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Davido’s Paternity Disputes and the Children He Has Publicly Acknowledged

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For more than a decade, Davido has occupied a central place in African pop culture, and his private life has been the subject of persistent public scrutiny. Questions about paternity, family structure and past relationships often return to the news cycle, especially when new allegations surface. A recent claim by a young teenager has revived public debate and renewed interest in what is confirmed, what is disputed and what remains unproven.

A New Allegation Rekindles an Old Conversation

In early 2026, a 13-year-old girl named Anu Adeleke released an open letter stating that she had been told since birth that Davido was her father. Her message, widely shared online, asked the singer to acknowledge her publicly. She also claimed that her mother had made several attempts to reach him over the years without success.

The allegation is not new in form, although each iteration brings a different set of details. The case has become a point of online discussion, but Davido and his team have dismissed the claims and described them as false.

Earlier Claims and the First Recorded DNA Test Dispute

In 2017, another woman, Ayotomode Labinjoh, then twenty-six, alleged that she had met Davido at a club in 2013, after which she became pregnant. She later claimed that the child, a girl initially named Veronica and later called Aanuoluwapo, was fathered by him.

According to her account, a DNA test was conducted in September 2014 at the request of Davido’s family. The result showed that Davido was not the biological father. Ayotomode rejected the finding, insisting the test had been manipulated. Davido’s camp denied her allegations and maintained that the result was valid.

Records of this dispute remain part of the broader history of similar claims surrounding the artist, though none have led to a legal reversal of the DNA results released at the time.

Davido’s Confirmed Children and Their Mothers

Despite the recurring rumours, only a specific set of children have been formally acknowledged by Davido. These relationships are a matter of public record, and their identities are well established within the media landscape.

1. Sophia Momodu

Mother of his first child, Imade, born in 2015.

Their co-parenting relationship has been widely reported, often forming part of earlier conversations about shared custody and parental rights.

2. Amanda Brown (also known as “Mandy”)

A Togolese woman who became the mother of his second daughter, Hailey, born in 2017.

Her relationship with Davido has largely remained out of the public eye, aside from brief periods of online attention.

3. Chioma Adeleke (née Rowland)

Mother of his third child, Ifeanyi, born in 2019.

Ifeanyi passed away in 2022, an event that drew a rare moment of public sympathy around the family.

Chioma later gave birth to twins in 2023, a boy and a girl. Their names and photographs have not been publicly released. These twins are considered Davido’s sixth and seventh children.

4. Larissa London

An Angolan model and makeup artist, she is the mother of Davido’s fourth child, Dawson, born in 2020.

Davido initially avoided public comment about Dawson, but photos later confirmed his presence in the singer’s life.

These four women make up the list of mothers of Davido’s officially recognised children. There is no verified evidence supporting the claims of any other pregnancies or children beyond these.

Recurring Controversies and the Public Appetite for Celebrity Family Narratives

Davido remains one of the most observed public figures on the continent, and his name features frequently in family-related controversies, whether verified or not. The combination of fame, wealth and past relationships has created an environment in which allegations often surface, each demanding attention from audiences who follow celebrity news closely.

Some of these disputes have been resolved through DNA testing, while others have remained within the realm of unverified claims. The most recent story involving Anu Adeleke adds to the long catalogue of online debates, although the facts of the matter remain unchanged: Davido has acknowledged seven children, and the names of their mothers are publicly known.

Mo Abudu’s EbonyLife Films Set to Adapt The Secret Lives of Baba Segi’s Wives for Global Cinema Release

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EbonyLife Films, the production arm of Nigerian media executive Mo Abudu’s EbonyLife Group, has announced a feature-film adaptation of Lola Shoneyin’s acclaimed novel The Secret Lives of Baba Segi’s Wives, with a planned international cinema release in December 2026. This marks EbonyLife’s first theatrical film in five years and a significant return to big-screen storytelling.

The adaptation brings together four major African entertainment companies — EbonyLife Films, Genesis Group, Nile Media Entertainment Group, and Silverbird Group — in what is being positioned as one of the most ambitious cinema rollouts for an African feature.

 

The Secret Lives of Baba Segi’s Wives originated as a bestselling novel by Nigerian writer Lola Shoneyin, first published in 2010. The story centres on Baba Segi, his four wives and seven children, exploring complex themes of power, patriarchy, secrecy and survival within a polygamous household. The novel has garnered international acclaim and was longlisted for literary prizes.

 

The film will be directed by Daniel Oriahi from a screenplay adapted by Adze Ugah, with Shoneyin among the producing team. Key production roles include Heidi Uys, Chris Odeh and Mimi Bartels. EbonyLife Group’s Mo Abudu, Genesis Group’s Nnaeto Orazulike, Nile Group’s Moses Babatope, and Silverbird Group’s Guy Murray Bruce serve as executive producers.

 

The ensemble cast unites leading Nollywood talent and celebrated performers across the continent. Headliners include Odunlade Adekola, Iyabo Ojo, Mercy Aigbe, Bimbo Ademoye and Omowunmi Dada, supported by Shaffy Bello, Bisola Aiyeola, Lateef Adedimeji, Kunle Remi, Bolaji Ogunmola, Bimbo Manuel, Tina Mba, Daniel Effiong, Femi Branch, Rotimi Fakunle, Bukunmi Adeaga-Ilori and Constance Olatunde.

 

The project is expected to open in cinemas across Nigeria and international territories, including the United Kingdom where EbonyLife Cinemas is scheduled to launch in mid-2026. The scale of the production and its ensemble cast reflect ambitions to elevate African storytelling on the global stage.

After Farouk Ahmed’s Exit, Dangote Refinery Raises In-country Petrol Supply by 65%

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The Dangote Refinery boosted its domestic petrol supply by 65 per cent in December, increasing output from 19.4 million litres per day to over 32 million litres daily, latest data from the Nigerian Midstream and Downstream Petroleum Regulatory Authority (NMDPRA) said yesterday.

However, the jump in local supply by a huge margin in less than one month by the Dangote Refinery followed the exit of the erstwhile Chief Executive Officer of the NMDPRA, Farouk Ahmed.

Incidentally, on the day the data was released, the President of the Dangote Group, Alhaji Aliko Dangote, confirmed the increased supply, but said that the facility has now raised loading to an average of 50 million litres daily since President Bola Tinubu effected the leadership change at the agency.

Ahmed had had a running battle with the President of the Dangote Group over what the billionaire businessman termed the unrestrained granting of import licenses by the former NMDPRA chief executive despite growing local capacity.

The matter got to a head when Africa’s richest man accused Ahmed of corrupt enrichment and reported him to the anti-graft agencies, a development that coincided with the formal resignation of the NMDPRA head in mid December.

But according to the NMDPRA data released yesterday, the Dangote Refinery’s domestic petrol supply increased from 19.47 million litres per day in November to 32.01 million litres per day in December, a jump of about 65 per cent in just one month. Also, the national petrol sufficiency rose markedly.

Besides, the rise in Dangote’s fuel output coincided with improvements in national fuel stock levels. Petrol stock sufficiency climbed to 29.20 days in December, compared with 16.65 days in November, providing a stronger buffer against supply disruptions and distribution bottlenecks.

A THISDAY analysis showed that the 32 million litres in-country petrol supply as well as the 29 days local PMS sufficiency in December were the highest in the whole of 2025, highlighting how much things changed during the period under consideration.

In all, the NMDPRA fact sheet showed that daily consumption of petrol climbed to 63.7 million litres per day in December, up from 52.9 million litres per day in November, representing a month-on-month increase of about 20.4 per cent.

The surge marked one of the strongest monthly consumption jumps recorded in 2025, reflecting higher transportation demand, festive-season mobility, and improved product availability across the country.

At the same time, total domestic petrol supply increased from 71.5 million litres per day in November to 74.2 million litres per day in December, helping to ease pressure on fuel distribution channels and improve national stock levels.

The NMDPRA data indicated that consumption growth outpaced supply growth in percentage terms, underscoring the importance of maintaining steady refinery output and efficient distribution networks.

But the supply of diesel by the domestic market declined from 20.4 million litres per day in November to 17.9 million litres per day in December, even as daily consumption increased slightly from 15.4 million litres per day to 16.4 million litres per day.

In contrast, Liquefied Petroleum Gas (LPG) domestic supply edged up from 5.0 metric tonnes per day in November to 5.2 metric tonnes per day in December, reflecting steady growth in household cooking gas adoption.

Also, domestic natural gas supply recorded a marginal increase, rising from 4.684 billion standard cubic feet per day (Bscf/d) in November to 4.787 Bscf/d in December, supporting power generation and industrial activity.

Beyond Dangote’s contribution, the NMDPRA reported continued progress on other refining projects. The Waltersmith Refinery Train 2, with a capacity of 5,000 barrels per day, it said , completed pre-commissioning activities in December, with hydrocarbons expected to be introduced by January 2026.

The Authority also confirmed the issuance of one Licence to Establish (LTE) and one Licence to Construct (LTC) during the period, signalling sustained investor interest in Nigeria’s refining and downstream infrastructure.

Meanwhile, the President of the Dangote Group has disclosed the refinery located in Lagos has been loading an average of 50 million litres every day since Tinubu effected a leadership change at the regulatory agency.

Dangote disclosed this on Wednesday during the Dangote Cement’s customers’ celebration and award night for distributors of Dangote Cement’s product in Lagos with the theme “Partner for Growth.”

At the same event, Dangote Cement Plc also celebrated its top distributors and customers with N15 billion worth of rewards for their continued loyalty, resilience, and outstanding performance.

At the 2026 Distributors’ Awards Night, held in Lagos under the theme: “Partner for Growth”, the company celebrated its highest-performing partners.” Recipients received an impressive array of gifts, including cash prizes, containers of cement, high-end SUVs, and compressed natural gas (CNG)-powered trucks, all valued at N15 billion.

Dangote stressed: “We need to support the programme of Tinubu to make sure we enable Nigeria to reach its target of a $1 trillion economy by 2030. In the past couple of days we have had a sense of peace when His Excellency, President Tinubu, threw away most of the corrupt people who are actually our own regulators.

“Right now, the good news is that since December 17 we have actually been doing an average of 50 million litres of loading of our inventory every day.”

He also elaborated on the Dangote Group’s Vision 2030 that is aimed at making the group a $100 billion enterprise by 2030.

“In December 2025 we launched our Vision 2030. It is focused on consolidation, industrial expansion, and cross border investments that will deepen Africa’s self-sufficiency in critical sectors such as energy, manufacturing and infrastructure.

“This is borne out of my conviction that Africa’s future will be built by Africans who refuse to accept limits. People who dream big work hard and never stop believing in what is possible. Under this vision our cement will be producing 90 million tonnes by 2030, which means that we are 50 per cent more than the entire production of Saudi Arabia.

‘‘Under this same vision we have already signed an agreement to expand our petroleum refinery from 650,000 million barrels per day (mbpd) to 1.4 million bpd. The good news is that we are starting the foundation next week. This is to double our (refinery’s) production capacity and take advantage of economies of scale.

“At 1.4mbpd, we will be 48 per cent of the entire refining capacity of Saudi Arabia that started in 1936,” Dangote said.

He also said that the group is expanding its fertiliser plant from 3 million metric tonnes (mmt) to 12mmt per annum to make it the largest producer of urea in the entire world.

“We have actually carried out groundbreaking for the new fertiliser complex in Ethiopia and have signed an agreement to build tank farms in Namibia for the storage of our refined products. We are building a massive pipeline to control and also distribute products along many countries in southern and eastern Africa.

“We are planning a backward integration in sugar in Ghana alongside several investments in Ethiopia in sugar,” he added.

Dangote said the gathering was to celebrate and honour the distinguished distributors of Dangote Cement’s products for their dedication, resilience and drive in 2025.

He said: “I consider it a great honour to stand before a determined and focused group of people who are not only our cherished distributors but the very heart beat of our organisation.

Your tireless work in the field; your unalloyed loyalty to our products and your direct engagement with our customers are what turn our vision and strategies into a tangible result.

“Our celebration today tagged ‘Partner for Growth’ is a clear testament that our growth journey to 2026 has already begun. It is, therefore, time to intensify our efforts in the business of distributing our range of cement products.

“Distinguished distributors, we will continue to invest heavily in the Nigerian economy to create the necessary linkages that will drive the establishment of more industries, and provide more jobs to our teeming youths. We need to support the programme of Tinubu to make sure we enable Nigeria to reach its target of a $1 trillion economy by 2030.

“We will remain committed to strengthening the bond that has sustained our partnership. We are genuinely interested in seeing your business grow bigger, stronger and more profitable. I want to thank you for your resilience, trust and loyalty for providing right linkages between Dangote Cements and the end users,” Dangote said.

Dangote also hailed the distributors as the heartbeat of the organisation and praised their dedication in ensuring the Dangote products reach communities nationwide.

He used the occasion to reiterate the company’s ‘Vision 2030’ strategy, aimed at transforming the Dangote Group into a $100 billion enterprise by 2030. The plan, he explained, focuses on industrial expansion, cross-border investments, and building Africa’s self-sufficiency in sectors such as energy, manufacturing, and infrastructure.

The African industrial titan disclosed that the Dangote Cement Group is targeting a cement production capacity expansion to approximately 90 million tonnes by 2030. He emphasised that the company’s ambition goes far beyond building factories.

Credit: This Day

Nollywood’s Defining Voices of 2025: Celebrating the Writers Whose Stories Reshaped the Box Office

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Nollywood’s Leading Storytellers of 2025

Stories shape how we understand the world, and in 2025, a remarkable group of writers carried Nollywood to new heights. Their work drew record audiences, set new box-office standards, and affirmed the central role of strong writing in the growth of the Nigerian film industry. The Nollywood Top 10 Writers 2025 list highlights the individuals whose scripts powered the year’s most successful films, each title earning more than twenty million naira and demonstrating the expanding potential of well-crafted storytelling.

At the forefront are Funke Akindele, Collins Okoh, and Uche Mordi, who share the top position following the extraordinary success of Behind the Scenes. The film closed the year with a combined box-office total of 1.320 billion naira, a figure that underscores the effectiveness of their collaboration and their command of character-driven drama.

Second place goes to Opeyemi Akinyemi (Ope Crodbo), whose work on Ori: The Rebirth, Abanise, The Ancestor, and Her Excellency generated significant attention and produced a cumulative return of 709 million naira. His range across supernatural themes and political drama set him apart in a competitive field.

In third place is Xavier Ighorodje, whose screenplay for Gingerrr resonated with younger audiences and delivered 522 million naira at the box office. His ability to merge energy, humour, and realism placed him firmly among the year’s standout writers.

The list also honours seasoned creators such as Toyin Abraham Ajeyemi and Tunde Komolafe, joint fourth place recipients for Oversabi Aunty, which closed at 480 million naira. Their work demonstrated a strong command of social comedy and audience-friendly storytelling.

Fifth place is held by Adebayo Tijani, whose film Iyalode: Her Excellency earned 432 million naira and presented a layered portrayal of authority, culture, and gender.

In sixth place, Afeez Adekunle received recognition for Ori: The Rebirth, which grossed 419 million naira and continued the industry’s growing interest in mythological narratives.

Seventh place goes to Ife Olujuyigbe, whose film Reel Love achieved 356 million naira and strengthened the appeal of contemporary romance on the big screen.

Eighth place belongs to Yinka Layole, whose contribution to Iyalode brought in 306 million naira.

Ninth place is shared by Moshood Yakub Olawale and Sunday Alabi Osibata, writers of Labake Olododo, which earned 264 million naira.

Finally, in tenth place, Jack Opukeme and Stephen Oluboyo round out the list with Owanbe Thieves, which recorded 205 million naira.

The ranking, compiled using Comscore data, reflects a year marked by diverse genres and fresh approaches to storytelling. From comedy to historical drama, and from romance to folklore, the writers on this list shaped the nation’s cinematic landscape with skill and imagination.

Their achievements will be examined in greater depth in the upcoming Nigerian Box Office Yearbook 2025/26, which will offer an expanded review of the films, creators, and industry trends that defined the year.

Alaaafin Oyo Counters Governor Seyi Makinde

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HIM Oba Abimbola Akeem Owoade I , Alaafin of Oyo COUNTERS GOV Seyi Makinde

PRESS RELEASE (15/1/ 2026).

The attention of the Alaafin’s Palace has been drawn to a statement credited to His Excellency, Governor Seyi Makinde that he consulted with the three traditional rulers in the State, the Alaafin, the Olubadan and the Soun of Ogbomoso on the rotational Chairmanship of the State Council of Obas and Chiefs.

The Palace hereby wants to state clearly that there was no time that His Imperial Majesty, the Alaafin of Oyo , Oba Engineer Abimbola Akeem Owoade 1, held any meeting with either the State Governor or any of the two traditional rulers mentioned above.

Also the Alaafin did not tell the Governor or make a categorical statement on his endorsement of rotational Chairmanship among the the three traditional rulers in the State.

The position of the Alaafin and the Entire Oyo Community on the general issue of the,State, Council of Obas,and Chiefs has been enunciated in a Memo delivered to His Excellency by the Oyo Council of Elders.

Signed Bode Durojaiye,
Director of Media and Publicity to the Alaafin, Paramount Ruler of Oyo Kingdom and the Superior Head of Yorubaland.

Ayo Adams’ Short Film, Ni Ibadan, Explores the Struggle for Water in Rural-Urban Communities

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In many rural-urban communities across Nigeria, access to water remains a daily struggle rather than a guaranteed necessity. This reality forms the heart of a new short film by filmmaker and multimedia journalist Ayo Adams, released on YouTube, on Wednesday.

The short film explores how water scarcity quietly shapes everyday life, revealing the physical and emotional labour involved in securing a basic resource often taken for granted. Through intimate, observational storytelling, the film centers the lived experiences of ordinary people, allowing the issue to unfold through routine, endurance, and silence rather than exposition.

Set within an Ibadan community, the film reflects on the intersection of infrastructure, family life, and survival. The film stars Omolola Lawal and Abayomi Olalekan.

Speaking on the project, Ayo Adams explains that the film was inspired by familiar realities. The work aims to draw attention to how communities continue to adapt in the face of infrastructural challenges.

The short film is now available to stream on YouTube.

EFCC Hands over Recovered N802.4m to First Bank

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The Benin Zonal Directorate of the Economic and Financial Crimes Commission, EFCC on Monday, January 12, 2026 handed over the sum of N802,420,000( Eight Hundred and Two Million, Four Hundred and Twenty Thousand Naira only) to First Bank Nigeria Plc. The money was recovered from a suspect, Ojo Eghosa Kingsley who took unlawful possession of over N1.3 billion belonging to the bank.

 

The bank, in its petition to the EFCC, had alleged that system glitches led it to erroneously credit the account of Kingsley, a customer of the bank with the said amount. The Commission in its investigation discovered that the suspect, upon the receipt of the money, transferred a good measure of it to the bank accounts of his mother, Itohan Ojo and that of his sister, Edith Okoro Osaretin, and committed part of the money to completion of his building project and the funding of a new flamboyant lifestyle.

With the recovery of the money from the identified bank accounts, the EFCC handed it over in drafts to First Bank.

 

The Acting Director, Benin Zonal Directorate of the EFCC, Deputy Commander of the EFCC, DCE Sa’ad Hanafi Sa’ad, while handing over the money, stated that the EFCC will continue to discharge its mandate effectively in the overall interests of the society. “The EFCC Establishment Act empowers us to trace and recover proceeds of crime and restitute the victim. In this case, First Bank was the victim and that is exactly what we have done. We will continue to discharge our duties to ensure that fraudsters do not benefit from fraud and that economic and financial crimes are nipped in the bud,” he said.

In his response, Olalere Sunday Ajayi, Business Manager, First Bank, Benin, who received the drafts on behalf of the bank, commended the EFCC for the swiftness and the professionalism it brought to bear in the handling of the matter and expressed the bank’s gratitude to the Commission. He described the EFCC as one of Nigeria’s most effective and reliable institutions.

Kingsley and all other suspects in the matter have been charged to court for stealing by the EFCC.

Olamide Olowe: A New Standard-Bearer in Global Beauty Innovation

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Olamide Olowe, a Nigerian-American entrepreneur, has reached a remarkable milestone in the global business landscape as the youngest Black woman to secure more than 10 million dollars in venture funding. Her achievement reflects a blend of scientific curiosity, cultural awareness, and disciplined leadership that continues to shape her growing influence in the skincare industry.

 

She co-founded Topicals in 2020 with a clear mission: to develop research-driven products for chronic skin conditions such as hyperpigmentation, eczema, and irritation, while ensuring that people of all skin tones were fully represented in both formulation and branding. Her approach drew attention at a time when consumers were demanding greater accuracy, transparency, and inclusivity from beauty companies.

Topicals entered the market with a focus on measurable results rather than marketing trends. This commitment, supported by dermatological research and clinical testing, quickly established the brand as a standout in a competitive field. Within a short period, Topicals became one of the fastest-growing skincare lines at Sephora, earning a loyal customer base and widespread industry recognition.

 

Olamide’s work demonstrates the value of building companies that serve communities often overlooked by traditional beauty standards. Her rise also shows how founders who understand both cultural context and scientific rigour can redefine entire categories. Investors and industry leaders have pointed to her combination of discipline, purpose, and strategic execution as the foundation of her success.

 

Beyond the commercial growth of Topicals, Olamide’s story carries wider significance. It underscores the expanding influence of young African and diaspora innovators who are reshaping global consumer markets through thoughtful problem-solving and representation. Her journey continues to inspire a new generation of founders who see possibility where others once saw limits.

Chimamanda Ngozi Adichie Initiates Legal Proceedings Following the Passing of Her Son

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Chimamanda Ngozi Adichie, one of Africa’s most widely read contemporary authors, has begun legal action against a private medical facility after the death of her son. Her claim centres on allegations of medical negligence and professional misconduct involving the hospital and members of its clinical team.

 

According to a legal notice dated January 10, 2026, Adichie and her partner, Dr. Ivara Esege, contend that the hospital, its anaesthesiologist, and other attending clinicians did not meet the standard of care required during their son’s treatment. Their son, Master Nkanu Adichie-Esege, passed away in the early hours of January 7, 2026.

 

The notice outlines concerns about the decisions made during his medical care and asserts that the actions and omissions of the professionals involved contributed to the outcome. The family’s legal representatives have requested full disclosure of the medical records and a formal response from the hospital, signalling the start of a process that may lead to broader scrutiny of clinical protocols and oversight within private healthcare institutions.

 

The case has drawn public attention due to Adichie’s global profile and her longstanding engagement with issues of accountability and public welfare. It also raises questions about standards of practice, patient safety, and institutional responsibility in high-level medical settings.

 

Further developments are expected as the hospital prepares its formal defence and the matter moves into the next phase of legal review.

AFRIMA Awards: Burna Boy’s No Sign of Weakness Receives Album of the Year Honour

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Burna Boy has added another distinction to his growing list of achievements as his recent project, No Sign of Weakness, earned the Album of the Year award at the AFRIMA ceremony. The recognition places the work alongside the continent’s most celebrated releases and affirms Burna Boy’s continued influence on the global music stage.

 

The album has been noted for its careful production, thematic coherence, and distinct blend of contemporary African sound with broader international styles. Critics and listeners have pointed to its range, emotional depth, and the artist’s command of rhythm and storytelling as reasons for its strong reception.

AFRIMA’s acknowledgement underscores the project’s cultural reach and its resonance across audiences within and beyond Africa. It also reinforces Burna Boy’s standing as one of the continent’s most accomplished musicians, with a catalogue that continues to shape conversations about artistic identity, innovation, and global recognition in African music.

 

The award marks a significant moment in this year’s ceremony and adds to the momentum of an album that has already secured wide commercial and critical attention.