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Filmhouse Cinemas Brings Fast, Feast, and Film to Eid Celebrations

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Filmhouse Cinemas has announced its “Eid at Filmhouse: Fast. Feast. Film.” campaign, introducing a thoughtfully curated cinema experience designed to reflect the spirit of the Eid season.

The campaign presents Filmhouse as a destination for relaxed, premium celebrations, combining seamless cinema access, dining, and light festive experiences suitable for families and friends. A key highlight of the initiative is the Eid experience at Filmhouse Twinwaters, taking place on Saturday, March 21, at Twinwaters Entertainment Center.

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As part of the Fast offering, guests can make use of Filmhouse’s self-service kiosks, ensuring quick ticket purchases and smooth entry into the cinema. This allows visitors to spend less time queuing and more time enjoying the celebration.

The Feast experience is led by Kravings by Filmhouse, offering a curated selection of meals, snacks, and beverages tailored for the festive period. Guests at select locations can also enjoy complimentary cocktails, adding an extra touch of indulgence to the Eid outing.

Beyond food and film, the experience includes family-friendly activities such as face painting for children, creating a welcoming and inclusive atmosphere. Lounge-style seating and relaxed social spaces at Twinwaters further enhance the calm, celebratory mood of the season.

On the big screen, audiences can enjoy a lineup of blockbuster and family-friendly titles currently showing across Filmhouse locations, making the cinema a fitting stop for Eid celebrations.

Winnifred Wessels, Head of Marketing, Filmhouse Cinemas said “Eid is about joy, togetherness, and creating memories. With Fast. Feast. Film., we are giving our guests a complete experience from effortless ticketing to delicious food from Kravings and the best films of the season.”

With bookings now open, Filmhouse invites Lagos residents to celebrate Eid the Filmhouse way: indulge in tasty Kravings dishes, catch your favorite films, and enjoy the festive season in style.

For more information, visit www.filmhouseng.com or follow @filmhousecinemas on social media.

Dr. Mabel Nwanegbu: Designing Spaces, Building Impact & Shaping the Future of Interior Design

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Every great transformation begins with a vision. For Dr. Mabel Nwanegbu, that vision has always been simple yet powerful: spaces should not only look beautiful, they should improve how people live, work, and connect.

As Ranks Africa celebrates the Women of Impact 2026 (6th Edition), Dr. Mabel Nwanegbu stands out as a visionary entrepreneur who has quietly but steadily redefined the language of interior design in Nigeria. As the Chief Executive Officer of MIDAS INTERIORS LTD, she has built a company that goes far beyond aesthetics, delivering spaces that inspire productivity, comfort, and meaningful human experiences.

With more than 12 years of progressive experience in interior design, Dr. Mabel has earned a reputation as a strategic creative leader capable of transforming ideas into environments that work beautifully and function seamlessly. Her approach blends creativity, technical expertise, and business intelligence, allowing her to manage complex projects while maintaining an unwavering commitment to quality and detail.

What distinguishes Dr. Mabel is not just her design ability but her philosophy. She believes that interior design is not merely about decoration but about human-centered transformation. From corporate offices and wellness clinics to luxury residences and large event centers, her work focuses on creating spaces that promote efficiency, safety, and emotional well-being.

Through MIDAS INTERIORS LTD, she has helped elevate the standard of professional interior design in Nigeria while empowering local artisans and building strong relationships with clients across industries. Her projects demonstrate that thoughtful design can influence productivity, strengthen brand identity, and enhance everyday experiences.

Educated through specialized interior design programs at the University of the Arts London and advanced strategic business management training at Harvard University, Dr. Mabel combines global insight with local understanding. This unique perspective allows her to deliver designs that are modern, functional, and culturally relevant.

Beyond her technical expertise, Dr. Mabel is also a leader who believes in growth, mentorship, and continuous learning. She has built a collaborative team culture that prioritizes innovation, integrity, and client satisfaction. Her leadership philosophy reflects a clear understanding that businesses are not built by ideas alone but by people who share a vision.

Her work speaks for itself. From high-profile corporate interiors to luxury residential spaces and major institutional projects, MIDAS INTERIORS LTD has consistently delivered environments that balance elegance with functionality. The firm’s portfolio includes projects for corporate organizations, healthcare spaces, luxury residences, event centers, and government institutions.

Yet Dr. Mabel’s ambition goes beyond individual projects. Her long-term vision is to build a legacy of timeless design, sustainable practice, and women-led leadership in the creative industry. She is committed to mentoring the next generation of designers while expanding the reach and influence of MIDAS INTERIORS LTD across Nigeria and beyond.

Her philosophy is clear: design is not just about spaces; it is about people.

Through resilience, creativity, and strategic leadership, Dr. Mabel Nwanegbu continues to demonstrate that impact in the creative industry is built through consistency, innovation, and purpose.

That is why Ranks Africa proudly celebrates Dr. Mabel Nwanegbu as one of the Women of Impact 2026.

Her work reminds us that when vision meets discipline, spaces can do more than house people—they can transform lives.

The First NollyHood Hangout at the Aba Blues premiere was a vibe!

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The First NollyHood Hangout at the Aba Blues premiere was a vibe!

On Sunday, 15th March, the Aba Blues premiere wasn’t just about the film; it was a full-on link-up. The First NollyHood Hangout by Filmhouse Cinemas happened right there, bringing together people who already share a love for Nollywood, just now in the same space.

Nothing forced, just good energy all around. Real conversations, easy laughter, and those moments that remind you why these stories matter in the first place. From quick chats with the cast to random interactions that just clicked, it all felt natural.

And just in case you’re wondering, what exactly is NollyHood? It’s the first NollyHood club in Nigeria, a space for fans, films, and everything that makes our cinema culture special. And to make it even better, there’s a Referral Program, so you can bring your people into it too. Ten referrals get you a free Nollywood movie ticket with concessions; twenty get you two. All they need to do is mention your name when signing up. Period!!!!!

It’s simple. Good films, good people, and a space to enjoy both.

So click here to sign up, we’d be waiting for you!!

D’Tigress Captain Dr. Sarah Ogoke Retires from International Basketball

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Dr. Sarah Ogoke has formally announced her retirement from international basketball, bringing an end to a distinguished career defined by leadership, consistency, and historic achievement with Nigeria’s women’s national team, D’Tigress.

A central figure in the team’s modern success, Ogoke served as captain during a period widely regarded as the most dominant era in African women’s basketball. Her influence on and off the court helped shape a squad that redefined standards of performance and cohesion at the continental level.

Across her international career, she played a key role in Nigeria’s unprecedented run of five consecutive FIBA Women’s AfroBasket titles in 2017, 2019, 2021, 2023, and 2025. This sustained success firmly established D’Tigress as the leading force in African women’s basketball, with Ogoke at the core of that transformation.

Beyond her athletic contributions, Ogoke’s profile stands out for its breadth. A trained medical doctor and a mother, she maintained a demanding balance between professional sport, academics, and family life. This dual commitment elevated her status beyond sport, positioning her as a model of discipline and long-term focus for aspiring athletes across Nigeria and the wider continent.

Her tenure with the national team reflects more than medal success. It represents a leadership standard that influenced team culture, inspired younger players, and contributed to the emergence of a golden generation in Nigerian basketball.

With her retirement, Nigeria closes a significant chapter in its sporting history. Dr. Sarah Ogoke’s legacy remains embedded in the rise of D’Tigress and will continue to inform the future direction of women’s basketball in the country.

Michael B. Jordan Becomes the Sixth Black Actor in History to Win the Oscar for Best Actor

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In a historic moment at the Academy Awards, Michael B. Jordan has become the sixth Black actor in history to win the Oscar for Best Actor. The recognition places him among a very small group of performers whose work has broken one of the most difficult barriers in Hollywood’s acting categories.

The Best Actor award is widely regarded as one of the most competitive honours presented by Academy of Motion Picture Arts and Sciences. Over the decades, Black actors have delivered numerous acclaimed performances, yet only a handful have received the award. Jordan’s win therefore represents both a personal milestone and a significant moment in the continuing evolution of representation within the global film industry.

Before Jordan’s achievement, only five Black actors had won the Best Actor Oscar. The first was Sidney Poitier, who made history in 1964 for his performance in the film Lilies of the Field. Poitier’s victory marked a breakthrough moment during a period when opportunities for Black actors in Hollywood were extremely limited.

Decades later, Denzel Washington joined that list after winning Best Actor for his powerful performance in Training Day. Washington’s win further cemented his reputation as one of the most influential actors of his generation.

In 2005, Jamie Foxx received the award for portraying legendary musician Ray Charles in the biographical film Ray. His performance was widely praised for its depth and emotional intensity.

Another landmark moment came when Forest Whitaker won Best Actor for his portrayal of Ugandan leader Idi Amin in the film The Last King of Scotland. Whitaker’s transformative performance earned widespread critical acclaim.

More recently, Will Smith joined the list with his award-winning role as Richard Williams in the sports drama King Richard, a performance that highlighted the determination behind the rise of tennis champions Venus and Serena Williams.

With his Oscar victory, Michael B. Jordan now joins this distinguished group of actors who have shaped cinematic history. Known for standout roles in films such as Fruitvale Station, Creed, and Black Panther, Jordan’s career has been marked by performances that combine emotional intensity with strong screen presence.

His win not only celebrates his individual talent but also adds another chapter to the ongoing story of Black excellence in global cinema.

Mo Abudu Expands Cast for The Secret Lives of Baba Segi’s Wives Ahead of Global Cinema Release

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Media entrepreneur and filmmaker Mo Abudu has unveiled additional cast members for the highly anticipated film adaptation of The Secret Lives of Baba Segi’s Wives, further building momentum for the project ahead of its global theatrical release scheduled for December 2026.

The new cast announcement introduces a strong lineup of Nollywood talents who will help bring the acclaimed novel to the big screen. Actors joining the production include Damilola Adegbite, Nancy Isime, Uzor Arukwe, Fathia Balogun, Mike Ezuruonye, Blessing Nze, Nkechi Blessing Sunday, Maleek Sanni and Mallum Arik.

The film is produced by EbonyLife Studios and forms part of a strategic industry collaboration involving Genesis Cinemas, Nile Entertainment and Silverbird Group. The partnership signals an ambitious distribution plan designed to position the film for both local and international audiences.

Originally written by Nigerian author Lola Shoneyin, The Secret Lives of Baba Segi’s Wives is widely regarded as one of the most compelling contemporary African novels. The story explores themes of family power dynamics, secrecy, gender roles, and the complexities of polygamous marriage within a traditional household. Its layered characters and sharp social commentary have made it a celebrated work in African literature and theatre.

With a cast that blends established screen figures and emerging performers, the film adaptation is expected to deliver a rich dramatic interpretation of the beloved story. Industry observers note that the scale of the collaboration and the depth of the cast signal EbonyLife’s continued ambition to expand African storytelling on the global stage.

The production is scheduled for a worldwide cinema rollout in December 2026, positioning the film as one of the major Nollywood releases to close the year. For audiences familiar with the novel and newcomers alike, the project promises a cinematic retelling of a story that has captivated readers for over a decade.

Hollywood’s Biggest Night: Triumph, Near Misses and Perfect Wins at the 98th Academy Awards

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The 98th edition of the Academy Awards has officially concluded, closing another significant chapter in the global film calendar. As always, the ceremony brought together some of the most celebrated names in the film industry to honour outstanding achievements in filmmaking. This year’s awards night delivered a mix of strong victories, unexpected results, and a few notable disappointments for films that entered the ceremony with high expectations.

Among the biggest stories of the night was the remarkable performance of One Battle After Another. The film emerged as the most successful production of the evening, securing six major Academy Awards from thirteen nominations. Its wins included the highly coveted Best Picture award, alongside Best Directing, Best Supporting Actor, Best Adapted Screenplay, Best Film Editing, and Best Casting. Notably, the casting award marked the first time the category had been introduced at the Oscars, making the film the inaugural winner in that newly established field. With six wins and seven losses, the film achieved a win rate of just over forty-six percent, cementing its position as the dominant title of the ceremony.

Another film that drew significant attention during the awards season was Sinners. The production received sixteen nominations, placing it among the most recognised films of the year. However, its final outcome reflected the unpredictable nature of the Academy Awards. The film secured four wins, including Best Actor in a Leading Role, Best Original Screenplay, Best Cinematography, and Best Original Score. Despite these important victories, it fell short in twelve other categories, recording a seventy-five percent loss rate from its nominations.

The film Frankenstein also recorded a mixed performance. From nine nominations, it won three awards while losing six categories. Its victories came in technical and craft areas that highlighted the film’s strong visual design. These included Best Production Design, Best Costume Design, and Best Makeup and Hairstyling. The film’s success in these areas reinforced its reputation for impressive world-building and aesthetic detail.

Meanwhile, Sentimental Value experienced a far more difficult outcome. Despite receiving nine nominations going into the ceremony, the film secured only one win and lost in eight other categories, resulting in one of the highest loss ratios among the night’s major contenders.

In contrast, one of the most efficient performances of the evening came from the animated production K‑Pop Demon Hunters. The film was nominated in two categories and successfully won both awards, achieving a perfect record. Its victories came in Best Animated Feature Film and Best Original Song, demonstrating that smaller productions can still leave a strong mark on the Academy Awards when they compete in focused categories.

Overall, the 98th Oscars reflected the competitive and diverse nature of modern cinema. From dominant winners like One Battle After Another to mixed results for heavily nominated films such as Sinners and Frankenstein, and a perfect two-for-two performance by K-Pop Demon Hunters, the ceremony once again illustrated how unpredictable the race for Hollywood’s most prestigious awards can be.

Ranks Africa Presents Cultural Legacy Honor to Omotola Jalade-Ekeinde at Mothers Love Private Screening

In a moment that drew quiet admiration from everyone present, Ranks Africa presented its Cultural Legacy Honor to one of Nollywood’s most enduring and widely respected figures, Dr. Omotola Jalade-Ekeinde, during the private screening of her new film, Mothers Love, held on Saturday, 13th March 2026 at the Ebony Life Cinema in Lagos.


The evening, organised in collaboration with Slum2School Africa, brought together a carefully selected audience for what was already a significant cultural occasion. The screening itself carried weight well before the formal proceedings began. Mothers Love, inspired by true events and brought to life with the support of African families from MaKoko, Lagos, speaks directly to the experience of motherhood in ways that resonate far beyond the screen. That Ranks Africa chose this setting to confer its highest editorial recognition was not accidental.

The Cultural Legacy Honor was presented by Adesina Kasali, Lead Consultant and Content Head of Ranks Africa Magazine, who delivered the award with the kind of deliberate warmth that the occasion called for. Standing before the projection screen bearing her own name, Dr. Omotola received the framed citation and held it alongside Kasali as the room acknowledged the moment.

Adesina Kasali Presenting The Award of Honors To Dr. Omotola Jalade-Ekehinde

The citation reads in part: “In recognition of over three decades of excellence in African cinema, cultural influence, and global representation of Nollywood. Your work has inspired generations and elevated African storytelling on the world stage.”

The words are measured, but the record behind them is substantial. Since her debut in the early 1990s, Omotola Jalade-Ekeinde has worked with a consistency that few in the industry have matched. She has appeared in well over three hundred films, earned a place on TIME Magazine’s list of the hundred most influential people in the world, and carried Nollywood’s name into conversations that once barely acknowledged African cinema at all. She has done this not through periodic bursts of visibility but through sustained, often quiet dedication to the craft and to the continent it represents.

Omotola Jalade-Ekeinde Commits 100% of Mother’s Love Cinema Proceeds to Slum2School Africa in Landmark Move for Nigerian Film Industry

Her work as an actress has been accompanied by an equally serious commitment to advocacy. As a United Nations Millennium Development Goals Ambassador and a voice for food security, poverty reduction and youth empowerment across Africa, she has built a public life that does not separate artistic achievement from social responsibility. The Cultural Legacy Honor, in that respect, recognises not one dimension of a career but the full breadth of it.

Ranks Africa, through its editorial platform, has consistently documented the figures shaping African culture, enterprise and public life. The Cultural Legacy Honor sits at the top of that recognition framework, reserved for individuals whose contributions carry across generations and whose influence extends beyond the industry in which they first made their name.

Slum2School Africa’s involvement in the evening added further resonance. The organisation, known for reaching underserved children in difficult environments and connecting them to educational opportunity, shares with Dr. Omotola a fundamental belief in the dignity and potential of ordinary Africans. That two such bodies chose to share the same evening is, in itself, a statement about the kind of legacy the award is meant to celebrate.

By the time the film screened and the applause settled, what remained was a clear and unhurried picture of a career that has meant something real to African audiences for more than thirty years. Ranks Africa, through this recognition, has simply put a name to what many already knew.

The Cultural Legacy Honor is presented by Ranks Africa Magazine to individuals whose body of work reflects lasting cultural contribution to Africa and its global representation.

Debate Emerges Over Papa Ajasco Interview as Calls Grow for Balanced Perspective

Public reactions have continued to trail the recent interview involving veteran actor Richard Abiodun Ayoyinka, widely known for his portrayal of the character Papa Ajasco. While the discussion has generated strong emotions across social media, some observers are urging the public to take a more measured approach and allow Wale Adenuga Productions the opportunity to respond to the claims raised in the interview.

One of the central issues in the conversation concerns the ownership and usage rights attached to the name and character “Papa Ajasco.” According to industry observers, the character itself is not the personal property of any individual actor. Rather, it is a franchise character created and owned by Wale Adenuga Productions as part of the long running comedy brand that began decades ago.

Historical records of the production show that Richard Abiodun Ayoyinka was not the first actor to portray Papa Ajasco. The earliest known portrayal of the character was by veteran actor Peter Fatomilola in an early film version. When the television series Papa Ajasco & Company later launched in the 1990s, Ayoyinka assumed the role and went on to become the most recognized face associated with the character. His performance helped cement the show’s popularity and made the character a household name across Nigeria and beyond.

Over time, the role has been portrayed by more than one actor. At a point when Ayoyinka stepped away from the series, actor Femi Ogunrombi took over the role of Papa Ajasco, continuing the franchise within the same creative framework. This pattern reflects the structure of many long running entertainment properties where characters exist as intellectual property owned by a production company rather than by the performers who portray them.

In that sense, legal restrictions around the use of the character’s name are generally tied to intellectual property rights rather than personal disputes. Comparisons have been drawn with other global entertainment franchises where characters remain the property of their creators or estates. For example, the character James Bond belongs to the Ian Fleming estate, even though numerous actors have played the role over the decades.

Another aspect of the discussion relates to the issue of compensation during the early years of the series. While figures mentioned in the interview have sparked debate online, some commentators note that it is difficult to assess the situation without full knowledge of the contracts and agreements that governed the production at the time. In the entertainment industry, payment structures are often tied to episode counts, seasonal agreements, and broader contractual arrangements that may not be publicly known.

Observers also point out that economic realities in the late 1990s were different from those of today. The value of money has changed significantly over the decades, making it challenging to interpret historical payments using present day economic standards. Compensation that may appear modest by current measures could have held a different value at the time it was paid.

For many industry stakeholders, the key issue remains the need for balance in public discourse. As reactions continue to unfold, some voices within the creative community believe it would be fair to allow Wale Adenuga Productions the opportunity to present its position before public judgment is firmly formed.

Until a formal response is issued by the production company, commentators are urging the public to approach the matter with caution, emphasizing the importance of hearing all sides of the story before drawing conclusions about a legacy production that has played a significant role in the history of Nigerian television comedy.

 

Omotola Jalade-Ekeinde Commits 100% of Mother’s Love Cinema Proceeds to Slum2School Africa in Landmark Move for Nigerian Film Industry

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An Evening of Purpose, Cinema, and Community at EbonyLifeCinemas, Lagos

On the evening of March 13, 2026, EbonyLife Cinemas in Lagos became the setting for something rarely witnessed in the history of African film. What began as a private screening of Mother’s Love organized in barely 48 hours became a moment that those present will not soon forget.

Over 200 guests filled the room: government officials, diplomats, business leaders, development partners, members of the press, and approximately 50 members of the Makoko community itself, including the traditional rulers whose waterfront settlement inspired the film. For the children and community leaders from Makoko who attended, the evening meant something beyond cinema. It meant being seen.

The guest list reflected the breadth of the occasion. Among those present were Zakari Momodu of the Dangote Foundation; IfuekoOmoigui-Okauro, Board Member of MTN and Nigerian Breweries; Alero Ayida-Otobo, CEO of the School of Politics and Government and Board Chair of Slum2School Africa; Ambassador Nimi Akinkugbe, former Nigerian Ambassador to Greece; AdeolaAzeez, founder of WIMBIZ; Rabi Isma, Chairperson of ActionAidNigeria; Jummai Musa, Country Director of Street Child International; Dr. Victoria Ekhomu, actor in the film and Chairman of Transworld Security Systems; Omolara Cookey, CEO of NojiArts; Ayodele Alabi of Nigerian Breweries; and Patrick McMicheals, CEO of The Fat Butcher. Seated among them, representing the Makoko community, were Baale Alashe Francis Agoyon, Chief Kpanke Victor Usa, and Chief Shemede Emmanue;traditional rulers whose quiet presence carried a weight no formal title could fully describe.

Then came the announcement.

Dr. Omotola Jalade-Ekeinde Commits 100% of Mother’s Love Cinema Proceeds to Slum2School Africa in Landmark Move for Nigerian Film Industry

Dr Omotola Jalade-Ekeinde Nollywood legend, TIME 100 honoree, UN World Food Programme Ambassador, and now, in her 30th year in the industry, a first-time director, stood before her guests and declared that 100 percent of all proceeds accruing to her and her production company RedHot Concepts from the Nigerian theatrical run of Mother’s Love would be donated in full to Slum2School Africa, to support the education of children in underserved communities, beginning with Makoko.

The room responded with sustained applause. Several guests pledged additional contributions on the spot.

According to research by Black Film Wire, the leading Pan-African film trade publication, this places Mother’s Love among only 4 films in global cinema history to have committed 100 percent of theatrical proceeds not profits, but proceeds to a charitable cause. It is the first time any film on the African continent has done so.

“A few days ago, I experienced what I can only describe as a moment of moral clarity. A thought came to me with unusual force: align your debut with your passion. My passion has always been rooted in advocating for vulnerable communities, particularly children whose potential is limited not by ability, but by circumstance. Tonight, Mother’s Love becomes more than a film. It becomes a bridge between storytelling and social transformation; a promise to use our voices, our stories, and our influence to expand possibility where it is needed most.”

Omotola Jalade-Ekeinde, Mother’s Love Announcement Event, Lagos, March 13, 2026

The partnership between RedHot Concepts and Slum2School Africa runs deeper than the announcement. Long before the theatrical release, Slum2School Africa opened its classrooms, innovation labs, and office spaces in Lekki as filming locationsfree of charge because they recognized in the film’s story something intimately familiar. The central character, Obaro, a young man from Makoko whose potential is overlooked until it cannot be ignored, mirrors the story of thousands of children Slum2School has served over 14 years.

Otto Orondaam, Founder & Executive Director, Slum2School Africa

“The storyline mirrored what 100 percent of our learners experience: being judged before they are seen. There was nothing planned. Nothing expected. Nothing anticipated.”

— Otto Orondaam, Founder & Executive Director, Slum2School Africa

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The donation will be executed with full institutional accountability. Proceeds will be transferred directly by distribution partner Nile Entertainment to Slum2School Africa, with an independent auditor appointed to verify and report on all funds disbursed. Slum2School Africa has committed to publishing a comprehensive public report on the outcomes achieved.

The Makoko Baales

For those who were in the room on the evening of March 13, the significance of the moment was not lost. The Baales of Makoko sat alongside board members of multinationals, ambassadors, and NGO directors. A filmmaker who has spent 30 years in front of the camera chose her first film behind it to make a gift, not to an awards body, not to a festival, but to the children whose world she had spent years telling the world about.

That, perhaps, is the simplest way to describe what happened at EbonyLife Cinemas that night. A story became a promise.

About Mother’s Love

Mother’s Love is produced by RedHot Concepts and distributed in Nigeria by Nile Entertainment. It marks the directorial debut of Omotola Jalade-Ekeinde in her 30th year in the Nigerian film industry. The film was produced in partnership with Slum2School Africa and has screened at SVAFF, the Toronto International Film Festival (TIFF), the Dubai International Film Festival, and the Pan African Film Festival (PAFF). At its inaugural festival appearance in June 2025, Omotola Jalade-Ekeinde was awarded a Certificate of Excellence in the category of Debut Filmmaker. The film will embark on a global theatrical tour timed for Mother’s Day 2026.

About Slum2School Africa

Slum2School Africa is a Nigerian NGO with over 14 years of operation providing education, scholarships, STEM learning, and community development for children in underserved communities across Nigeria. slum2school.org

About RedHot Concepts

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RedHot Concepts is a Nigerian film production company with operations in Lagos and Los Angeles. redhotconcepts.com