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Vote for Nigeria’s best-performing Governor in the areas of economy and business growth. 

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This poll has ended (since 1 year).

As part of Africa 100 and Ranks Africa to celebrate and honor the best-performing governor in the areas of economy and business growth for exceptional dedication to improving the country through innovative initiatives.

We are now at the final voting stage to pick the most impactful Governor in Nigeria 2022.

Voting runs from January 12th to January 17th, 2023. 
You can vote 10 times per login for your choice.

Gov. Babajide Sanwo-Olu
23.08%
Gov. Seyi Makinde
12.31%
Gov. Ezenwo Nyesom Wike
10.77%
Gov. Godwin Obaseki
7.69%
Gov. Nasir el-Rufai
7.69%
Gov. Babagana Umara Zulum
7.69%
Governor Dapo Abiodun
6.15%
Gov. Oluwarotimi Akeredolu
4.62%
Gov. Okezie Ikpeazu
4.62%
Gov. Ben Ayade
3.08%
Gov. Abdulrazaq Abdulrahman
3.08%
Gov. Udom Gabriel Emmanuel
3.08%
Ifeanyi Arthur Okowa
3.08%
Gov. Lawrence Ifeanyi Ugwuanyi
3.08%

 

 

 

EXCLUSIVE: RANKS AFRICA MAGAZINE SPECIAL EDITION IN PARTNERSHIP KIDD WAYA

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Narrative does change; as life goes on, the beauty of who you are will be defined by your intentions toward yourself, your fans, and your craft. Kiddwaya is a major player in Entertainment industry, and he is using his influence and individuality to improve the relationships of the fans and Stan.

COVER: KIDD WAYA

How Kiddwaya moved away from other people’s realities to pursue his own reality without taking away his wholesome personality needs to be adequately studied. Kiddwaya channeled his intuition into a dream life and the goals he has always desired at a time when so many people believed in life on social media and were faking impressions just to keep up with the gram. He took the importance of social media and celebrities’ lifestyles to a different level, thereby steadily building his fortress and creating a diversified niche.

The reality of a favorite can also influence the stans, which explains the WDG’s extraordinary composure and positivity adoration. a base that took time not just to keep up with their favorite alone but also took a cue from his positive and global impact. Boldness and a proper understanding of life are their forte—class beyond class, you might say.

Due to Kidd Waya’s significant actions over the course of his three years of fame, this special edition of Ranks Africa Magazine is dedicated to him.

So now it’s over to you. What do you think of this issue, both in print and online? What do you like and what is missing? Let us know RanksAfrica@gmail.com or @RanksAfrica on Twitter and Instagram and we’ll see what we can deliver in our forthcoming issues.

 

READ FULL DIGITAL COPY HERE 

 

Ranks Africa Magazine: Without a doubt, Kunle Afolayan revolutionized how viewers rated Nigerian films.

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The influence of Kunle Afolayan is long-lasting and profound. Prior to the monumental success of ANIKULAPO, Kunle Afolayan has always worked with magic, both historically and currently. He served as an inspiration for many filmmakers even before cinema and online streaming were widely adopted in Nigeria; to his credit, movies like Irapada, The Figurine, Phone Swap, October 1, Roti, The CEO, Mokalik, etc. have all been named the finest movies by movie lovers.

Ranks Africa Magazine Special Edition: Kunle Afolayan

 

Without a doubt, Kunle Afolayan revolutionized how viewers rated Nigerian films. He is one of the most well-known directors to emerge in the last two decades. He also fits the description of a director who is aware of the idea of talent stardom.

 

Even though Kunle Afolayan has not yet received an Oscar, he will always be considered one of the best in the world. For this reason, a special edition of Ranks Africa Magazine has been created to recognize and commemorate him.

With nearly three decades of professional acting experience, Kunle Afolayan is not just a talented filmmaker but also a very skilled actor who is pleasant, charming, and easygoing.

Ranks Africa Magazine Special Edition: Kunle Afolayan

We also name 14 actors in this special issue of the magazine who you should watch out for in 2023. The list includes actors who are having breakout years, stars of highly anticipated films for the awards season, and even actors who are making their film debuts.

 

So now it’s over to you. What do you think of this issue, both in print and online? What do you like and what is missing? Let us know RanksAfrica@gmail.com or @RanksAfrica on Twitter and Instagram and we’ll see what we can deliver in our forthcoming issues.

 

DOWNLOAD THE DIGITAL COPY HERE

RANKS MAGAZINE-FASHION EDITION: NIYI LAWAL BRIDGING THE CULTURE

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In Nigeria, becoming a successful entrepreneur and influencer is not simple, especially for well-known individuals. There is pressure attached. Hard work, expertise, and frequently a small bit of luck is necessary.

One of the few people who had a successful business before becoming famous is Niyi. Since Niyi Lawal was presented to the world via the reality television show “Big Brother Naija” season 6’s “Shine Ya Eye,” many have come to the conclusion that you don’t need to be an entertainer before you join the show.

Due to the way he conducts himself on the show, Niyi continues to be one of the most respected #BBNAIJA naija alumni.

We at Ranks Africa have decided to celebrate those who have achieved professional success and used their enterprises to have a positive influence on their industry as well as society at large. This is the driving force behind this magazine.

This time around, Niyi Lawal, a successful serial entrepreneur and fashion influencer, is the subject of our focus story. You’ll find this quite interesting. 

ADENIYI LAWAL

THE PRINT COPY IS GOING TO BE AVAILABLE FROM 30TH OCT. 2022

You can order by sending Email Ranksafrica@gmail.com or DM @ranksafrica on instagram

 

You can DOWNLOAD DIGITAL HERE FOR FREE

RanksBusiness Magazine: Taking a giant step from certainty to uncertainty, Cross da Boss inspires entrepreneurs

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Ranks Magazine is a media outlet documenting creative minds today for tomorrow, which Identify and Promote Business, People and Industries from the perspective of every people & connecting people to latest business news

Two things happen when you live through an era of rapid change, as we are now. Firstly, there is an inevitable surge of artistic creativity and second the contrarians, the non-conformists and the anti-heroes come into their own. We witness the rise of the rebel: those who don’t play by the normal rules, who flourish in chaotic, unpredictable times and welcome uncertainty without fear. This is what this edition of Ranks Africa Magazine, celebrating Entrepreneur, Cross Okonkwo is all about. This edition celebrates the curious revolutionaries who think differently and this is reflected in the articles and contents carefully put together in this edition.

This edition, gives an insight into the life and brand of Ikechukwu Sunday Cross Okonkwo, popularly known as Cross, Entertainer, Lifestyle & Fitness Entrepreneur and the King of the Cross Nation.

The Hardcopy is 8,000 and 2,000 for digital copy

PAY TO Worldlink ICT Services 1014791447, zenith bank

Send Payment Slip +2348137586216  or +2348087571401 for Confirmation

LIMITED EDITION AVAILABLE

Taking a giant step from certainty to uncertainty, Cross da Boss inspires entrepreneurs, setting a new standard beyond entertainment on this exclusive edition of Ranks Magazine which explores his entrepreneurship journey, growth and lifestyle.

To all members of the CROSS NATION across the globe, this is a must have ‘master piece’ of your king and serial Entrepreneur available.

ICON EDITION: LAYCON FROM LOCKDOWN ICON TO UNSTOPPABLE SUPER STAR

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The history of the Nigerian Entertainment landscape in the last decade cannot be said to be complete without a reference to the year 2020 which significantly affected all spheres of the entertainment industry. From Music, Movie, Comedy, to Cinema and Shows, every aspect were significantly affected as a result of the global pandemic which led to months of lockdown across the world including Nigeria. In the midst of this pandemic, while many entertainers were struggling to survive, and some pushed off the scene due to the New Normal, a new star was born, changing the face and phase of entertainment in Nigeria. His name is Olamilekan Agbelese popularly known as LAYCON, the phenomenal champion of the Lockdown episode of the “Big Brother Naija” reality TV show, who is now the Unstoppable Superstar.

Ranks Magazine is a Single Character Tabloid that intends to holistically capture the life, career growth and creativities of certain individuals who have distinguished themselves in their chosen fields of endeavours. It has a tripartite motive of; serving as a compendium for the personality, x-raying the known and revealing the unknown.

This edition, gives an insight into the lockdown ICON of Big Brother Naija, x-raying his rise to stardom, critique of his album and perspectives of fans about him. A perspective analysis of this phenomenon GOD IN HUMAN BODY is presented in this edition and it is insightful. As you flip through the pages, you will no doubt see the depth of research and robust intellectual analysis in all the discourses.

Welcome to the world of Ranks.

Chief Editor: Charles Omotayo.

Creative Director: Wale Kazeem

Project Coordinator: Wale Kazeem | Lanre Adegbaju

Photographer: Lopeze Photography

Stylist: Leereeks The Stylist

 

Read below Excerpts

ICON EDITION: AGAIN, WHO IS LAYCON?

ICON EDITION: THE UNSTOPPABLE JOURNEY OF LAYCON

VIEWS AND PERSPECTIVES OF FANS AND FRIENDS ABOUT LAYCON

Laycon: The Long Walk to Shall We Begin Album

WHY SOME FANS CHOOSE TO GO ON EVERLASTING JOURNEY WITH LAYCON

 

You can Download full Magazine 

https://ranksmagazine.com/product/laycon-icon-edition/

Ranks Africa Partners Unstoppable Super Star LAYCON in ICONIC EDITION of Ranks Magazine

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Ranks Africa is up to something with The Lockdown ICON who is now Unstoppable Superstar ‘LAYCON’ with forefront Fanbase ICONS, who are currently redefining Fanbase ideologies and goals.

The partnership is to produce a Single- Character Magazine which intends to holistically capture the life, career growth and creativity of LAYCON who have distinguished himself as REALTY STAR AND RAPPER with uncommon melodies. Ranks Magazine has a tripartite motive of; serving as a compendium for the personality, x-raying the known and revealing the unknown of the personality and promoting the works and creativity of the personality.

The September Male Edition is nicknamed ICONS EDITION to illuminate the positive beacons in a sea of negativity, especially at a time like this when youths of this age are finding entertainment and self-reliance unworthy.

The September Editon will be out on the 10th September also open for partnership in form of adverts and promotions.

ICONS, let’s do this for the culture.  READ NOW

For Advert Placement: +23480875771401 or Email info@RanksAfrica.com

Photographer @Lopeze_photography

Stylist : @leereeksthestylist

Creative Director: @rhwaley
@ranksafrica
@ranksmagazine

 

𝙊𝙡𝙤𝙬𝙤𝙠𝙚𝙧𝙚 𝙎𝙚𝙜𝙪𝙣 𝙒𝙖𝙨 𝙄𝙡𝙡𝙚𝙜𝙖𝙡𝙡𝙮 𝙏𝙧𝙞𝙚𝙙, 𝘾𝙤𝙣𝙫𝙞𝙘𝙩𝙚𝙙, 𝘼𝙣𝙙 𝙎𝙚𝙣𝙩𝙚𝙣𝙘𝙚𝙙 𝙏𝙤 𝘿𝙚𝙖𝙩𝙝 – 𝙁𝙚𝙢𝙞 𝙁𝙖𝙡𝙖𝙣𝙖, 𝙎𝘼𝙉

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In an attempt to justify the conviction and death sentence passed on Olowokere Segun by the Osun State High Court, the learned trial judge, Falola J. has said that it was a case of armed robbery and not a theft of fowl as widely reported in the social media. The judge pointed out that the convict was found guilty of armed robbery and sentenced to death. However, on the grounds of the young age of the convict and the circumstances of the case, the judge had recommended to the Governor to commute the death penalty to life imprisonment.

We submit that the trial, conviction, and death sentence passed on Olowokere Segun were illegal, null and void in every material particular. Since it was not denied that Olowokere was 17 years old at the time of his trial, the Osun State High Court lacked the jurisdictional competence to have tried him. The case ought to have been instituted in the Osun State Family Court which is exclusively empowered to exercise jurisdiction in any criminal proceeding involving or relating to any penalty, forfeiture, punishment or other liability in respect of an offence committed by a child, against a child or against the interest of a child.

Even if a child is convinced and found guilty of armed robbery, he or she shall not be ordered to be‐(a) imprisoned; or (b) subjected to corporal punishment or ©️ subjected to the death penalty or, have the death penalty recorded against him. In other words, the Family Court or any court in Osun State is prohibited from imposing the death penalty on any person under 18 years.

Even before the enactment of the Child’s Rights Law, it was illegal to pass the death sentence on a 17-year old person under section 420 of the Osun State Criminal Procedure Law. It was in realisation of the provision of that law that the learned trial judge recommended to the Governor of Osun State to grant clemency to Olowokere Segun based on mitigating factors, such as age and first-offender status.

But probably due to poverty and ignorance, the family of Olowokere neither appealed against the judgment nor pursued the recommendation of clemency made by the trial judge. Hence, the young convict had been on death row at the Kirikiri Maximum Correctional Centre for the past 10 years.

Since the trial, conviction and death sentence passed on Olowokere Segun cannot be justified in law, Governor Ademola Adeleke has rightly granted him full pardon in exercise of the prerogative of mercy conferred on him by section 214 of the 1999 Constitution of the Federal Republic of Nigeria.

The case of Olowokere Segun is a sad reminder of the case of the 12 young persons who were convicted and sentenced to death for armed robbery in Lagos in 1989. The judgment was full of errors of mistrial. In particular, the convicts were below the age of 16 years and did not speak a common language. In fact, the charge of conspiracy to commit robbery was not proved as the convicts could only express themselves in Hausa, Yoruba and Ewe languages.

Curiously, the tribunal ordered the deportation of two Ghanaians among the convicts, thereby sparing their lives. Even though the Armed Robbery and Firearms Decree ousted the jurisdiction of the courts, we challenged the human right of the convicted Nigerians to freedom from discrimination under Article 2 of the African Charter on Human and Peoples Rights (Ratification and Enforcement) Act.

The Lagos State High Court granted our application for injunction restraining the Lagos State military Governor from executing the convicts pending the determination of the substantive application. Before the substantive case was heard, the military junta had relinquished power. Based on the representation made on behalf of the convicts by our law firm, Governor Michael Otedola committed their death sentences to 10 years imprisonment. A few months later, the Governor granted them full pardon on account of their good behaviour.

Happily, Governor Otedola ensured that the ex-convicts were rehabilitated upon their release from prison custody. While appreciating the decision of Governor Adeleke to grant pardon to Olowokere Segun, we are compelled to call on the the Osun State Government to facilitate his full integration to the society.

Femi Falana SAN

19th December 2024.

My Review of Everybody Loves Jenifa – Daniel Nsa

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The day I decided to watch Everybody Loves Jenifa, I thought I was early—sharp guy like me. But apparently, Lagosians had other plans. The box office was already looking like a BRT queue during rush hour. “Come back tomorrow, we’re sold out,” the attendant said with a smirk that screamed, You dey whine me? At that moment, two truths slapped me across the face: Funke Akindele has Nigerian cinema on lockdown, and I might just be the only person in Lagos who hadn’t joined the Jenifa cult. As I dragged my tired self home, one question lingered: “Why does everybody love Jenifa? And will I?”

Let’s rewind to 2009—a simpler time when fuel was cheap, and Jenifa wasn’t just a movie; it was practically a religion. Her face was on posters at every video club, and her voice echoed in living rooms across Nigeria. My grandma, after laughing her heart out, would pause the tape just to preach about “bad company.” Jenifa wasn’t just entertainment; she was home training wrapped in comedy. Fast-forward 16 years, and Funke Akindele is still cashing in on her creation like a long-lost MMM pioneer. With Everybody Loves Jenifa pulling in ₦45 million on opening day (and that’s without Genesis Cinemas, o), you can’t argue with her star power. But here’s the real question: Is the movie actually good, or is it just noise wrapped in nostalgia?

The film kicks off in AMEN Estate—Jenifa’s crib for the soft life. Her business is booming, and her NGO is making waves. But trouble shows up in the form of Mr. Lobster (Stan Nze), a domestic violence perpetrator disguised as a philanthropist. Before you know it, Jenifa’s life spirals into a chaotic whirlwind that takes her from Lagos to Ghana, mixing domestic violence exposés with cartel drama and her iconic gbagaun one-liners.

Now, let’s call a spade a spade—this movie doesn’t pretend to be deep. It’s big, loud, and packed fuller than a plate of party jollof. The cast list alone is like a Nollywood Avengers lineup: Hilda Baci, Lagbaja, and almost everyone who’s anybody in Nollywood make cameos. While the star power will have fans screaming, the plot struggles to keep up. Imagine cooking with 15 different spices—sounds exciting, but the result might confuse your taste buds.

The biggest offender? The pacing. Some scenes drag on like Lagos traffic, repeating the same info over and over like a bad lecturer. And those subplots? Hmmm. Did we really need Destiny Etiko’s situationship with Mr. Lobster or Lateef Adedimeji’s waka pass moment as Jaburata? Honestly, the second half feels like the movie switched scripts halfway through, but at least Jackie Appiah shines as a drug lord. And then there’s Falz—our ever-reliable Shege. His romance with Jenifa is a refreshing oasis in this desert of plot chaos. Their chemistry reminds us why we fell for Jenifa’s charm all those years ago. Add Layi Wasabi as Rex, Shege’s sidekick, and you have some genuinely hilarious moments.

But e get one small wahala. Jenifa herself doesn’t quite hit the way she used to. Back in 2008, she was the underdog—awkward, relatable, and loveable. Here, she feels more like a parody of herself, surrounded by equally exaggerated characters. Adaku’s obsession with food, Madam Bassey’s limp and lisp—these gimmicks feel forced and unnecessary.

That said, the film has its moments of brilliance. The running gag of people correcting Jenifa’s grammar—even in life-threatening situations—is top-tier absurd humor. Imagine someone pointing a gun at you, and your response is, “Oga, it’s were not was.” It’s ridiculous, it’s bold, and it works.

So, why does everybody love Jenifa? Maybe because she mirrors our chaos as Nigerians—the hustle, the resilience, the gbas gbos of daily life. Or maybe Funke Akindele has simply built a brand too iconic to fail. Either way, Everybody Loves Jenifa knows its audience, and it delivers the kind of wild, laugh-out-loud spectacle that keeps fans coming back.

Is it Funke Akindele’s best work? Nope. But it’s far from her worst. It’s a nostalgia-heavy, slightly chaotic movie that will leave die-hard fans grinning and first-timers raising an eyebrow. And as I sat there in the packed cinema, surrounded by cheers and laughter, I finally got it. Loving Jenifa isn’t about logic or storytelling finesse; it’s about the vibes. The unexplainable, unreplicable, chaotic energy that only Jenifa brings to the table.

Rating: 2.5/5

Credit Daniel NSA

𝗖𝗢𝗡𝗧𝗥𝗢𝗩𝗘𝗥𝗦𝗜𝗔𝗟 ‘𝗝𝗘𝗦𝗨𝗦 𝗜𝗦 𝗡𝗢𝗧 𝗚𝗢𝗗’ 𝗕𝗔𝗡𝗡𝗘𝗥 𝗥𝗘𝗠𝗢𝗩𝗘𝗗 𝗙𝗥𝗢𝗠 𝗟𝗘𝗞𝗞𝗜 𝗠𝗢𝗦𝗤𝗨𝗘 𝗙𝗢𝗟𝗟𝗢𝗪𝗜𝗡𝗚 𝗕𝗔𝗖𝗞𝗟𝗔𝗦𝗛

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A banner displayed at the gate of the Lekki Central Mosque in Lagos State, which sparked widespread debate and criticism on social media, has been removed.

This was confirmed on Wednesday by a member of the Lekki Muslim community identified as Tunde Alabi, in a video shared online.

“My name is Tunde Alabi. I noticed that there was a banner in front of our mosque causing some controversies. I sent a message to the mosque committee, and they informed me that it had been removed. I came here personally to check, and I can confirm it has actually been removed,” Alabi said.

The banner, which had the inscription, “Jesus Christ is not God. He is a Prophet and Messenger of God!” also referenced Quran 5:72, stating, “Allah says, They have disbelieved those who say that God is the Messiah, Jesus, the son of Mary. While the Messiah had said, ‘Children of Israel, worship God, my Lord and your Lord. God has forbidden Paradise to anyone who worships something else besides Him.’”

Alabi added, “It has actually been removed as you can see. (0:28) You can see this other banner and the one that was removed was supposed to be here behind me. Actually, I am not speaking on behalf of the mosque. I’m speaking on behalf of myself.

“I can confirm that it has been removed, so let me see. I’m sorry for any inconvenience that must have caused, but the banner has been removed.
Thank you. So this date is the 18th of December and it’s about 6 p.m. Thank you.”

The message on the banner, which quickly went viral, triggered heated reactions online. Some users condemned it as disrespectful to Christianity and blasphemous, while others defended the statement as a factual representation of Islamic beliefs.

A Nigerian actress, Wumi Tuase, expressed her disapproval, saying, “I found it very weird that Lekki Central Mosque has this in front of their gate.” Similarly, a user, Fisayo Ojabodu, tweeted, “The banner is disrespectful to other people’s religion and is propagating a foolish agenda.”

Another user, Adesuwa, described the message as blasphemy.

However, some supported the banner’s content. One commenter, Olawale, remarked, “The message on the banner is true.”

Another user, Abdul’fattah Muhdl’awwal, added, “Jesus himself never said he is God. The quote in that banner is the fact and not blasphemous.”

The controversy also reignited discussions about religious tolerance and freedom of expression in Nigeria.

A user, ChristTheLighthouse, urged Christians to remain peaceful, stating, “Our Lord and saviour received criticism, backlash, rejection, and even insults up to the point of death. The gospel is never by force, war, coercion, or propaganda.”
-Punch

Tunji Afolayan: The Creative Genius Behind Seven Doors’ Breathtaking Production Designs

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Tunji Afolayan, the award-winning art director behind the critically acclaimed Netflix series Seven Doors, shares his experiences working on the show, his approach to set design, and the challenges of bringing a vision to life.

Afolayan’s passion for set design is driven by his desire to tell stories that resonate with audiences. As an art director, he believes that set design is a crucial element in storytelling. “It’s not just about creating a physical space; it’s about crafting an atmosphere that draws the audience in and enhances the narrative,” he explains.

 

Afolayan’s work on Seven Doors was a collaborative effort with the show’s producers and directors. He immersed himself in the script and the world of the story, working closely with the team to understand their vision and bring it to life. The result was a range of iconic sets, from the Ipebi to the Aganju Shrine, The vintage interiors, The tunnel, The Esusu shrine, The demolished house, each with its unique challenges and opportunities.

Afolayan’s experience working on Seven Doors is just one example of his impressive body of work. He has also worked on numerous other projects, including Jagun-Jagun, Amina, Ijakumo, King of Boys, Asiri Ade, Alakada Bad Boujee and many more. Throughout his career, Afolayan has demonstrated his commitment to excellence and his passion for storytelling.

 

However, Afolayan’s success is not just a personal achievement; it also reflects the growth and development of the Nollywood industry. Despite the challenges facing the industry, including Netflix’s recent decision to stop funding Nollywood producers, Afolayan remains optimistic about the future.

“Netflix’s decision to stop funding Nollywood producers is a wake-up call for us as an industry,” he says. “We need to find local solutions to our distribution problems. We can’t rely solely on international platforms to fund and distribute our content. We need to develop our own distribution networks, our own streaming platforms, and our own marketing strategies.”

 

Afolayan’s comments highlight the need for the Nollywood industry to take ownership of its own distribution and marketing. By developing local solutions and infrastructure, the industry can reduce its reliance on international platforms and create more opportunities for Nigerian filmmakers.

In addition to the challenges facing the Nollywood industry, Afolayan also discusses the importance of preserving Nigeria’s cultural heritage. As an art director, he has encountered difficulties in portraying centuries-old locations and cultures accurately. However, he sees this challenge as an opportunity to be innovative and resourceful.

 

Afolayan’s commitment to excellence and his passion for storytelling have earned him numerous accolades, a multi award winning across several platforms:

Amvcas: 2018 (winner Lotanna), 2022 ( winner Amina), 2023 (Nominee Battle on Bukka street), 2024 (Nominee Jagun-Jagun)

AMAA: 2022 (nominee Foreigners god ), 2024 (Jagun-jagun)

Golden movie Award: 2018(winner Lotanne), 2020(winner Foreigners god)

Best of Bollywood: 2024(winner Jagun-jagun)

The Importance of Recognizing Filmmakers Behind the Camera

Afolayan’s success highlights the importance of recognizing the hard work and dedication of filmmakers behind the camera. As he notes, “It’s unfortunate that the people behind the camera are often overlooked. Without us, the film wouldn’t be the same. I think it’s essential to recognize and celebrate the hard work and dedication of the entire filmmaking team.”

 

The Role of Funding in Movie Projects

Funding is a crucial aspect of movie production, and Afolayan emphasizes its significance. “Funding is crucial in movie projects,” he states. “It determines the scale and quality of the production. Without adequate funding, it’s challenging to bring a vision to life.”

 

What’s Next for Tunji Afolayan?

As Afolayan looks to the future, he remains committed to his craft and passionate about telling stories that resonate with audiences. With his exceptional talent and dedication, we can expect to see more of his outstanding work in the years to come.

Tunji Afolayan: The Visionary Art Director Behind Netflix’s Seven Doors

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Tunji Afolayan is a name that has become synonymous with excellence in the Nigerian film industry. As an award-winning art director, he has successfully worked on a wide range of projects, including the critically acclaimed Netflix series, Seven Doors.

A Diverse Portfolio

Tunji’s impressive portfolio boasts an array of iconic projects, including:

 

– 7 Doors

– Jagun-Jagun 1 and 2

– Amina

– Battle on Bukka Street

– King of Boys

– Foreigners’ God

– Lotanna

– Asiri Ade

– The Trade

– Alakada Bad and Bougie

– Malaika

– Ijakumo

 

Iconic Sets in Seven Doors

 

Tunji’s work on Seven Doors is a testament to his creativity and attention to detail. Some of the most memorable sets include:

 

– The Ipebi

– The Aganju Shrine

– The Palace Sets

– The Vintage Interiors

– The Tunnel

– The Esusu Shrine

– The Demolished House

 

A Master of His Craft

As an art director, Tunji has received several nominations and awards for his work on various projects. His success can be attributed to the motivation and support of his team, who are essential to bringing his ideas to life.

 

Tunji has expressed his gratitude to producer Femi Adebayo, who has consistently provided him with opportunities to work on his projects. He has also praised the directors of Seven Doors, Femi Adebayo, Tope Adebayo, and Adebayo Tijani, for their vision and imagination.

 

Bringing Imagination to Life

Tunji’s work on Seven Doors was particularly challenging, as he had to bring the directors’ imagination to life through quality and effective production designs. From sourcing and building sets to creating iconic props, Tunji’s attention to detail and creativity were instrumental in making the series a success.

 

Tunji Afolayan is a true visionary in the Nigerian film industry. His work on Seven Doors and other iconic projects is a testament to his creativity, dedication, and passion for storytelling. As the industry continues to evolve, Tunji remains at the forefront, pushing boundaries and inspiring future generations of filmmakers.

From first-class in Engineering to Jollof vendor in UK – Story of Ayo Akande

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Ayo Akande is a 25-year-old Nigerian entrepreneur with an impressive academic and professional background. Ayo, a King’s College Lagos alumnus and a first-class graduate of Chemical Engineering from the University of Lagos, also holds an MSc in Entrepreneurship from University College London and an LLM in International Business Law. During his time working in London’s financial services sector, Ayo recognised the underrepresentation of African cuisine within the city’s diverse culinary landscape. Inspired to fill this gap, he launched City Jollof to bring the bold, flavourful essence of West Africa to London’s food scene. In this interview with KENNETH ATHEKAME, he spoke about his education, international partnership and the future of global business. Excerpts:

 

How has life been after school? Has your degree given you a ticket to a better career?

 

I wouldn’t say my degree has been a golden ticket, but it has certainly opened the door to many opportunities, both directly and indirectly. My educational background (engineering, business and law) gives me a well-rounded view of issues that affect many industries. This diversity makes people want to listen to what I have to offer. It is then up to me to live to the standards and expectations that I have set. Currently, I work full-time as an investment manager—a role that isn’t directly related to the courses I studied in university or during my postgraduate studies. I am able to excel because I have acquired a lot of the foundational concepts over the course of my educational journey.

 

Can you kindly tell us something notable about yourself? What is different about you from others

 

I think I can be very resilient. I don’t give up easily, especially in causes that I am passionate about. This has been both a blessing and a curse, but mostly a blessing and evidence of which is the City Jollof brand. I also believe that ‘you don’t have to be great to start, but you have to start to be great.’” I’m quite philosophical and I enjoy making friends with the older generation. I gain a lot from their experiences, wisdom and knowledge. I got into golf a few years ago and my friends thought I was crazy.

 

One other thing is that, I am quite hands-on, experimental and curious. This is evident both professionally and personally. I was already taking IT certification exams from my secondary days in King’s College Lagos. Although not directly applicable to my current day-to-day, these experiences helped instill resilience (in the face of disinterest) and the willingness to try things out. As a result, I have also managed to gain an experience/knowledge on a wide range of subjects and industries.

 

In your opinion, how significant is the role of a first-class degree in overcoming socio-economic challenges such as poverty?

 

As a first-class degree holder from a prestigious university in Nigeria, I would say that such an achievement is not as appreciated in the Nigerian economy as it should be. Unfortunately, a first-class degree is not an automatic ticket to escaping the socio-economic challenges in the country. While it opens certain doors and provides opportunities, navigating these opportunities often requires persistence, strategic thinking, and, ultimately, God’s guidance.

 

The reality is that systemic issues like unemployment, underemployment, and limited career progression paths often overshadow individual academic achievements. However, with the right network, skills, and attitude, a first-class degree can be a stepping stone to building a better future. The key lies in leveraging that academic excellence to stand out and create value, even in a tough economy.

 

 

How well do you think a first-class degree translate into a career opportunity that lifts individuals out of poverty?

 

I think a first-class degree, like many things, is what you make out of it. Whilst you have lifetime bragging rights, the degree stops to matter after a few years into your career. People are more interested in what you are able to offer and deliver, not your degree class.

 

In navigating career opportunities, I certainly believe that having a first-class degree makes people want to listen to you. That alone, is worth the sleepless nights required to achieve such a feat.

 

Looking back, how do you think not having a first-class degree would have impacted your career and personal development?

 

Looking back, I believe not having a first-class degree would have slightly impacted my career and personal development. It might have limited my ability to make certain requests or pursue particular opportunities with confidence. The achievement has given me a level of credibility that reinforces my seriousness and dedication, which, in turn, has opened doors for me. However, this limitation might have existed only for the first few years of my career. Because I might have proved myself in other ways that display what a typical first-class degree represents – seriousness, dedication, focus, resilience.

 

Beyond career opportunities, earning a first-class degree also shaped my mindset. It instilled discipline, a strong work ethic, and the confidence to tackle challenges head-on—qualities that continue to influence my personal growth and professional journey. While success isn’t solely defined by academic achievements, having this distinction undoubtedly provided me with a strong foundation to build upon.

 

How much do you think your first-class degree shaped your decision making, both in terms of career choices and life goals, comparing with what you studied in school and what you are doing now?

 

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I believe the process of obtaining the degree was more impactful than the degree itself. The journey taught me valuable lessons about discipline, focus, and perseverance. I had to make sacrifices, remain consistent, and navigate through potential distractions. That process not only shaped how I approach challenges but also enhanced my decision-making skills, both in career choices and in life. While my career path may seem unconventional—having studied Chemical Engineering in university, followed by a master’s in Entrepreneurship, and then another in Law—it aligns perfectly with my ultimate goal of becoming an entrepreneur. Each step has added layers of knowledge and perspective, equipping me with diverse skills that support my aspirations. This progression might not follow a linear trajectory, but it reflects my belief in building a foundation that supports long-term growth and flexibility in achieving my career goals.

 

What strategies or decisions were most impactful in helping you pivot from your past to your present situation and how do you plan to continue that evolution moving forward?

 

The most impactful strategies in my transition have been field study, asking questions (from mentors and industry experts), and conducting thorough research (mostly with customers). These steps helped me gain practical insights and build a strong foundation. Moving forward, I plan to keep evolving by staying committed to learning, staying adaptable, and continuously engaging with industry trends and customer needs. The Customer is King and Queen.

 

Would you consider your current position a pitstop or a pause? How do you view this stage in your long-term goals

 

I strongly believe in the philosophy of “you don’t know unless you try,” and I’m not afraid to take risks. Starting City Jollof was a huge leap of faith, especially for an industry that wasn’t my comfort zone. This stage feels like a pivotal moment in my journey. While I’m confident that City Jollof will grow into a globally recognised brand, it also aligns with my long-term vision of making “Jollof rice” a widely celebrated and appreciated dish across all cultures. My ultimate goal is for Jollof rice to become a staple in meal timetables worldwide, and it would be even more rewarding if it’s City Jollof’s Jollof making that impact. My work wouldn’t be complete until Jollof rice becomes as global as pasta, sushi and pizza.

 

For now, I view this stage as an exciting step forward, one that will shape my future goals and help me learn and grow in unexpected ways.

 

What motivated you to transition from chemical engineering to culinary industry? And were there specific factors or experiences that influenced this decision?

 

The opportunity for City Jollof was too big and impactful for me to pass on. It was a call to action, that I couldn’t refuse. It was an avenue to create something tangible, share my culture, and connect with people in a unique way. Starting City Jollof allowed me to combine creativity with business while building a brand that represents my values and vision. The idea of contributing to something that can leave a lasting cultural impact has made the move worthwhile and exciting.

 

How have the skills and knowledge you gained in while studying chemical engineering, law and entrepreneurship been applicable or transferable to your work in culinary sector.

 

It’s quite interesting that little drops of knowledge make an ocean. You learn and grow, often without realizing it.

 

From Chemical Engineering, I developed a strong foundation in problem-solving, process optimisation, and precision—skills that are invaluable in ensuring consistency and quality in food preparation and operational efficiency. Understanding processes also helps in maintaining standards as the business grows.

 

My background in Law has been instrumental in navigating the regulatory landscape of the culinary (and any other) industry. Whether it’s handling permits, contracts, or intellectual property for the brand, my legal training ensures that the business operates compliantly and strategically protects its interests.

 

Entrepreneurship has tied everything together by equipping me with the tools to build and manage a business. It has taught me how to identify opportunities, manage risks, and create a sustainable business.

 

The combination of these disciplines has given me a unique perspective on the culinary sector, enabling me to approach challenges and opportunities with a well-rounded, strategic mindset.

 

Where do you envision City Jollof in the coming years?

 

Just like the name suggests, the vision for City Jollof is to expand beyond the UK and be found in major cities around the world. We aim to introduce more people to the richness of our cuisine through a brand that represents the very best of what we have to offer. Ultimately, we want City Jollof to be a global ambassador for our culture and flavors, bringing people together through exceptional food experiences.

 

Alakada Bad & Boujee: How Several Stars Turned Up For Toyin Abraham

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Last night’s premiere of Toyin Abraham’s “Alakada: Bad and Boujee” had the who’s who of the entertainment world stepping out in style their boujee best. The red carpet was a pastel dream, with each star embracing the “pastel paradise” theme in their own chic way.

The star of the night, Toyin Abraham, absolutely owned the carpet in a beautiful lemon-green-two-piece. The outfit shimmered with glittering stones along the neckline, sleeve hems, and trouser cuffs. And let’s talk about that oversized rose attached to her outfit – a gorgeous statement piece that cascaded all the way to the floor.

Meanwhile Ini Edo was all about the Owambe glam in a red sequined dress and gele that’s perfect for your Owambe style inspiration. Kiekie brought her usual fun vibe, adding just the right amount of playful energy to the evening, while Bimbo Ademoye kept things soft and glowing with her subtle yet striking beauty.

“Alakada: Bad and Boujee” offers a hilarious look at Yetunde (played by Toyin Abraham), a young woman from humble beginnings, who crafts a lavish lifestyle to fit in and struggles with the consequences of living a life built on lies just to get ahead in the online world. Have you seen the trailer yet? It gives a sneak peek into the world of influencers and “soft life” culture.  Fans of the “Alakada” series can now begin counting down to the premiere on December 18.

Check out some of our favourite looks from the premiere below:

Toyin Abrahram

 

Bukunmi Adeaga-Ilori (Kiekie)

 

Bimbo Ademoye

 

Ini Edo

 

Iyabo Ojo

 

Adeoluwa Prince Enioluwa

 

Ronke Odunsanya

 

Moyo Lawal

 

Muyiwa Ademola Authentic

 

Chimezie Imo

 

Idia Aisien

Nigeria leads worldwide in Crypto ownership

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Crypto trading volume declined by 21.8% in June marking third month of decline

Nigeria leads the world in crypto ownership, according to ConsenSys’ second annual Global Survey.

 

The report indicated that emerging markets like Nigeria and South Africa are driving the global adoption of cryptocurrencies.

 

The percentage of ownership is highest in the Philippines (54%), South Africa (68%), and Nigeria (73%).

 

These countries are at the forefront of notable interest in cryptocurrency-related awareness, ownership, and engagement.

 

According to the survey, 51% of respondents say they understand crypto assets and 93% of respondents worldwide are aware of them.

 

Additionally, these countries have shown a strong interest in Web3 activities, such as staking, utilizing decentralized finance (DeFi), and holding NFTs.

 

Eighty per cent of Nigerian respondents were aware of decentralization, and 77% correctly defined blockchain. In addition, 74% of respondents from South Africa said they were familiar with the concept, compared to 61% of those from the Philippines.

 

The survey also reveals enduring obstacles to entry, despite the increasing interest in cryptocurrency in these regions. Concerns about scams, market volatility, and a lack of understanding of its purpose are common worldwide.

 

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Respondents from emerging markets have shown a willingness to accept virtual currencies despite these difficulties and barriers.

 

Seventy-five per cent of those surveyed expressed concern about artificial intelligence’s (AI) potential to spread fraud and create fake news, highlighting that blockchain may be crucial in resolving these issues.

 

Blockchain could offer the accountability and transparency required to counteract AI-driven disinformation, according to roughly 54% of participants worldwide.

 

Speaking about the survey’s findings on the growing significance of data privacy, Joseph Lubin, co-founder of Ethereum and CEO of ConsenSys, stated: “It is impossible to overestimate the crucial role that blockchain technology and decentralization play in improving privacy, trust, and transparency in the way our data is handled.

 

“The adoption of Web3, blockchain, and cryptocurrency has accelerated recently, with 2024 being a key year.”

 

He clarified that this growth is partly due to the recent U.S. presidential election, which might result in more transparent regulations for the sector.

 

Nigeria: A Unique Crypto Market

Nigerians have been drawn to the digital world in hopes of making a living as the real economy struggles with high youth unemployment and astronomical food inflation.

 

Chainalysis, a New York-based company that tracks blockchain use, estimated that 33% of Nigerians currently invest in cryptocurrencies, placing the country second in global adoption, after India.

Nigerians living abroad use crypto assets to send money to their families back home, avoiding the hassles and exorbitant fees associated with traditional remittance methods.

However, Nigerian policymakers have been concerned about the appetite for cryptocurrencies, which are transnational by nature. They claim that instead of resolving Nigerians’ problems, the country’s move toward cryptocurrencies has weakened their ability to govern and further harmed the struggling naira.

These obstacles haven’t deterred President Tinubu’s administration from using a carrot-and-stick approach. While the Nigerian SEC has theoretically regulated a few local cryptocurrency exchanges, at least three well-known cryptocurrency companies have left the Nigerian market this year.

 

Bitcoin Bullish Run

Bitcoin surged to a new all-time high, reaching as high as $106K on Monday morning as investors anticipated a rate cut by the Federal Reserve later this week.

Bitcoin is now up 50% since the U.S. elections and almost 8% for the month since Trump’s victory, with a year-to-date gain of 145%.

Digital assets continue to benefit from the prospect of a more favorable regulatory environment and the potential creation of a national strategic bitcoin reserve under the incoming Donald Trump administration.

 

200m people, only 300K subscriptions’; AY reveals Netflix’s struggles in Nigeria

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Comedian and actor AY Makun has spoken out about the recent controversy surrounding Netflix’s supposed halt in funding Nigerian original films.

 

The controversy was ignited by filmmaker Kunle Afolayan, who claimed that Netflix had ceased commissioning Nigerian originals, raising concerns about the streaming giant’s commitment to the Nigerian market.

 

In an interview with Nollywood on Radio, Makun clarified that Netflix is not exiting the Nigerian market but is likely re-strategizing its approach due to financial concerns.

 

“I had a meeting with Netflix recently and it was never mentioned to me that they are opting out of business in this part of the world,” Makun stated.

 

“At the last meeting, we discussed my next project and how they can be a part of it. I also do not want to believe strongly that they are leaving Nigeria.”

 

Makun noted that Netflix’s struggles in Nigeria stem from financial challenges.

 

“The truth is if you are doing business in a particular region and you are not making money but spending much more than you’re making, you would want to re-strategise. That is what is going on with their system and structure,” he said.

 

The comedian explained that Netflix’s spending in Nigeria has far exceeded its earnings, prompting the company to reassess its business model.

 

He pointed to the widespread practice of subscription sharing and low subscription rates as key factors contributing to Netflix’s challenges in the country.

 

“For example, the subscription basis for Netflix in a country that has a population of over 200 million people is just about 300,000, so there is a leakage somewhere that needs to be corrected,” Makun noted.

 

He added that many Nigerians are accessing Netflix content through shared subscriptions rather than purchasing individual subscriptions.

 

“You would see a person with a Netflix subscription sharing with several people, so that’s the problem. It is not just about the filmmakers,” Makun concluded.

Exclusive Interview: Aliu Gafar Opens Up About His Journey as an Actor and His Iconic Role as Esusu in Seven Doors

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Aliu Gafar, the talented actor who played the iconic role of Esusu in Femi Adebayo’s Netflix series Seven Doors, has taken the Nollywood industry by storm. His powerful performance has earned him widespread acclaim, with fans and critics praising his talent and dedication.

In an exclusive interview with Ranks Africa Magazine, Aliu shared his inspiring journey as an actor, from his early beginnings in school stage plays to his rise as a leading man in Nollywood.

Early Beginnings


Aliu’s love for acting began at a young age, when his teacher, Mr. Esuola, discovered his talent and cast him in school stage plays. This early exposure to the world of acting helped Aliu develop the courage to pursue his passion.

“I am grateful to Mr. Esuola for believing in me and giving me the opportunity to showcase my talent,” Aliu said. “I pray that God continues to bless him wherever he is.”

A Journey of Self-Discovery

Aliu’s journey as an actor was not without its challenges. Losing his father at a tender age, he had to live with extended family members, who introduced him to the world of church productions. He played the role of King Pharaoh on several occasions, which helped him develop his acting skills.

Professional Training

In 2000, Aliu joined Ogboluke and Jide Are, where he received professional training as an actor. He honed his skills in stage theatre and screen, and to this day, he still performs on stage, crediting it as the foundation of his acting career.

Femi Adebayo Briefing Aliu Gafar on Esusu Character

The Role of a Lifetime: Esusu in Seven Doors
Aliu’s role as Esusu in Seven Doors was a game-changer for the actor. Although he was initially hesitant to take on the role, the producer, Femi Adebayo, saw something in him that he didn’t.

“When I got the script, I wasn’t in the country, but the Production Manager, Sodiq Adebayo, was keen on me getting back to Nigeria to start the production,” Aliu recalled. “When I read the script, I was anticipating a particular role, but when I got to the location, I was informed that I would be playing Esusu’s character. I wasn’t pleased at first, but Femi Adebayo insisted I play the role and briefed me on what he expected from me.”

Bringing Esusu to Life


With the support of the directors: Femi Adebayo, Tope Adebayo And Adebayo Tijani, the makeup artist Hakeem Effect, the art director Tunji Afolayan and the production manager Sodiq Adebayo, Aliu was able to embody the character of Esusu. He found the role challenging, particularly the scene where Oba Adeyanju fought Esusu.

“It was so challenging because I had never played such a role before,” Aliu said. “Every scene I was involved in was so significant that after filming, I would think about my character and how I managed to play the role.”

Accolades and Recognition

Aliu’s performance as Esusu in Seven Doors has received widespread acclaim, with many praising his ability to bring depth and nuance to the character.

Aliu Gafar x Femi Adebayo

“I have never thought that this project would give me so much accolades,” Aliu said. “I am grateful to God for using Femi Adebayo to give me this opportunity. He is a successful man who we all respect in the industry, and I will forever be grateful to him.”

A Bright Future Ahead
As Aliu looks to the future, he is excited to take on new challenges and roles. With his talent, dedication, and passion for acting, there is no doubt that he will continue to shine in the Nollywood industry.

“I am looking forward to much more challenging roles to play,” Aliu said. “I am grateful to everyone who has supported me on this journey, including Femi Adebayo, Adebayo Salami, and the entire cast and crew of Seven Doors.”