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Billboard Under Fire Over ‘One-Hit Wonder’ Label for Rema

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American music publication Billboard has drawn sharp criticism online after resharing a June 2025 article that described Nigerian recording artist Rema as a “one-hit wonder.”

The post, shared on Sunday through the magazine’s official X account, revived a previously published ranking of 25 artistes categorized under the one-hit wonder label. In that list, Rema was placed at number six, with his global single “Calm Down” cited as the defining record of his international career.

The song, originally released in 2022, gained further commercial momentum through a remix featuring American pop star Selena Gomez. The collaboration significantly expanded the track’s reach, pushing it into mainstream pop markets across North America and Europe and setting new streaming and chart records for an Afrobeats act.

In the resurfaced article, Billboard argued that although Rema had begun building visibility in the United States with the original version of “Calm Down” through its performance on the U.S. Afrobeats chart, his broader crossover breakthrough occurred after the Gomez-assisted remix. The publication positioned the collaboration as the decisive factor that propelled the record into global pop dominance.

The characterization has since triggered debate among fans, industry observers, and Afrobeats stakeholders. Critics contend that labeling Rema a one-hit wonder overlooks a catalogue that includes charting projects, sold-out international tours, and multiple high-performing singles across African and global streaming platforms. Supporters further argue that the description diminishes the wider impact of Afrobeats artists who have steadily built international audiences beyond a single crossover record.

The controversy also highlights an ongoing conversation about how African musicians are framed in Western music media, particularly when their global recognition is tied to collaborations with established American pop figures. For many commentators, the issue is less about the success of “Calm Down” and more about whether a single global smash should define an artist whose career trajectory extends beyond one record.

As debate continues online, neither Rema nor his representatives have publicly responded to the renewed classification. The episode, however, has reignited scrutiny over the criteria and cultural context behind the “one-hit wonder” label in an increasingly global music industry.

Mirrors, Starring Diana Childs and Kunle Remi, Is Rated 92% and Certified Must Watch by Ranks Africa

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Right now, Diana Childs is capturing the zeitgeist with her latest release, Mirrors, a film that is as bold in its structure as it is in its storytelling. Rated 92% by Ranks Africa and officially Certified Must Watch, Mirrors is quickly proving itself as one of the most intense and unforgettable Nollywood releases of the moment.

Streaming now on Diana Childs TV, the project is a gripping two-character experience starring Childs alongside Nollywood heavyweight Kunle Remi.

Mirrors is not your typical romantic drama. It is raw, intimate, and emotionally intense in the best way. With nowhere to hide, the film pulls you into the private world of a marriage, exploring the highs, the crushing lows, and the silent in-betweens that define years of commitment.

This is not just a film you watch casually.
It is a film you feel.

The performances are on another level, the dialogue is layered, and the emotional tension is so real it almost feels like you are sitting in the room with them. Mirrors deserves to be watched, not just because it is different, but because it is the kind of storytelling Nollywood needs more of: fearless, honest, and unforgettable.

Kaduna Victims’ Coalition: Survivors and Families Demand Full Accountability for Abuses Under Nasir el-Rufai – No More Impunity, No More Silence

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For Immediate Release

Abuja/Kaduna, Monday, February 16, 2026

Kaduna Victims’ Coalition: Survivors and Families Demand Full Accountability for Abuses Under Nasir el-Rufai – No More Impunity, No More Silence

We speak today as representatives of countless individuals, families, and communities who endured eight years of profound hardship, terror, fear, and loss under the governorship of Nasir el-Rufai in Kaduna State (2015–2023). Our coalition includes citizens from all walks of life: community and business leaders, serving and retired public servants, traditional rulers, faith leaders, academics, journalists, lawyers, and other professionals.

Among the many victims are high-profile cases that symbolize the era’s impunity:

HRH Dr. Maiwada Raphael Galadima, the Agwam Adara (paramount ruler of the Adara Chiefdom), abducted in October 2018 and brutally murdered despite ransom payment. His killing occurred amid efforts to restructure traditional institutions, including the controversial conversion of the chiefdom into an emirate structure, deepening ethnic and communal tensions. Till date the suspects arrested for the murder of Agwam Adara are yet to be successfully prosecuted and their whereabouts can not be ascertained.

Abubakar Idris (Dadiyata), a lecturer at the Federal University Dutsenma and social media commentator critical of governance issues, abducted from his residence in Barnawa, Kaduna, on August 2, 2019. He has remained missing, effectively disappeared for nearly seven years. August 2026 will mark the seventh anniversary of his abduction and trigger the statutory presumption of death under Nigerian law.

Shortly after Dadiyata’s abduction, on December 23, 2019, at 10:16 hrs, Bashir el-Rufai, son of the then-Governor, posted a tweet widely perceived as gloating over the incident and dismissing calls for his safe return.

During his tenure, Nasir el-Rufai presided over a pattern of indiscriminate actions: arbitrary abductions, persecution of critics, reprisal violence, unlawful demolitions of homes, mass dismissals of workers without due process, forced sackings by employers of perceived opponents, and the displacement of citizens into exile.

These acts bypassed constitutional safeguards and Nigerian law, turning gubernatorial immunity into unchecked impunity.

We are deeply troubled by recent attempts to reframe this history, portraying Nasir el-Rufai as a champion of due process and human rights, while survivors and families continue to seek truth and justice.

On behalf of ourselves, and in solemn memory of those killed or disappeared who cannot speak, we have a moral and civic duty to bear witness. Our sole demand is accountability under the rule of law: thorough, independent investigations; prosecutions where evidence warrants; and closure for traumatized victims and families. By pursuing justice, we aim to prevent future suffering and uphold the dignity of all Nigerians.

We stand ready to cooperate fully with all relevant law enforcement agencies, judicial bodies, and human rights institutions in Nigeria. We will provide testimonies, evidence, and any material assistance to support inquiries and ensure those responsible for crimes face due process.

#JusticeToElrufai
#JusticeForKadunaVictims
#WhereIsDadiyata
#AccountabilityNow

Signed on behalf of the coalition of survivors, victims’ families, and concerned citizens:

1. Chidi Anselm Odinkalu
2. Audu Maikori, Esq
3. Gloria Ballason, Esq
4. Steven Kefas
5. Luka Binniyat
6. Midat Joseph
7. Segun Onibiyo
8. House of Justice
9. Community Development & Rights Advocacy Foundation
10. Resilient Aid and Dialogue Initiative
11. Southern Kaduna Indigenously
12. Progressive Forum (SKIPFo)
13. Atrocities Watch Africa, AWA

Favour Ashe Announces Switch of Allegiance to Qatar, Cites Treatment and Infrastructure Challenges

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Nigerian sprinter Favour Ashe has announced his decision to switch sporting allegiance from Nigeria to Qatar, marking a significant development in his athletics career and in Nigeria’s sprint landscape.

Ashe, who is currently ranked as Nigeria’s seventh fastest man in history, holds a personal best of 9.94 seconds in the 100 metres. His time places him among an elite group of Nigerian sprinters who have broken the 10-second barrier, a benchmark that defines global sprint competitiveness.

Explaining the decision, Ashe pointed to what he described as poor treatment and a lack of institutional support within Nigerian athletics. He specifically referenced his experience at the 2025 National Sports Festival, where he said he felt neglected by officials responsible for managing the sport.

“Those managing Athletics in Nigeria showed no human feeling,” Ashe stated, expressing disappointment over what he viewed as inadequate care and consideration for athletes.

Beyond that event, Ashe indicated that broader structural challenges influenced his decision. After completing his college career in the United States, he said he no longer had access to the training facilities he previously relied upon. Returning fully to Nigeria, he explained, proved difficult due to limited access to quality tracks and performance infrastructure.

According to Ashe, these constraints made it increasingly challenging to maintain the level of preparation required for elite sprinting. He described the situation as a setback to his career progression.

The sprinter revealed that he has been based in Qatar for the past five months. During that period, he said he was struck by the number of young Nigerian athletes already training in the Gulf nation. He suggested that the growing community of talent could form the foundation of a strong relay programme.

“I am very sure we will form a formidable 4x100m relay team for Qatar,” Ashe said, signalling his ambitions beyond individual competition.

However, the nationality switch is not yet complete. Under World Athletics regulations, athletes who change allegiance are typically required to observe a waiting period. Ashe must serve a three-year period from his last appearance representing Nigeria before he becomes eligible to compete for Qatar. Based on current timelines, he is expected to be eligible after 2027, subject to formal approval by World Athletics.

His decision adds to ongoing conversations about athlete migration, funding structures, and sports administration in Nigeria. As more athletes explore opportunities abroad, questions continue to arise about infrastructure, welfare, and long-term development systems within the country’s athletics framework.

Source: The Guardian

U.S. Marine of Nigerian Origin, 21, Confirmed Dead After Falling Overboard During Caribbean Operation

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Chukwuemeka Oforah, a 21-year-old United States Marine of Nigerian origin, has been confirmed dead after going missing at sea during a military operation in the Caribbean.

According to official reports, Oforah fell overboard from the USS Iwo Jima while the amphibious assault ship was engaged in operational activities in the region. His absence was discovered shortly after the incident, prompting an immediate search and rescue response.

The U.S. military launched an extensive, multi-day search effort involving naval vessels, helicopters, and fixed-wing aircraft. Crews combed large sections of surrounding waters in an attempt to locate the missing Marine. Despite the scale and intensity of the operation, he was not recovered.

Following the unsuccessful search, authorities formally confirmed his death.

The U.S. Navy and Marine Corps have opened an investigation to determine the circumstances surrounding the incident. Such investigations typically review operational conditions, safety procedures, onboard protocols, and witness accounts to establish a clear sequence of events.

The USS Iwo Jima is a key component of the U.S. Navy’s amphibious fleet, designed to support expeditionary operations and Marine deployments. Incidents involving personnel overboard are rare but treated with the highest level of urgency due to the inherent risks associated with open-sea conditions.

Oforah’s death has drawn attention both within military circles and among members of the Nigerian diaspora in the United States, where news of the tragedy has prompted expressions of sympathy and solidarity.

Military officials are expected to provide further details once the ongoing investigation is concluded.

Source: BBC

Over 10,000 Churches Shut in Rwanda as Government Tightens Worship Laws

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KIGALI, Rwanda. Rwanda’s campaign to close non-compliant places of worship has become one of the most far-reaching regulatory actions against religious institutions seen on the continent in recent years. In late 2025, reports said the authorities had shut more than 10,000 evangelical churches for failing to meet requirements under a 2018 law that governs how worship centres operate.

The closures are not being presented by the state as a ban on religion. They are being presented as enforcement. Rwanda’s position is that churches and other faith-based organisations are subject to the same expectations the country applies to schools, businesses, and civil society groups: registration, minimum standards, accountability, and clear leadership structures. 

What changed is the scale and urgency of enforcement.

A law with teeth, then a long grace period

Rwanda’s current framework traces back to Law No. 72/2018, which set out a stricter governance and compliance regime for faith-based organisations. In practice, the requirements touch three sensitive areas.

First is public safety and facilities. Regulators have repeatedly cited building-code issues, sanitation gaps, fire-safety concerns, and noise control, particularly among fast-growing, informal prayer houses operating in improvised spaces.

Second is money and governance. Reporting on the 2018 framework describes rules around financial disclosures and the handling of donations, including requirements that contributions flow through registered accounts and that organisations document how their activities align with national standards. 

Third is leadership qualification. While public conversation often simplifies this to “pastors must have theology degrees,” the regulatory language, as described in civil society submissions, focuses on formal accountability roles such as legal representatives and senior leadership structures. These roles are expected to present recognised religious studies qualifications or equivalent certification, alongside other documentation. 

The policy also came with time to comply. Multiple reports note a multi-year grace period that ran through September 2023 before enforcement intensified. 

Why the closures accelerated

The closures are best understood as the peak of an inspection-driven enforcement model that has been building since 2018, not a one-off action.

In 2024, the Rwanda Governance Board carried out large-scale inspections of thousands of prayer houses and closed a major share for non-compliance. One account says about 14,000 prayer houses were inspected in a single month and roughly 70 percent were shut for failing various standards, with reopening possible after fixes and re-inspection. 

By December 2025, the story had expanded again, with international reporting describing closures above 10,000 evangelical churches, tied back to the same legal and compliance framework. 

The state’s stated reasons

Rwanda’s official rationale, across multiple reports, centres on four points.

One, public safety. The government argues that places of worship should not operate in unsafe buildings, poorly ventilated rooms, or spaces without basic sanitation, crowd control, and emergency safeguards. 

Two, consumer protection. Regulators and commentary supportive of the policy have pointed to fraud, coercive fundraising, and manipulation of vulnerable worshippers as a justification for stronger oversight. 

Three, professionalising religious leadership. Rwanda has leaned into the argument that formal training and identifiable accountability structures reduce the risk of extremist teaching, misinformation, and exploitation, and make leaders answerable when violations occur. 

Four, state stability and “national values.” Some reporting notes that the law requires alignment statements and structured operating plans, and also reflects Rwanda’s wider governance culture, which prefers strong regulation of institutions with mass social influence. 

Why critics say it is a rights issue

Opponents do not usually dispute the legitimacy of health and safety regulation in principle. The criticism is about proportionality and impact.

Rights-focused submissions argue that the framework creates unusually heavy barriers for faith groups, especially smaller congregations, and that closure is being used as a blunt enforcement tool rather than progressive compliance notices and realistic timelines. 

There is also concern about unequal capacity. Large, well-funded denominations can renovate buildings, hire compliance staff, and train leadership. Small, rural, or informal churches often cannot. When enforcement is aggressive, the result is consolidation of worship into fewer, bigger institutions, whether or not that was the stated goal. 

So what is behind the crackdown

At its core, Rwanda’s crackdown is driven by a deliberate state choice: to regulate worship spaces like a tightly governed public service sector, with licensing, inspection, professional credentials, and financial traceability as the baseline. 

Supporters see it as overdue order, public protection, and accountability. Critics see it as a compliance regime so demanding that it risks turning regulation into control, especially for smaller faith communities. 

 

OMOTOLA’S NO-DANCE ROLLOUT AND THE GLOBAL PLAY BEHIND “MOTHER’S LOVE”

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When Omotola Jalade Ekeinde said she would not dance online to promote her new film, many dismissed it as celebrity talk. Two things are now clear. She meant it, and she can afford to mean it.

Omotola is not a newcomer fighting for attention. She has worked steadily since the mid-1990s, building one of the most expansive careers in Nigerian screen history, with credits that reportedly run into hundreds of titles. Her early breakout, Mortal Inheritance, helped cement her status and brought major recognition at a time when Nollywood’s star system was still forming.

Over the years, her profile has grown beyond local acclaim. She has collected awards in Nigeria and abroad, and her public standing has been strengthened by institutional recognition. In 2013, Time listed her among its 100 Most Influential People. In 2014, Nigeria honoured her with the MFR. She has also received an honorary doctorate for her contributions to arts and society. Taken together, these milestones frame her as a cultural figure who operates with long-term intent, not short-term noise.

That context matters because Mother’s Love is not being positioned as a typical commercial release. It is her directorial debut, and its subject matter signals ambition. The film centres on the bond between mothers and daughters, then stretches into heavier terrain, grief, resilience, identity, and the social divides that shape choices and relationships. Although grounded in Nigerian realities, its emotional language is universal. It is designed to spark conversation, not just quick applause.

The first major signal came from its festival pathway. The film had its world premiere at the 50th Toronto International Film Festival on 6 September 2025. That is not simply a prestige stamp. TIFF is also a serious marketplace where distributors, sales agents, and buyers scout films for acquisition and licensing. A premiere at that level places a project inside the global industry pipeline early, even before a wide local run is settled.

More recently, the film was officially selected for the Pan African Film Festival 2026 edition. This adds another layer of visibility in the United States, and strengthens access to diaspora audiences and decision-makers tracking the growing demand for African cinema.

These selections underline a reality that is often lost in public commentary. Film festivals are not only cultural events. They are business platforms. Each screening can improve a film’s credibility, expand its press footprint, and open doors for territory sales, distribution conversations, and long-tail licensing. Every official selection builds leverage, and leverage is what converts attention into deals.

Seen through that lens, Omotola’s refusal to “dance” stops looking like stubbornness and starts looking like strategy. Trend-driven promotion can be useful, but it is rarely the centre of a global rollout. If the objective is international distribution and sustained market presence, the playbook changes. You prioritise positioning, partnerships, and curated access. You choose where the film is seen, who sees it, and what conversations it enters first.

Omotola’s career has been built over decades, and this release reflects the same thinking. With “Mother’s Love,” she is not only presenting a film. She is placing herself in a global filmmaker category, with a market that can extend beyond Nigeria into North America and Europe, where African stories are attracting stronger buyer interest and wider audiences. In that context, silence on trends is not a risk. It is part of the message.

By Benneth Nwankwo

15 February 2026

Did El-Rufai and Ganduje Collaborate to Disappear Dadiyata? By Farooq Kperogi

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Now that Abdullahi Ganduje has issued a (tepid) denial of Nasir El-Rufai’s televised allegation of his complicity in Abubakar “Dadiyata” Idris’ unexplained disappearance, I have a few thoughts to share.

Dadiyata and I followed each other on Twitter when I was active there, so I have a fair sense of what he tweeted about. El-Rufai correctly described Dadiyata as a Kwankwasiyya devotee. But Dadiyata was openly critical not just of Ganduje but of several APC figures, including Buhari and El-Rufai. Sadly, his Twitter handle has now been disabled, perhaps because of extended inactivity.

When Dadiyata was active on Twitter, Rabiu Kwankwaso and Atiku Abubakar were in the PDP, and Kwankwaso’s supporters were strongly associated with Atiku’s presidential bid.

While Ganduje may indeed have had strong political incentives to view Dadiyata as a threat in view of the intense rivalry between Ganduje and Kwankwaso, El-Rufai’s suggestion that Dadiyata was not a fierce critic of his does not square with the public record.

From my recollections, Dadiyata’s Twitter commentary frequently targeted El-Rufai, as many people have already pointed out.

It is also difficult to ignore that Bashir El-Rufai, El-Rufai’s son, had, in a December 2019 tweet, mocked both Dadiyata’s disappearance and the social media campaign for his safe return, saying, “Dangerous lies in the public space have consequences.”

That’s no proof that El-Rufai was guilty of disappearing Dadiyata, but given El-Rufai’s close relationship with his children, Bashir’s tweet is at least circumstantial evidence of El-Rufai’s knowledge of and unease with Dadiyata’s biting commentaries (disguised as “dangerous lies in the public space”) and his interest in making him pay for it (“consequences”).

From my perspective, both El-Rufai and Ganduje have a probable political and emotional investment in squelching and disappearing Dadiyata, and I won’t be shocked if it later emerges that they collaborated to achieve this and that El-Rufai is squealing now only because he is still smarting from his painful exit from the inner circle of power, is now politically at odds with Ganduje, and thinks there will be no consequence for his disclosure.

I searched credible public records for a list of critics El-Rufai caused to be arrested, detained, prosecuted, or tortured when he was governor. Although many people mention “more than 20,” I was able to verify 15.

The U.S. State Department’s 2019 Human Rights Report, for example, said nine community elders in Southern Kaduna were detained “by order of Kaduna State Governor Nasir El-Rufai” in retaliation for criticizing him.

In 2016, a journalist by the name of Jacob Onjewu Dickson was arrested and charged for reporting that El-Rufai was pelted with stones. In the same year, Dr. John Danfulani, a lecturer, was arrested and prosecuted for his criticism of El-Rufai.

Other critics El-Rufai arrested and harassed are Audu Maikori (music executive, 2017); Luka Binniyat (journalist, 2017); Stephen Kefas (journalist/activist, 2019); and Bello Yabo (Islamic scholar, 2020).

The 15 is not, by any means, a ceiling. It is merely the lowest defensible count from cases I can verify. But I am certain there are more.

As for Ganduje, I have found at least five identifiable people who were arrested, detained, remanded, or taken to court for criticizing him.

They are Mu’azu Magaji, former Kano commissioner and critic; Abdulmajid Danbilki Kwamanda, politician and critic; Mubarak Muhammad and Nazifi Isa Muhammad, TikTok satirists; and Jaafar Jaafar, publisher of Daily Nigerian.

While most governors in Nigeria are morbidly intolerant of even the mildest criticism, El-Rufai enjoys notoriety as perhaps the most thin-skinned and intolerant governor since 1999.

Given their records of intolerance to criticism, the best I can surmise is that El-Rufai and Ganduje found common cause in silencing Dadiyata since he was severely critical of both of them.

Now, since El-Rufai appears to have information about Dadiyata’s disappearance, even going so far as to mention an unnamed police officer who reputedly told someone that Dadiyata’s arrest was ordered from Kano, we have, for the first time ever, a solid, potentially helpful investigatory lead.

Law enforcement authorities should, without delay, invite El-Rufai to disclose the identity of the police officer under conditions that allow independent verification. Ganduje’s disclaimer is not enough. He should also be questioned.

The disappearance of a citizen over expressed opinions is too grave to be reduced to political theater or media spectacle. I hope this provides an opportunity for Dadiyata’s family to get closure on this sordid episode.

South African police arrest woman over killing of Nigerian e-hailing driver in Pretoria West

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South African police have arrested a woman in connection with the killing of Isaac Satlat, a 22-year-old Nigerian national who was working as an e-hailing driver in Pretoria West. Authorities say the incident happened on Wednesday, February 11, 2026, after the driver picked up passengers who had requested a trip. 

In a statement shared by police and repeated by local media, investigators said a male and a female passenger are suspected to have attacked the driver inside the vehicle. Police also indicated that the victim’s vehicle was later recovered and the victim’s body was found in Atteridgeville on the same day, as the investigation widened beyond the original pickup area. 

The case gained wider attention after video footage circulated online, showing an assault unfolding in the vehicle. Reporting on the footage, South African media described a woman seated in front and a man seated behind her during the attack, with both suspects fleeing afterward. 

Police say the arrested woman faces charges including hijacking and murder, and she is expected to appear at the Atteridgeville Magistrate’s Court on Monday. Investigators added that further arrests are expected as inquiries continue. 

Boyi Solomon Nyango leads Nigerian men as Lagos City Marathon, crowns new winners

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Boyi Solomon Nyango emerged as the first Nigerian male runner to finish the 2026 Access Bank Lagos City Marathon, crossing the line in 2:25:32 after a demanding race through key corridors of Lagos.

The 11th edition of the road race, held on Saturday, February 14, 2026, again drew a mix of elite international athletes and mass participants, reinforcing its position as one of the most watched long-distance events on Nigeria’s sports calendar. In the elite men’s race, Ezra Kipchumba Kering took first place in 2:11:55 to claim the top prize, while the women’s title went to Meseret Dinke in 2:37:36.

Beyond the overall podium, Nyango’s finish carried strong local significance. He led the Nigerian men’s field on a day when the elite positions were decided at a much faster clip, but the national category remained a key marker of progress for homegrown distance running.  

In the Nigerian women’s category, Deborah Pam Badung was the first Nigerian woman to complete the marathon, posting a time of 2:55:46.  

Organisers also tied the event’s prestige to incentives designed to deepen local participation. Reports on the 2026 edition described a structured prize system for Nigerian finishers, with cash awards spread across the top 10 in each gender, including a top prize for the first Nigerian finisher.  

The race route and finish remain central to its identity. The event is staged in Lagos, with the course anchored around Eko Atlantic and adjoining districts, and it is marketed as a major early-morning city race that blends competition with spectacle.