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Senator Natasha Partners with CAC to Empower 2,500 SMEs With Business –

Senator Natasha Akpoti-Uduaghan has collaborated with the Corporate Affairs Commission (CAC) to register 2,500 Small and Medium Enterprises (SMEs) in the district. This initiative, announced by her Chief Press Secretary, Arogbonlo Israel, in a statement issued on Wednesday, underscores the lawmaker’s commitment to fostering business growth in the region.

 

The registration will be conducted on the spot and offered at a rate of N11,000 per SME.

 

– Senator Akpoti-Uduaghan has pledged to cover the total cost of N27,500,000 for the registration of all 2,500 SMEs.

 

The partnership was formalized during a meeting between CAC officials, led by Mr. Bello Muftau Esq, Head of CAC FCT Zonal Office, and Senator Akpoti-Uduaghan at her office in the National Assembly, Abuja.

 

The initiative aims to assist small business owners in meeting government registration requirements, thereby promoting business growth and development in Kogi Central.

 

The registration drive is expected to commence soon, with a special conference planned to bring together key players in the business ecosystem for synergy and collaboration. Participants will include regulatory bodies, the Bank of Industry, and others.

 

Senator Akpoti-Uduaghan emphasized the need for CAC to enhance its education and sensitization efforts to inform business owners about the importance of registration and the benefits of compliance.

 

Mr. Bello Muftau Esq, representing the CAC, lauded the partnership as a significant step towards promoting the ease of doing business in Nigeria, in line with the Commission’s mandate under the Companies and Allied Matters Act (CAMA) 2020.

 

– He highlighted measures the Commission has implemented to simplify the registration process, reduce costs, improve digital infrastructure, and offer incentives for business registration.

JAIYE KUTI: My husband urges me to kiss properly in films

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Jaiye Kuti has appeared in so many films since she began her enviable career in 2002 after appearing in a television sitcom, ‘Laff Patterns.’ She’s one of the carefully selected crossover actresses who are spotted in films with both English and Yoruba as the language of communication. Recently, she joined the big league when she produced and featured in a cinema film entitled ‘Alagbede.’ THE NATION’s ASSISTANT ENTERTAINMENT EDITOR, GBENGA BADA, caught up with her and she opened up on a variety of issues and concerns ranging from her new film, marriage to her children, work, and life experiences as an actress.

 

I saw Alagbede and I know that it’s not a small production. What was the motivation to invest so much funds in it?

 

You know in life, after which you have done one thing, you know, many times, you just want to improve. And when you have this business mind, you, well, let me speak for me. I see a lot of things around me as business, including what I do, including the brands that I endorse their products. I look at them from business angles. So, in my line of production and producing many movies, I’ve known that one day, a time will come, when an opportunity will be open for a proper business for me because as a business person, you should be ready to take the risks. The risk is what makes you better than the other person because if you’re not ready to go as far as taking the risk, then it means that you’ll just be in one place, going round in circles and that’s it. And you cannot go past that level. I want to grow, I want to keep growing and I don’t want to stop. And that’s why I see Alagbede as a business for me.

 

So, do you think the risk was worth it?

 

Yes, the risk is worth it in many ways. I had the vision during COVID-19 when I was telling different stories on my Instagram page, you know. I would just come up with some stories. That was when I came up with that idea. I heard of a guy who wanted to commit suicide, I think it was a radio programme or something. So from what they were deliberating, all, I got something from there and I thought to myself like, okay, I won’t tell people this as a story. I think I have to make this a proper film. I have to shoot this, a proper movie and take it to the cinema. And that was how I came up with The Blacksmith: Alagbede.

 

So why cinema? I mean, I know you’ve done a couple of productions by yourself and didn’t make it to the cinema, why cinema this time? Why not YouTube?

 

Yes, I looked at the amount of money that would go into it. And I know that it cannot be N5 million or N10 million. I knew that 45 million naira would not do it. If you have to use the proper actor, you have to use the proper setting, the community, the area, the costume, everything. If you want to tell the story exactly the way you have seen it, and you want people to feel it, the creation of your vision, you know, it just has to go to the cinema. So by doing so a lot of people will get to go and see it. I was ready for whatever it took to make the money back, you know, but I wasn’t going to look at whether the money was too much or probably not going to make it back. I want to tell a story and whatever it takes for me to tell the story, I want to. And I know that YouTube is not going to give me the money back. I’m talking about 1 year, 2 years, 3 years. It might be there, and it could give me the money later on, but it’s something that I want to do now because I have other projects that I want to do that I have at hand. So that was why I decided to take it to cinemas.

 

Okay, we’ve heard some of your colleagues saying they had to sell off properties, cars, to get funds, and all that. For you and considering the current economic situation, how did you harness the funds?

 

I know, the situation could be quite difficult, but I don’t have to sell anything because I have been preparing for this for a while. I have been a brand ambassador to a lot of brands that gave me nothing less than N20 million, and N25 million, there were some projects, and documentaries, that I did that fetched me N30 million. I knew that I had some things to do in the future; I had a big movie ahead of me. By then, I had not even had a story, but I knew that there was going to be something. And I’m married to a man that I would call prudent, my husband is a very prudent person. So, he believes a lot in savings. And then we cultivated the idea from him to save money. You know, you take out what you need, not necessarily everything that you want, so I’ve been able to save. And it got to a point that I needed to build a house for my mom. So I had to dip my hands into the savings and I wanted to do something for her. I wanted to appreciate her because my mom is the reason why I’ve been able to do this. She’s been there for my children, from when I started to have children. So I built a house for her. So the money I was left with was like N55 million in that account and I knew that, okay, it’s time for me to do this movie. So I called my friend because I have two other partners and a friend, a sister, a younger sister, Motunrayo. I said, Motunrayo, how much do you have in your hand too? I want to produce this fine movie and I don’t think I have enough. She said okay, how much do you need? I said if I can get like N20 million from you, she said, okay, give me two weeks. I said okay, that’s fine. So before then, she raised the money like two times, 10, 10. So we had 75 million. I said that’s very good. I got an endorsement deal, and at that time, Twins Faja Nigeria Limited signed me again. They paid me 10 million. So the money was growing. And I called my other partner, Mr. Adeleye Fabusoro, how much do you have in your bank account for a film? I asked for like N10 or N15 million to continue this project, to do what I wanted to do. He said, okay, I can only borrow you. Borrow, borrow, borrow. So he was saying the borrow like two, three, four times. I said, okay, don’t worry. So that was how I was able to put this money together. And so far, so good. Every one of them has been part of this great support to sell the movie. In three weeks of premiering in the cinema, we were able to gross N60 million, above 60 million. We’re not doing badly. People love the movie. The movie speaks for itself. And I’m glad, I’m so glad that it’s going the way I envisaged.

 

So I know you mentioned your husband earlier

 

Yes, please.

 

Not everybody gets to see your other half, but with the little you said, you spoke quite fondly of him. Tell us about your husband.

 

Ah, Mr. Kuti. Mr. Kuti is an Ijebu man. We’ve been married since the year 2000. I had my first child, Mayowa, in 2001. And when I was going to come into the industry, I told my husband and I was like, well, I was done with the paid employment. I said I can’t do all this paid employment anymore. Maybe you set me up or something. Then he asked, okay, is there not something that you would like to do or love to do by yourself? And I said, I wanted to go into acting, but you would not want me because you would say I’m married. He said, hey, now you’re talking about your destiny. So you should go and find a way, you know, to start doing it. So I went for an audition. I got a script. And then, of course, my baby was, my Mayowa was still little. So I needed somebody to take care of her for me. So my husband was supporting me in that area. So, from that time, I’ve been getting that support. The only thing my husband would say is that, don’t spoil my name. So you have to be careful with what you do, where you go, how you deal with people. And he has never complained about me having to kiss anyone on set. Sometimes he will advise that clearly, you people would just be kissing like local people. Can’t you people kiss in the way that we feel the love and all that, that you’d be kissing and be doing like this? When it comes to your point to, I mean, your part to kiss, please, can you just do it properly? I said, okay, no problem. Unfortunately for him, I’ve not really gotten a role like that.

 

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Well, I thought I read somewhere that you say you can’t kiss in movies.

 

I said I can’t kiss wet kisses, like dipping my tongue into the other person. But of course, I do a lot of romance. You know, you don’t have to kiss to feel that love. I can look at you and you will know the language of love. You will feel me even looking at you. So it doesn’t really have to be that deep kisses.

 

You are one of the actresses, who came into the industry as a married woman already, yet you have several male and female fans. I know there are male fans who see you as a crush or some who want a relationship with you despite knowing you are married, how have you been able to manage that?

 

Yes. I just managed it. I don’t tell anybody no. No matter how much you say you love me or not, I would be thinking about it. No, I would just play along like, okay, and say thank you so much. Okay. And I’ll keep talking to you like, I’m with you until you get it by yourself that I’m not just with you. And then some will get frustrated. Stop talking to me. Some would insult me back and say, why was I wasting their time? They say all sorts of things. And I would respond that didn’t I tell you I was married with children? And yet you still want me in your life, as what? So you want to waste my time? I know how to waste time too, you know? So let’s get on with it. So some of them get frustrated and some of them are still there in the last 10 years. Some of them are still standing, like even when you get old, we dey here.

 

Do you share those things with your husband?

 

Oh, yes. My husband shares his own too with me. So we share a lot of that. But sometimes I show him my messages. Come and see, come and see the people that want to buy me off. You understand? My husband would come to me like, to ba ri idi to mo ri leni, if you see the lady, she’s all that, you know, so we share things like that. You know, it helps us not to have these conflicts in marriage. My dad, I would say, was a comedian and he has taught me a lot of things that work in marriage, including my mother. And one of it is jokes, comedy and all of that. So I do, I invest a lot of that into my marriage. You know, even when I’m angry, even when my husband, gets on my nerves, sometimes he comes up with stuff like (sings) ‘Baby mi jowo je ka jo mi a gbadun’, that is, he has done something very, very annoying that, you know, so it’s not that it’s bed of roses. We have our ups and downs. Like I look up to him, like I just look at him and feel like, what am I doing in your life gan gan? What am I doing here? So I’ve said to my husband, like Ogbeni, I can leave you today. We get to a point of like, you just want to go back to your parents’ house. But we have to understand that this is marriage. It is not promised to be good all the time. So this is the worst of it. So let’s manage the situation. So we manage the situation.

 

Okay, so back to Alagbede, you had quite a number of popular faces, who played vital roles for the overall success of the movie. What was the casting like, and were you particularly involved in the casting?

 

Yes, I saw the actors, even while I was writing the script though I had to get another script writer because I’m not very good at writing, you know, but I can write the stories like in one scene, second scene. And so I saw the characters and how I wanted them to play it out. And I saw me too, as Yaja, the gossip, you know, because in every local house, there’s somebody who’s always telling somebody that, o ri ara ile e, him don dey go again, there’s always characters like that. So I brought out a character, you know, in every community, every area, every situation; we have all those characters, all the characters. So I had to bring them into the movie when I was writing. So I saw their faces and I was writing with their attitude.

 

Your son is growing up now. Your first son is Mayowa.

 

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Yes, Mayowa Kuti.

 

He’s about 20 if I’m right?

 

He’s now 23, going to 24, yeah. 23, yeah.

 

Has there been any incident in those years, maybe when he was in school, that he came home to ask about one role you played that people are talking about?

 

Not really. It was just a complaint that any time my friends want to check you out on Google, they’ll just be seeing you and Pasuma, it’s Pasuma. They will now be asking, is Pasuma your daddy? Because we are always seeing your mom and Pasuma together. So it took a lot of time to explain that, no, it was a movie. It was the headline, just read the body of the news, because you know, sometimes we just want to say something catchy, you know, to get people to read the story. So that is what people see. And some of them don’t even read the body of the story. They just conclude that Ah, o ti fe Paso, so that was the only problem that he dealt with, like in the first and second year. Then in the third year, I believe that he was able to have some escape routes like me, you know, because I know a lot of people who fought and say, we had children together and they will start to fight one another over my own story, you know, so that was the only thing that bothered him for like two years.

 

Can you share a memorable moment or achievement, you know, from the making of ‘Alagbede’?

 

Yeah. Um, well, then, well, the finance is usually the problem of big movies, the money, putting the money together, and then getting your actors to be on set to do what they’re supposed to do. I was only lucky with experienced actors who understand the risk, who understand where the money is coming from, who understand where they’re going, who understand the script, and the story, and who are ready and loving to play it out. So I was lucky to work with such people. I was lucky again to work with a very wonderful director, Usman Olarotimi Blackky Ogunlade. When I saw him on a set, I knew that there was something about this guy and I told him that you’re going to direct my next movie and yeah, it was quite challenging, but then we were able to manage it.

 

So one thing, just tell us one thing, fame, or stardom has deprived you of?

 

Um, I’m not sure. Is there anything I’ve been deprived of? I’m not sure. I don’t know.

 

Some would say I can’t walk on the streets anymore like I would want to, others would say I can’t just stop by and buy my favourite meal…

 

Well, well, that one is a natural thing that happens to us. Yes. It has deprived me of going to the market. Yes. You know, pricing snails. My husband loves snails, so you can’t go to the market because the moment they see you, they are like, thank God and even if it is N5,000, they will call it N25,000 for you, you know. So because of that, it has deprived me of going into the market to buy stuff myself. Like I would want to do the shopping myself personally, but I can’t.

 

Has it also opened doors you would never have been able to open?

 

Yes, a lot. Even my husband would use it anywhere and say, I am Jaiye Kuti’s husband. So, and he’s been getting a lot of, what do I call it? Like he got to the bank and he said there was a long queue and he just spoke to someone and said, I am Jaiye Kuti’s husband, Jaiye Kuti sent me here and then they took my husband all the way to the front to go and attend to him. So we have a lot of privileges like that. I have people giving me gifts. It has opened doors to many brands for me to be the ambassador, to influence social media for them. I’ve travelled far and wide because of this job that I do and I’m still on it because the bigger one is coming. I’m writing the script already.

 

As an established act, what do you think a young girl who is coming into the industry needs to do?

 

You have to be ready. There’s something that is called the demon of acting. So this demon of a thing has to come more like a sacrifice that we don’t do. It’s just like music. There’s a way I will sing and people will just say the music is very catchy. You know, it could make you cry. It could make you laugh. It could make you relax, the same thing with movies as well. So you have to be ready to accept it like a spirit. You have to be ready to take it in, you know because it is taking it in, accepting it like it’s spiritual. That is when you start to give it out, you know, and then people are seeing what you are giving. But once you are not ready, or you just want to just be like, okay, I just want to ask somebody’s wife. No, it doesn’t work like that. It is a spirit that you have to let go really deep down in you. You have to leave that world you are used to, like you are changing to another person entirely. I don’t know how the spirit jumps in. It jumps in one way or the other, and then you become something else. You can start to cry almost immediately. You become something else. And then the moment you hear cut the spirit departs again, you know, so you have to be ready for that spirit. I don’t know what to call it.

 

Will you allow your child to toe this line considering the challenges and more?

 

Yes, definitely. He loves it. When he said he was going to go study law and all that, then he said, look, after that, Mummy, I’m going to become an actor. But I know that, well, you can say something today and then tomorrow you’re changing. So he’s not even talking to me about being an actor again. He’s talking about business. He’s talking about law this and law that. So he’s talking in another version of ways. But if he wants to do it, that’s what he wants to do. I won’t stop my children. So it means that you have an assignment and I want you to take it out. You know, I know what I’ve achieved with this. So I won’t stop any of my children from achieving the same thing.

 

I’d like to know, what is the worst fallacy you’ve ever heard about your person?

 

It’s for people to say that you are dating them when you are not dating them. For some people that you have not seen in your entire life, you say that ah, emi ati Jaiye Kuti, a jo wa lana ni (me and Jaiye Kuti, we were together yesterday). You know, I don’t know what to call that. And then for people to say things about you and then you wonder, could that be me? And you’re wondering. I mean, you know, such things like that. But you know, like my people will say, eni to ma ga, ese e a gun, you know, so it’s part of what you have to, you have to see. It’s going to come to you if you want to be big. So we just accept it, smile over it and then we’ll go away.

 

But does it weigh you down?

 

It doesn’t. Hardly will anything weigh me down. I don’t know. A lot of things have weighed me down way back, but these days I’m standing strong. But God forbid some other things in life, but then I’m a very strong person when it comes to heart.

Investor confidence back as CBN clears backlog

Investor confidence is back in Nigeria on the back of the Central Bank of Nigeria (CBN)’s clearance of foreign exchange backlog.

 

On March 20, 2023, Olayemi Cardoso, CBN governor, announced the clearance of a $7 billion foreign exchange backlog as part of the bank’s overall strategy to stabilise the exchange rate and curb imported inflation, spurring confidence in the banking system and the economy.

 

The singular step helped to raise foreign investments into the country to $3.38 billion in the first quarter (Q1) of 2024, from $1.09 billion reported in the previous quarter, according to the latest capital importation report by the National Bureau of Statistics (NBS).

 

Portfolio investment ranked top with $2.08 billion, accounting for 61.5 percent of the investment.

 

Nigeria’s external reserves also rose to $35.05 billion on July 8 — the highest since May 30, 2023.

 

“When we looked at the backlog clearance, we saw that this CBN governor wanted a change, an outlook that tells investors that the investment climate has changed,” said Ike Ibeabuchi, an investor in Nigeria, Canada and the UK.

 

“A team of investors that I know are thinking of setting up here by October this year, and I have also increased my portfolio investments by 35 percent between April and June this year,” he added.

 

Muda Yusuf, chief executive officer of the Centre for the Promotion of Private Enterprise, said the clearance “is a very significant thing that needs to happen. There will be more stability. It is a good development, and will boost investors’ confidence.”

 

At the BusinessDay CEO Forum in Lagos on Thursday, Cardoso stressed that the $7 billion backlog helped to restore investor confidence in Africa’s most populous nation.

 

Cardoso disclosed this during his fireside chat with Frank Aigbogun, publisher/CEO of BusinessDay, noting that there was a total loss of confidence in the CBN when he assumed office, but the steps he took sent a clear message to investors that Nigeria is a destination to beat.

 

International airlines had protested trapped funds in various banks and their inability to repatriate them. The International Air Transport Association (IATA) had, in August 2022, criticised Nigeria and other African countries for not allowing international airlines to repatriate their profits. But that is now in the past, said Cardoso.

 

“Nigeria was in a state where there was a loss of confidence. So, clearing the backlog was a major step in building credibility.”

 

Cardoso said there was a lot of distortion in the system before he came on board.

 

“People were not abiding by the rules, and it was very important that we addressed this so the market could function properly. There was pushback because there were those who were used to a certain way. A portion of the volatility was because of pushback. With time, stakeholders became more comfortable with how the market was operating. A good number of portfolio investors came in, left, and came in again.”

 

He noted that the market is witnessing relative calmness through various reforms deployed by the apex monetary policy.

 

Part of the CBN’s policy to boost foreign exchange inflow into the country includes allowing oil companies to spend the remaining 50 percent of their repatriated export proceeds on financial obligations. “It is a work in progress, but I see that it is gradually getting to a place where the sorts of contributions that one would expect for that sector will definitely improve.” According to the CBN governor, the bank is interested in the growth of the economy, and recent rate hikes are meant to curb inflation.

 

He noted that these rate hikes have led to the decline in month-on-month inflation. “Between February and now, the month-to-month inflation has decreased by 50 percent. I’m confident, in a not-too-distant future, things will begin to moderate,” he stated.

 

Since Cardoso became governor, the CBN has raised the Monetary Policy Rate (MPR) by 750 basis points to 26.25 percent in May 2024 from 18.75 percent in July 2023. Cardoso stressed that the MPR hikes were timely, as monthly inflation declined by 50 percent between February and May.

 

“It was also a timely issue. It’s not something that I expect will remain with us forever. The ability to soak up the excess liquidity over time is important to the MPC.”

 

According to Cardoso, the N27 trillion Ways and Means and N10 trillion intervention were wasted and upended the economy.

 

Ayotunde Coker, chief executive officer of Open Access Data Centres Limited, is betting on Lagos as the hub of digital infrastructure in Africa and a viable investment destination.

 

“This is because Lagos is well served with a feasible capacity with the fibre ducts being installed in various locations for connectivity to serve the growing population,” he said.

 

But Sam Abu, country senior partner at PwC Nigeria and regional senior partner in West Africa, said businesses are hard-hit by current economic realities.

 

“Sixty-five percent of CEOs are adapting new technology to boost their various businesses and make them more competitive. Forming new business strategies and new pricing models plays a crucial role in new business,” he said.

 

According to Juliet Ehimuan, executive in Residence at the Lagos Business School, businesses are adapting strategies to scale through the country’s economic challenges. These strategies include: cost optimisation, adaptability and agility, digital transformation, among others.

 

With the current challenge facing Nigeria, Catherine Duggan, director, University of Cape Town Graduate School of Business, said the country must focus on building more manufacturing companies to boost its economy like China.

 

She stated that Nigeria needs to harness its youth population assets as “new markets, new ideas come from young people.”

 

Patrick Njoroge, former governor of the Central Bank of Kenya, disclosed that Africa must create sufficient quality jobs to cater to its surging youth population.

 

Yomi Ademola, managing director, Alaro City, stressed the importance of businesses driving value in a challenging economy like Nigeria.

 

Lagos, Kano, and Jigawa disclosed at BusinessDay’s event that they were employing strategies to enhance the ease of doing business and promote economic development within their respective states.

 

Femi Hamzat, deputy governor of Lagos State representing Babajide Sanwo-Olu, governor of Lagos State, said, “The number one thing for us is how do we make it easier for people to do business.

 

“For Lagos, the deputy governor working with my colleagues, look at how we can tweak our policy and make it easier for our businesses and also to make transportation easy.”

 

Abba Kabir Yusuf, the governor of Kano, who was represented by Abduljabbbar Umar, commissioner of lands and physical planning, said his administration is breaking barriers to make doing business easy in the state.

 

He highlighted that the state government has a wide view of the regulatory environment through the Kano Investment Promotion Agency (KANINVEST) and noted where the bottlenecks are.

 

Noting that Kano is the country’s centre of commerce, Yusuf said many multinationals and small and medium businesses operate and thrive in the state.

 

In Jigawa, the governor’s representative noted that the government is ensuring that the regulatory space is opened up through the signing of various executive orders or pushing for bills at the state assembly.

 

“With almost 60 percent of the population being youths, the government will try to see how we can improve the citizens’ lives more efficiently than youths in particular,” he said.

 

I had my only child at 40 with one fallopian tube- Actress Ayo Mogaji

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Veteran Nollywood actress, Ayo Mogaji, has revealed how she became a mother at the age of 40 years with just one fallopian tube.

 

Recounting her life experience on Friday during a podcast episode hosted by Nollywood actress, Abiola Adebayo, she said she had her baby six weeks after her 40th birthday despite having one fallopian tube.

 

The fallopian tubes are narrow, hollow structures located on either side of the uterus. They serve as pathways for eggs to travel from the ovaries to the uterus.

 

Mogaji said her fallopian tube was ruptured when she had her first pregnancy which was ectopic and had to be evacuated in order to save her life.

 

An ectopic pregnancy happens when a fertilized egg implants and develops outside the usual space within the uterus.

 

Typically, this occurs in a fallopian tube, where eggs normally travel from the ovaries to the uterus, resulting in what is known as a tubal pregnancy.

 

She disclosed that some of her colleagues who were with her in the hospital cried bitterly because the doctor said she might not make it.

 

She stated that the operation conducted to remove the pregnancy took seven to nine hours.

 

Mogaji recounted, “There was this lawyer who wanted to marry me because he had been in a marriage for 14 years and they never had a child. He took me to his mum and I was looking for a child that period. Our mothers were introduced and I got pregnant.

 

“Unfortunately, the pregnancy was ectopic. It stayed right inside the fallopian tube and LUTH was on strike at that time. So, by the time we realised what was happening, they took me to seven hospitals and the late Uncle Ede Aderinokun was the one who gave me a note to the hospital where they admitted me.

 

“They didn’t even want to admit me. The doctor said he wasn’t sure if I could survive till tomorrow and I said “Do you believe in God? Even if you do not believe in God, believe in me because I believe in God. We did not have an agreement that I was going to die like this.’ They did the operation and it took them seven to nine hours the following day.

 

“Fortunately or unfortunately, the ectopic pregnancy ruptured before they could do anything and it ruptured my appendix, so they had to remove one fallopian tube. I am living with one and I had my child through natural birth with that one I have left.”

 

Speaking about her love life, she recalled that she fell in love and got married but her partner was abusive for the 13 years of their marriage.

 

She revealed that her ex-husband physically abused her and she couldn’t stay at home with him without a third party.

 

The thespian, however, advised ladies not to endure abusive marriage.

 

She said, “When matrimony leads you to a place where you can’t have your own friends, the family can not come, you will start looking at them somehow, even knowing the kind of job you were in before you got married. The reaction at home, the abusive language, the physical abuse, the mental torture; when it gets too much, I will advise anybody to get out of that kind of marriage because otherwise, they may come and meet your candle.”

 

On whether she could reconcile with her ex-husband, she said, “There can’t be room. If I could tolerate that thing for 13 years thinking there could be a change, then there can never be change. He is not a bad person but when you are too jealous and have a complex, it is very hard. It can’t work. You can try to make your marriage work, yes you can try.”

Ahmad Aliyu signs chieftaincy bill stopping Sultan from appointing village, district head

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Ahmad Aliyu signs chieftaincy bill stopping Sultan from appointing village, district head

 

Ahmed Aliyu, governor of Sokoto, has signed the bill stripping the Sultan of the power to appoint district and village heads in the state.

 

Speaking on Thursday after signing the bill and five others, Aliyu said the amendment was to ensure all inconsistencies with the country’s constitution were removed.

 

In recent weeks, the amended Sokoto local government and chieftaincy laws have generated controversies across the nation.

 

The governor said the state has amended the laws under previous administrations to ensure “peace and development”.

 

“It is well known that in every society, laws are enacted and amended to suit the needs of the time and the interests of the governed, in line with current circumstances,” NAN quoted Aliyu as saying.

 

“In Nigeria, we have witnessed a series of constitutional amendments to give the country laws that ensure peace, tranquility, and socio-political development.

 

“Some reactions were politically motivated, while others were made ignorantly without proper inquiry into the details and intentions of the amendments.

 

“I appreciate our Ulama for their concern, but remind them that they represent Allah’s Messenger. They should not allow lazy politicians to use them for political gains.”

 

He said the signing of the amended law shows that his administration is committed to following the rule of law and listening to the problems of the citizens.

 

“Whenever we encounter any law that does not serve the interests of our people, we will replace it with one that protects their interests,” the governor added.

 

He expressed appreciation to members of the state house of assembly for their patriotism in dealing with the issue.

 

The governor added that his administration is willing to collaborate with the traditional rulers and the Sultanate council for the good of the state.

 

The other amended bills are the Arabic and Islamic Board, Rural Roads and Land Tenancy, the Zakkat and Endowment Agency, the Prohibition of Discrimination against Persons with Disability, and the Local Government Consolidated Law 2009

Over 4000 messages and still counting” – Joke Silva overwhelmed with love following husband, Olu Jacobs’ birthday celebration

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“Over 4000 messages and still counting” – Joke Silva overwhelmed with love following husband, Olu Jacobs’ birthday celebration

 

Nollywood actress Joke Silva has penned an appreciation post to the public following her husband’s birthday celebration.

 

Playgroundng reported a day back that the ailing veteran had turned 82 and had received an outpour of love from Nigerians. His wife, Joke Silva, celebrated his birthday with a unique post. She had shared a video collage that featured Olu Jacobs at different points in his prime, and at the end, there was a clip of the veteran actor just hanging out in a lounge.

 

Now taking to her Instagram page, Joke Silva penned an appreciation post, revealing that she had received 4,000 messages and still counting. She pondered how she could say thank you to the public. Appreciating the public, she rained prayers on them.

 

“You fans, family and friends of Sir J…Mr Oludotun Bayeiwu Jacobs(MFR)@_olujacobs knows how to love on him shaaa…Wow…over 4,000 messages and still counting!!!! How does one say thank you in such a way that it is commensurate to the gift for which one is appreciative? In a broken world, reaching out with compassion, appreciation and joy …wishing people well …confirms that our shared humanity is not lost.” May the Lord, the God of our ancestors, increase each and everyone a thousand times and bless you as He has promised (Deut1:11). “On behalf of the Jacobs clan, thank you and a resounding AMEN to all the prayers”.

President Tinubu renames National Theatre as Wole Soyinka Centre for Arts and Culture, reveals honour in birthday tribute.

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President Tinubu renames National Theatre as Wole Soyinka Centre for Arts and Culture, reveals honour in birthday tribute.

 

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PROFESSOR WOLE SOYINKA AT 90: TRIBUTE TO A NATIONAL TREASURE AND GLOBAL ICON

I am pleased to join admirers around the world in celebrating the 90th birthday of Nigeria’s iconic son and the world-renowned Professor Akinwande Oluwole Babatunde, famously known as Wole Soyinka.

 

Tomorrow the 13th July will be the climax of the series of local and international activities held in his honour. To underscore the global relevance of the literary giant, a symposium, along with poetry reading was held in Rabat Morocco on 9 July. The event was organized by the Academy of the Kingdom of Morocco and the Pan African Writers Association (PAWA).

 

Professor Soyinka, the first African to win the Nobel Literature Prize in 1986, deserves all the accolades as he marks the milestone of 90 years on earth. Having beaten prostate cancer, this milestone is a fitting testament to his ruggedness as a person and the significance of his work.

 

It is also fitting we celebrate this national treasure while he is still with us.

 

I am, accordingly, delighted to announce the decision of the Federal Government to rename the National Theatre in Iganmu, Surulere, as the Wole Soyinka Centre for Culture and the Creative Arts.

 

We do not only celebrate Soyinka’s remarkable literary achievements but also his unwavering dedication to the values of human dignity and justice.

 

When he turned 80, I struggled to find words to encapsulate his achievements because they were simply too vast. Since then, he has added to his corpus with his series of Interventions, which have been published in many volumes.

 

Professor Soyinka is a colossus, a true Renaissance person blessed with innumerable talents. He is a playwright, actor, poet, human rights and political activist, composer, and singer.

 

He is a giant, bestriding not just the literary world but our nation, Africa, and the world.

 

He remains the shining light of our nation, the gadfly that pokes our national soul, decrying tyranny and oppression, urging us to become better as a nation.

 

He is one Nigerian whose influence transcends the Nigerian space and who inspires people around the world. Since his youth, he has been a vocal critic of oppression and injustice wherever it exists, from apartheid in South Africa to racism in the United States. Soyinka always speaks truth to power.

 

Beginning in his 20s, he took personal risks for the sake of our nation. His courage was evident when he attempted to broker peace at the start of the civil war in 1967. Detained for two years for his bravery, he narrated his experience in his prison memoir, “The Man Died.”

 

Despite deprivation and solitary confinement, his resolve to speak truth to power and fight for the marginalized was further strengthened. His early writing, such as ‘The Lion and the Jewel,’ ’Death and the King’s Horseman’, not only testified to his mastery of language, his innovative storytelling, but also his unflinching commitment to enthroning a fair and just society.

 

Our paths crossed during our just struggle for the enthronement of democracy in Nigeria following the annulment of June 12, 1993 presidential election. When faced with a trial in absentia and death sentence by the military regime at home, he galvanized opposition in exile through NALICON and NADECO. His global stature made him the face of our struggle to validate June 12 and restore democracy in Nigeria.

 

Today, I join the world to celebrate his profound influence on generations of writers, scholars, and activists who have been inspired by his work. I celebrate him for giving us the spark to fight and confront military dictators in our country. I celebrate him for his enduring spirit and for teaching us that literature and drama can be used as a powerful tool to challenge the status quo.

 

I wish Professor Soyinka an incredibly happy 90th birthday.

Many feared trapped as school building collapses in Plateau state

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Many feared trapped as school building collapses in Plateau

A two-storey school building has collapsed around Zara road in Plateau state.

 

Eyewitnesses said some students and teachers are still trapped in the building.

 

The school, which is located in the Busa Buji community, in Jos north LGA, collapsed on Friday morning while students and teachers were attending classes.

 

Some parents are on the scene, crying and pleading for the rescue of their wards.

 

First responders and police officers have also reportedly arrived the scene at the time of filing this report.

Viral Photo: Alleged kidnapper, not my friend, says Yul Edochie

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Nollywood actor Yul Edochie has clarified his relationship with filmmaker Henry Odenigbo, stating they are not friends.

 

Lagos police spokesperson Benjamin Hundeyin has reported that some kidnappers were killed in a gun duel in Ladipo Mushin following a plot to kidnap wealthy individuals in the state.

 

Hundeyin, however, did not reveal the identities of the kidnappers who were killed.

 

A few days after the news went viral, a filmmaker and actor, Stanley Nwoko, popularly known as Stanley Ontop, posted pictures of a movie producer and CEO of Ason-Rich Movie Production, Henry Odenigbo, whom he alleged was the ‘‘ringleader’’ of the kidnap gang killed in the shootout with police.

 

On Wednesday, Edochie confirmed he starred in Sharon’s Fate, one of Odenigbo’s movies, and checks on Odenigbo’s YouTube page show that the movie (Sharon’s Fate) has yet to be released. But on 11 June, the deceased shared pictures on his Instagram page of himself, Edochie, and other actors on a movie set.

 

In his reaction, Edochie, in an Instagram video, explained that the viral photo of them was taken on a movie set at the request of the deceased filmmaker.

 

“According to the police, the guy is a kidnapper. I’ve heard stories and noticed that some blogs posted my picture with him, implying he’s my friend,” Edochie said.

 

“So, I want to state that the guy wasn’t my friend. I’ve been in Nollywood for 19 years, going on 20 years. I only saw this guy once when I shot a movie for him a few weeks ago.

 

“A director contracted me for a movie and paid me for a job. I even thought it was the director’s movie until I came to the set and met this guy. I think he called himself Ason-Rich Henry. He came to me, introduced himself as Ason-Rich Productions, and said his name was Henry.

 

‘‘We greeted, I shot the movie, and on the last day of shooting, he came to me and said he was so excited that he finally got to work with me. I think he also played a role in the movie. He asked if he could take a picture with me, and I said okay. We took pictures, and I left for the next set. That was the first time I saw him, and I never saw him again.

 

“That’s the picture a lot of people are circulating. I understand people are circulating the picture and saying he’s my friend. He is not my friend. I got to know him as a producer, and I don’t know why people are circulating my picture,’’ Edochie said.

 

Edochie threatened to sue bloggers who linked him to the late filmmaker. “To those spreading this information, I hope you can defend it in court or at the police station because it’s coming. If you want to write a story about a producer who was shot and labelled a kidnapper, use his picture, not mine.

 

“If you must use pictures of actors to claim that this guy was a producer, you should know how to tell your story well. Say he was a producer; then you can use pictures. Go to his Instagram page to see all the actors he worked with, so you don’t have to use my picture.”