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Movie Review: ÌJỌ̀NGBỌ̀N, Our Mineral Resources A Curse or Blessing?

ÌJỌ̀NGBỌ̀N: Movie review

. . . a folklore that tells an African story of the SWstern people of Nigeria: Our over dependence on religion and prayer in decision making, the extreme quest to seek greener pasture (Japa syndrome) that is raging amongst youths all over, and the religion cum inter-tribal tolerance that characterized the SW as a people.

 

It of course explains how, as a result of greed, the abundant mineral resources that we are blessed with in Africa, have become a curse for us rather than blessing. How Yorubas hide important events and precious ideas under the guise of stories and tales. How

 

The lead characters, Ọmọ’ba, Jamiu, Ranti and Obym were excellent. Those dudes outdid themselves. Their youthful exuberance and inexperience marred a lifetime opportunity that could have turned their fortune around. Our inability to reach compromise in crucial times – a thing that has become a bane to our quest for greatness ruined their efforts.

I feel for Ranti, the overbearing attitude of Jamiu in spite of his wittiness is unacceptable. He is selfish. But Ranti is a coward. A typical Yoruba man who is always afraid to take decisions. Igbos are brave. The character of Obim alludes to it. In spite of being a lass, she was able to challenge her male friends and convince them in times of decision making.

 

Grand screenplay, a complete storyline. Kunle Afolayan is the Ọgá of moviemakers as far as Nollywood is concerned and arguably in Africa. He took us from the realm of epic Yoruba story to a modern narration of African tales. Ijogbon is a step above Anikulapo. But I wouldn’t agree with the title. A more suitable title would have been used instead of ‘Ijogbon’ because the story talks more about Diamond than anything Violence. A ‘Blood Diamond’ kind of…

 

My Rating : 9/10

Temitope Ojikutu: A Multi-Talented Individual Who Has Made A Name As A Filmmaker

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In an exclusive interview with Ranks Africa Magazine, we have the pleasure of introducing Ms. Temitope Omowunmi Ojikutu: She is a multi-talented individual who has made a name for herself in the world of entertainment. With a background in acting, movie production, and storytelling, she has captivated audiences with her performances and creative endeavors.

Before delving into the world of acting, she had a successful career as a basketball player for the Dolphins Basketball Club. However, her passion for the arts led her to explore a different path. She attended Holly Child College Obalende and later pursued a degree in Business Administration at the University of Lagos. She furthered her education with a postgraduate degree in Public Administration and obtained various professional certificates.

 

Her journey into acting began during her secondary school days when she was appointed as the president of the Art and Drama society. This experience exposed her to various school dramas and music competitions, igniting her love for the performing arts. In 2017, she fully embraced acting after meeting her dear friend and sister, Titilope Fatai. It was during one of Fatai’s film shoots in Ilesa that Ms Ojikutu met Afeez Eniola Onilere. They needed someone to portray the role of a matron, and Afeez approached Ms Ojikutu, who gladly accepted the opportunity. From that point on, her acting career took off, and she has never looked back.

Her inspiration to pursue a career in acting stems from her lifelong dream. Acting has always been a passion of hers, and she is grateful for the opportunity to bring characters to life on the screen.

 

When it comes to the types of roles she is interested in playing, Ms Temitope Ojikutu has a particular fascination with portraying the role of a police officer. However, her dream role is to embody an Orisa, a deity in traditional African religion.

 

To prepare for auditions and performances, she revealed she diligently reads through the script, seeks to understand the character, and delivers her best performance. Moreso, ,She believes in the power of preparation and immersing herself in the role.

 

Throughout her acting journey, Ms Ojikutu has had many memorable experiences. One funny moment she recalls is during the filming of the series “My Driver and I,” where she brought them together was a funny experience.

According to her, “My biggest influences or role model is Aunt Joke Silver. Her command of English is truly impressive and has left me in awe.”

 

She also revealed she loves to work with the veteran actors in the industry. She finds motivation by watching Indian movies a lot and visiting historic places. These experiences inspire me and help me grow as an actor, says Ms Temitope Ojikutu.

 

Believe in yourself and chase your dreams. It is important to have confidence in your abilities and never give up on your aspirations is the words she has for the fast rising and those looking forward to her as their role model.

 

 

Exclusive: My Entire Life Has Been From One Performance To Another – MisterRain

Babatunde Ojobaro, also known as MisterRain, is a talented comedian and actor who has successfully carved out a unique place for himself in the world of movies and comedy. In an exclusive interview with Ranks Africa, he provided us with valuable insights into his highly anticipated upcoming show, Mister Rain Unattached, which is set to take place later this month in Lagos, Nigeria.

During the interview, MisterRain shared his thoughts and plans for the show, giving us a glimpse into what audiences can expect.

 

Can you tell us a bit about your upcoming one-man comedy show in Lagos? What can audiences expect?

 

#MisterRainUnattached literialy means Mister Rain isn’t attached to anybody or no other comedian is attached to the event. This show is designed as a comedy special that allows a comedian perform for at least 60minutes uninterrupted.

In 2022 when I debuted the Mister Rain Unattached in Ibadan and consequently Lagos in August and October respectively, I performed for straight 90minutes and this year the timing has been moved up to 120minutes non stop hilarious comedy performance. This year also the bar has been raised high because other genres of entertainment has been creatively infused in the performance in a way they haven’t experienced in comedy shows before.

So yes, the audience can expect a wholesome unique experience and comedic adveture at the same time just the way the audience in Ibadan did in August this year.

How did you come up with the concept for your show? What inspired you?

 

The drive to always challenge myself, the drive to always attempt something different, the assurance that I always go far and beyond to further sharpen my skills were my inspiration.

I came up with the idea to start the one-man comedy show because I thought most comedy shows are now stereotyped and there’s a need to give our audience and fans more of us than they have seen, give them something different. I started this in Ibadan and became the first comedian in the city to do this. The success of that event in 2022 became the needed catalyst to fly it around cities in Nigeria.

 

What challenges have you faced in preparing for a one-man show, and how have you overcome them?

 

Truth is there’s hasn’t been too many challenges because, for the most part of my active career life, I have been a showbiz promoter, I have organized shows for people even outside entertainment, so organizing this is more a like a walk in the park for me but having to research, prepare, rehearse isn’t as easy as one will expect because you know everybody coming is coming for you and you want to hold them spell bound and laughing all through their stay.

 

Also when you have a good show the previous year, the pressure of having to make the next one better is a challenge one must face amd summount.

 

How do you plan to engage and connect with the audience during your persurmount.?

 

There’s a theory that’s called the “4th Stage” propounded by Prof. Wole Soyinka. I have worked on some of his works and I understand that theory enough to know that the best performance anybody can have is to seal the abyss of the 4th stage and get your audience involved and fully engaged.

 

The moment when the audience are performing and don’t realize they are performing, they are not just laughing but they are contributing to the laughter in the room without them knowing that’s what they are doing. In the theatre world where I have cut my teeth and solidify my feet properly, it is called the theatre of magic and the magic of theatre. So best believe that there’s a working plan to engage the audience to give them a fully wholesome laughter experience.

 

Are there any specific themes or topics that you will be exploring in your comedy show?

 

Oh yes, there are several themes that are societal and relatable by all standards featured in the 120mins long performance. The central idea “funny but true” is designed to pick issues from education, relationship, mental health issues, drug abuse, essence of friendship, betting hazards, feminism and some other issues and bring out the real situations on these matters albeit in a way people can laugh over it and still brood over the information I am giving them.

 

Can you share any funny anecdotes or memorable moments from your previous performances that have influenced your approach to this show?

 

My entire life has been from one performance to another, started out as a dancer, then a choreographer, an award winning Radio person, acting for stage and screen, teaching and facilitating… all these have constantly shaped how I approach every show I put up because my experiences are unique and bespoke to me and they form the basis of my shows and performances which is why my events are unique because they are original contents

 

What do you hope the audience will take away from your show? What kind of experience do you want to create for them?

 

This won’t be the first comedy show they have attended, but this will be the first comedy show they will attend to see what they wouldn’t have thought was possible. So one of the things they will take away is realizing that comedians can be very brilliant and intelligent. Another thing I can assure the audience is they will begin to see some issues in different perspective because I hope to change some perceptions.

 

How do you balance the fine line between pushing boundaries with your comedy and ensuring that it remains entertaining and enjoyable for all audience members?

 

The first questions I always ask myself when Curating events is why am I doing this, what do I hope to achieve? Also as a Radio person, I have known and practiced that you radio programme materials must contain 3 elements, it must inform, it must educate, ultimately it must entertain. I have transfered this skills to writing and creating my comedy materials. This balance, I have mastered so well over the years, it’s now easy to boast that my audience always and will continue to get the full dose

 

Are there any special surprises or guest appearances that audiences can look forward to in your show?

 

Yes, there is a special suprise, myself and the team are cooking up. Talks are in motion and we are hoping we will finalize in a couple of days.

 

Lastly, what message or advice do you have for aspiring comedians who are looking to create their own one-man shows?

 

Do not create a one-man show or a comedy special as we call it because people are now drifting towards that angle. There’s no rule that says that’s how they know you are a good comedian. You have to have built up for it over time and master the skill of not just making people laugh but also keeping their attention the whole time. It’s a skill, however anything is possible if proper preparation is made.

Funmi Awelewa stars in a new film that chronicles the journey of my life

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Funmi Awelewa, also known as Morili Omo Ibadan, has embarked on a new chapter in her career by stepping into the role of a director in the movie titled ‘A Wish,’ according to a statement she sent to Saturday Beats.

In the statement, Awelewa explained that the film delves into her personal life, particularly focusing on her mother’s struggle with sight loss.

Awelewa expressed her deep appreciation for the challenging yet rewarding experience of directing this film, as it mirrors her own life story and holds great sentimental value to her.

She thanked God for the successful outcome and highlighted that the production exceeded her expectations in every aspect.

This talented actress-turned-filmmaker emphasized that ‘A Wish,’ produced by her company, Faab Entertainment, was shot at the very locations where she grew up.

Furthermore, she conveyed the film’s underlying message, stressing the importance of not neglecting our loved ones, especially parents, in our pursuit of a better life.

Awelewa encouraged the audience to make time for their parents, stay connected with them, and proactively address their health concerns, even in the midst of busy lives.

 

Mohbad: Naira Marley, Prime Boy, and other individuals are scheduled to present themselves before the coroner on October 26th

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The coroner’s inquest, which is investigating the cause of singer Ilerioluwa Aloba, also known as Mohbad’s, death, has summoned controversial singer Abdulazeez Fashola, alias Naira Marley, as well as Owodunni Eletu, known as Sam Larry, and Owodunni Ibrahim, known as Primeboy, to appear before it on October 25, 2023.

During the inquest, Magistrate Sotobi Adedayo at the Candide Johnson Courthouse in Ikorodu, Lagos State, on October 13, 2023, directed the State Criminal Investigation and Intelligence Department at Panti to ensure the presence of Naira Marley, Sam Larry, and Primeboy on the upcoming adjourned date of October 25, 2023.

Currently, Marley and Larry are being held at Panti.

The magistrate also stressed the importance of cooperation in the investigation to expedite the process of justice in the singer’s death.

He advised all interested parties not to contribute to any delays so that MohBad can finally be laid to rest.

Furthermore, an Assistant Superintendent of Police, Muhammad Yusuf, who serves as the investigating police officer in the homicide section of the SCID, stated that their investigation did not provide conclusive evidence that Naira Marley assaulted Mohbad.

Similarly, there was no evidence linking Sam Larry and Naira Marley to Feyisayo Ogedengbe, the nurse who administered the injection to the deceased.

Mohbad passed away on September 12, and on October 6, after weeks of investigation, the Lagos State Commissioner of Police, Idowu Owohunwa, announced that the prime suspects in the singer’s death were the auxiliary nurse, Feyisayo Ogedengbe, who administered the injection, as well as his friend and fellow artiste, Ibrahim Owoduni, known as Prime Boy, and another friend, Ayobami Sadiq.

Owohunwa mentioned that 26 people were questioned, and five suspects had been identified, arrested, detained, and interrogated regarding their alleged roles in the sequence of events leading to the singer’s demise.

Ogedengbe administered three different injections, which are believed to have triggered the chain of events resulting in the singer’s death.

The suspended Attorney General of the Federation ignored the minister and authorized the signing of a financial statement totaling N26 trillion, as indicated in the report

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The Federal Government’s 2019 financial statement of N26tn was unilaterally signed by a former Accountant General of the Federation, as revealed in an audit report.

This revelation occurred during the Senate Public Accounts Committee’s consideration of the audit report, chaired by Senator Ahmed Wadada.

In a 2019 report submitted to the National Assembly, the Auditor-General of the Federation pointed out that the then Accountant General had signed the document without the required counter-signature by the Minister of Finance, which was against financial regulations.

The Auditor-General’s office cited relevant provisions from the Financial Regulations to support this claim.

According to Paragraph 103 of the Financial Regulations, “The President of the Federal Republic of Nigeria assigned to the Minister of Finance the responsibility for all financial matters of the government of the federation.”

Paragraph 105 of the Financial Regulations empowers the Minister of Finance to issue financial regulations applicable to various government offices.

This implies that the Minister of Finance is the Chief Executive Officer regarding government financial matters.

At the time, Ahmed Idris held the position of Accountant General of the Federation but was later suspended due to allegations of financial misconduct amounting to N109bn.

The audit report also noted that the consolidated financial statement was signed solely by the Accountant General of the Federation without indicating his FRC of Nigeria registration number, a component necessary for the approval of the CFS, in violation of existing regulations.

Furthermore, there was no signature with the FRC of Nigeria registration number of the Minister of Finance, Budget, and National Planning on the Consolidated Statement of Financial Position.

These discrepancies can be attributed to weaknesses in the internal control system during the consolidation process.

In response to the report, the acting Accountant General of the Federation, Toyin Madein, clarified that she was not in office at the time when the financial statement was signed.

 

Rudeboy expresses his concerns over the increasing fuel expenses, and he expresses frustration over the monthly expenditure of N3 million on diesel

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Renowned musician Paul Okoye, popularly known as Rudeboy from the Psquare duo, has voiced his deep concern regarding the severe economic hardships plaguing the nation, notably the surging prices of petroleum products.

The artist behind “Reason With Me” lamented how many years ago, he joyfully acquired his first car for a mere N120,000.

Yet today, he finds himself shelling out a staggering N3 million each month just for diesel.

Taking to his Instagram story, Rudeboy characterized the current economic climate as nothing short of “utter madness.

He extended his heartfelt sympathy towards the struggles endured by the less fortunate in these trying times, saying, “I purchased my first car for 120k naira years ago and I was immensely proud of that achievement… Now, I’m expending 3 million naira monthly on diesel alone… It’s complete madness. Only God knows the hardships the average person is enduring.

Negotiations to resolve the Hollywood actors’ strike have been temporarily halted

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On Wednesday, discussions between Hollywood actors and studios regarding an ongoing strike came to an abrupt halt, dealing a significant blow to the hopes of a swift resolution to the crisis that has severely impacted the entertainment industry.

Key figures from major studios, such as Disney and Netflix, had been engaged in regular meetings with negotiators from the Screen Actors Guild (SAG-AFTRA) since last week.

This was in response to the SAG-AFTRA members’ decision to walk off film and TV sets in July.

In a statement released late Wednesday, the studios announced the temporary suspension of talks, prompting SAG-AFTRA to accuse them of employing “bully tactics” and disseminating “misleading information” about the negotiations.

The studios, represented by the Alliance of Motion Picture and Television Producers (AMPTP), cited an insurmountable gap in their positions, stating, “After meaningful conversations, it is clear that the gap between the AMPTP and SAG-AFTRA is too great, and conversations are no longer moving us in a productive direction.”

Optimism had been growing as the AMPTP recently reached an agreement with Hollywood writers, effectively ending their parallel, lengthy strike.

 

Given the overlaps between the demands of SAG-AFTRA and the writers, there was hope that a deal with the actors could also be achieved swiftly.

However, this hope has diminished, with SAG-AFTRA accusing the studios of making unrealistic offers and misrepresenting negotiation proposals.

SAG-AFTRA expressed their frustration, stating, “We have negotiated with them in good faith, despite the fact that last week they presented an offer that was, shockingly, worth less than they proposed before the strike began.”

They accused the studios of using the same tactics as with the writers’ union, attempting to mislead their members and put pressure on their negotiators.

The entertainment industry and its workforce continue to suffer financial losses each day, as most film and TV production remains on hold until SAG-AFTRA’s demands are resolved.

In their statement, the AMPTP criticized the actors for making excessive demands, particularly regarding a share of revenues from successful streaming shows, which they claimed would cost over $800 million annually.

However, SAG-AFTRA argued that the AMPTP had intentionally inflated the proposal’s cost by 60 percent and had made substantial counteroffers that would cost companies less than 57 cents per subscriber each year.

The studios also accused SAG-AFTRA of rejecting wage increases that had been accepted by the writers’ and directors’ unions earlier in the year.

Both parties expressed a desire for productive negotiations to resume, while the actors’ union stressed their readiness to negotiate daily.

In addition to improved pay and greater transparency in streaming show profits, SAG-AFTRA raised concerns about the potential threat posed by artificial intelligence (AI) technologies.

They feared that AI could be used to replicate their voices and likenesses without consent or compensation, and they highlighted the studios’ proposal regarding AI as a sticking point in the negotiations.

Some smaller Hollywood studios have managed to resume film and TV productions under temporary waivers known as “interim agreements.”

 

Nevertheless, the actors’ union declared their intention to continue their strike, asserting that they had sacrificed too much to capitulate to the studios’ stance.

 

Uber and Bolt drivers urge the police to apprehend the individuals responsible for the attacks on their fellow members

The Amalgamated Union of app-based transporters in Nigeria is deeply distressed by the ongoing and brutal killings of its members in certain areas of the country.

This distressing situation has emerged in the wake of the alleged murders of three union members in Port Harcourt and another member in Galadimawa, Abuja, on a Wednesday.

According to an official statement released by the union on Thursday, the incident in Port Harcourt involved three of its members who were working on the Bolt app.

It appears to be a series of coordinated attacks that occurred between the hours of 7.30 pm and 10 pm on the same day.

The union reported that the attack resulting in the tragic death of a driver, Emmanual Daniel, took place while he was en route to pick up a passenger who had requested a ride. Tragically, Daniel was murdered, and his assailants also stole his vehicle.

In addition to this, Roland Asuru and John Okon were both fatally shot, and their cars were stolen by suspected robbers in separate incidents.

There were also reported unsuccessful attempts to steal cars belonging to members of the union in areas like GRA, CFC Roundabout, and Ekeme, as mentioned in the statement.

Furthermore, the statement detailed another horrific incident in Abuja, where a union member was brutally killed, and their car was stolen in the Galadimawa area of Abuja on the same Wednesday.

Expressing their deep concern over the recent spate of member killings, the union finds it tragic and unacceptable that, within a span of just two days, four of its members have lost their lives, and seven cars have been stolen.

These members were providing essential services to the public, and their deaths were preventable, had there been adequate security measures and intelligence to thwart these deadly attacks.

The statement continued by highlighting the union’s efforts to improve security by calling on app companies to require passengers to provide national ID information before using the service.

Regrettably, these pleas have fallen on deaf ears, leading to the loss of lives without justice or compensation.

As a registered trade union with the duty to protect its members from such preventable circumstances, the union urgently calls on the Federal Government to instruct the Ministry of Transport, Science, and Digital Economy, or any relevant authority, to mandate app-based companies to collect passengers’ National Identification Numbers (NIN) before allowing them to book rides.

The union also appeals to the Governor of River State, the FCT Minister, and the police to initiate investigations and bring these ruthless criminals to justice.

They further request adequate compensation for the families of the deceased from both the government and the app companies.

In conclusion, the union extends its sympathy to the grieving families and urges its members to remain vigilant during the festive season and beyond.

Unfortunately, as of the time of this report, the Rivers State Police Public Relations Officer, Grace Iringe-Koko, has not responded to phone calls.

 

Tinubu designates fresh leaders for CAC, SMEDAN, and various organizations

On Friday, President Bola Tinubu granted his approval for the appointment of new Chief Executive Officers for several agencies and parastatals within the Federal Ministry of Industry, Trade, and Investment.

This decision aligns with Tinubu’s commitment to revitalizing Nigeria’s economy by emphasizing the expansion of trade across small, medium, and large-scale industries in the country. The appointments are effective immediately.

The newly appointed executives include:
1. Hussaini Ishaq Magaji, SAN – Corporate Affairs Commission
2. Afiz Ogun Oluwatoyin – Industrial Training Fund
3. Kamar Bakrin – National Sugar Development Council
4. Olufemi Ogunyemi – Nigeria Export Processing Zone Authority
5. Nonye Ayeni – Nigeria Export Promotion Council
6. Aisha Rimi – Nigeria Investment Promotion Commission
7. Bamanga Usman Jada – Oil & Gas Free Zone Authority
8. Charles Odii – Small & Medium Enterprises Development Agency of Nigeria
9. Ifeanyi Chukwunonso Okeke – Standards Organisation of Nigeria
10. Rabiu Olowo – Financial Reporting Council of Nigeria
11. Anthony Atuche, CFA – Nigeria Commodities Exchange
12. Veronica Safiya Ndanusa – Lagos International Trade Fair Complex
13. Lucia Shittu – Tafawa Balewa Square Management Board
14. Oluwemimo Joseph Osanipin – National Automotive Design and Development Council

The statement emphasized that President Bola Tinubu expects all new appointees in this crucial sector to perform optimally in line with the new key performance indicators set by the Federal Ministry of Industry, Trade, and Investment.