he became a threat to the throne and his life was being sought to be killed. Egocentrism is a weakness in many of Nigerian leaders. The first primary aim of a leader is not to run after his pocket but to cater to the need of his subject and society. This is another satire.

 

Following the precept, another point in time arise as a satire in the play and this is the energetic awareness in the resolution part of the play. This could best be simply related to ENDSARS PROTEST OF 2020. After many days and years of toiling to survive in the movie, the immediate quickening for freedom was largely supported and at the end of it, the game turns out to be a win.

 

A slightly related satire to the latter part of the energetic awareness is war. War is defined as a state of unrest. That is, the tension all throughout the play was filled with unrest. Every character is always prepared for battle. However, as we all know, the state of unrest in Nigeria is not a physical battle, rather, it entails contention with oneself out of hardship. The hike in the price of everything has led to unrest and lives and property getting lost daily.

 

The chain of the satirical effects in the movie is interconnected and traceable to a source. And to this, another satire is identified in the love life of Kitan and Gbotija. The satire here is love and deceit. Many a time, we are always being used and particularly in disguise of love. However, we are later hunted in the end. Kitan who also acted as Agemo was deeply in love to the point that she hid the secret of her multifaceted evil identity from her lover boy. She knew the truth from the onset yet she never opened up and in the proceeding, she turned out to be an instrument of death for the one whom she loves. This is to say, the love shown during election propaganda oftentimes is only to play humans into its doom. This is a common satire whenever an election draws near. Series of gifts becomes the order of the day and this in turn claims the cherished votes of the naive ones who don’t know the power of their voice.

 

Lastly, death is also a satire visible in the play. Femi Adebayo establishes a critical didactic discussion in the play that no matter the level of wickedness done by any man, in turn, death will be the end. He further uses the narration to criticize the leaders who only they are superior without considering the aftermath of every man’s sojourn.

 

In conclusion, it is further important to stress the fact that the Jagun Jagun uses the element of satire, symbolism, imagery, metaphor, and anthropomorphism to convey its message. The script was solely written for entertainment but beyond the merriment that lies in it are important critiques to examine. In this were critics of power, societal influence, egocentrism, and many other underlying stances.

 

I just hope you will read this🤕